Intermediate Sheet Music from Bote & Bock

Mezmer for string quartet is an adaptation of the last movement of Re-Collecting ASTORoids, an earlier suite for orchestra from Kats-Chernin. Commissioned by the Melbourne Symphony Orchestra, the suit...

Melancholische Tangos sind eine Spezialität von Elena Kats-Chernin. Silver Pearls ist ein lebhafteres Exemplar, bewahrt aber poetisch-transparenten Charakter. Auf der CD Blue Silence (Vexations840 120...

With these pieces, the composer follows up on the successful piano volume 'Book of Rags for Piano' (BHI 102716). They are enjoyable rags with surprising twists off the well-known rag form. The bassoon...

A remarkable song-cycle by the young Offenbach, set to poems by the most distinguished poets of the time, among them Théophile Gautier, Alfred de Musset and Jules Barbier who was supposed to become th...

The rhapsodic piece of almost ten minutes draws its charm from changing metres and various dramatic climaxes within an overall dark, overcast mood. The Ballade (ballad) of the title develops, after a...

Gaetanos Donizettis Concertino, entstanden während seiner Studienzeit in Bologna für einen Kommilitonen, gehört zu den nicht eben zahlreichen Standardwerken für Englischhorn und Orchester. Stefaan Ver...

Zigmund Schul, who was born in Chemnitz in 1916 and died in the ghetto of Terezin in 1944, is one of the authors who have been neglected so far in connection with the reviewing and reappraising of the...

Zum 100. Geburtstag von Ursula Mamlok (1923 - 2016) gibt Boosey & Hawkes Bote & Bock in Zusammenarbeit mit der Dwight und Ursula Mamlok Stiftung eine Reihe zu Lebzeiten der Komponistin nicht publizier...

Martin Christoph Redel's Im Anfang - Geistliche Musik makes reference to biblical texts: 'Im Anfang war das Wort' [John 1, 1+14: In the beginning was the word], 'Ich hörte eine große Stimme' [Revelati...

To mark the 100th birthday of Ursula Mamlok (1923 - 2016), Boosey & Hawkes Bote & Bock, in collaboration with the Dwight and Ursula Mamlok Foundation, is publishing a series of works from the composer...

Zum 100. Geburtstag von Ursula Mamlok (1923-2016) gibt Boosey & Hawkes Bote & Bock in Zusammenarbeit mit der Dwight und Ursula Mamlok Stiftung eine Reihe zu Lebzeiten der Komponistin nicht publizierte...

Zum 100. Geburtstag von Ursula Mamlok (1923-2016) gibt Boosey & Hawkes Bote & Bock in Zusammenarbeit mit der Dwight und Ursula Mamlok Stiftung eine Reihe zu Lebzeiten der Komponistin nicht publizierte...

Zum 100. Geburtstag von Ursula Mamlok (1923-2016) gibt Boosey & Hawkes Bote & Bock in Zusammenarbeit mit der Dwight und Ursula Mamlok Stiftung eine Reihe zu Lebzeiten der Komponistin nicht publizierte...

In December 1983, Ignace Strasfogel (1901–1994) took up pencil and music paper again for the first time, ending a decades-long creative break from composing. Born in Warsaw in 1909 and moving to Berli...

“The notes have space around them in this piece, a little bit like dust over the keys. The title refers to roses delivered to a loved one, they are packed in a box and have a beautiful glow, very tend...

Grasshoppers was written in 1956 during Mamlok's studies at the Manhattan School. She balances a variety of moods, textures and tempi in six brief movemenm of a divertimento-like character that are th...

“The notes have space around them in this piece, a little bit like dust over the keys. The title refers to roses delivered to a loved one, they are packed in a box and have a beautiful glow, very tend...

I am Cello is one of several solo pieces by means of which the Australian-based composer remained in contact with her interpreters all over the world during the time of the coronavirus pandemic, compo...

Elena Kats-Chernin wrote Afterwards for the 18th birthday of a young acquaintance, Guy Knopke, who had just started playing the bassoon. The title refers to the new adventures and changes that can lie...

Elena Kats-Chernin has collaborated with writer Joanna Murray-Smith several times, most recently on the TV soap opera The Divorce. A Nostalgic Piece was originally composed as incidental music for the...

Composer's note: 'In 2000 I wrote a piece called Sand Waltz for the Canberra Wind Players. In the middle of it I wrote a four-chord progression. When I started working on the ballet Wild Swans (2003)...

The piece is part of the ballet Wild Swans, choreographed by Meryl Tankard at the Sydney Opera House in 2002, based on the fairy tale The Wild Swans by Hans Christian Andersen. Originally scored for s...

The piece is part of the ballet Wild Swans, choreographed by Meryl Tankard at the Sydney Opera House in 2002, based on the fairy tale The Wild Swans by Hans Christian Andersen. Originally scored for s...