Intermediate Sheet Music from Chester Music
First performance by the Nash Ensemble (Philippa Davies, alto flute/piccolo, Lawrence Power, viola, andLucy Wakeford, harp) on 12th July 2004 at the Pittville Pump Room, Cheltenham, as part of the Che...
First performance by the Nash Ensemble (Philippa Davies, alto flute/piccolo, Lawrence Power, viola, andLucy Wakeford, harp) on 12th July 2004 at the Pittville Pump Room, Cheltenham, as part of the Che...
- Flute, Harp and Viola
- Set of Parts
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First performance on 20th November 2007, at St George's Hall, Liverpool, by Nicholas Cox (Clarinet) and the Chilingirian Quartet, as part of the Rodewald Concert Series.
First performance on 20th November 2007, at St George's Hall, Liverpool, by Nicholas Cox (Clarinet) and the Chilingirian Quartet, as part of the Rodewald Concert Series.
- Clarinet and 4 Strings
- Set of Parts
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Written for viol consort. This work was commissioned by Concordia. First performance by Concordia on 17 July 2004 at the Cheltenham International Festival of Music.
Written for viol consort. This work was commissioned by Concordia. First performance by Concordia on 17 July 2004 at the Cheltenham International Festival of Music.
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Written for viol consort. This work was commissioned by Concordia. First performance by Concordia on 17 July 2004 at the Cheltenham International Festival of Music.
Written for viol consort. This work was commissioned by Concordia. First performance by Concordia on 17 July 2004 at the Cheltenham International Festival of Music.
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- Set of Parts
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Chapple's Praeludiana is an extended 'celebration' of Chopin's well-known prelude in C minor. First, a fast, flashing sequence of chords moves from manual to manual: next a Stravinskyan barrage of bra...
Chapple's Praeludiana is an extended 'celebration' of Chopin's well-known prelude in C minor. First, a fast, flashing sequence of chords moves from manual to manual: next a Stravinskyan barrage of bra...
- Organ
- Sheet Music
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These variations are based on some of the musical material which Geoffrey Burgon composed for the Granada Television adaption of Evelyn Waugh's 'Brideshead Revisited. '
These variations are based on some of the musical material which Geoffrey Burgon composed for the Granada Television adaption of Evelyn Waugh's 'Brideshead Revisited. '
- Organ
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On 23 June 2013 Peter Maxwell Davies's Capstone, for organ, received its world premiere performance at the City of London Festival. Commissioned by St Paul's Cathedral, Capstone was performed at the C...
On 23 June 2013 Peter Maxwell Davies's Capstone, for organ, received its world premiere performance at the City of London Festival. Commissioned by St Paul's Cathedral, Capstone was performed at the C...
- Organ
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Mandēlion was commissioned for the 1982 Dublin International Organ Festival by RHM Foods. It was first performed on the 27th June 1982 by Pete Sweeney, at St. Patrick's Cathedral in Dublin. The piece...
Mandēlion was commissioned for the 1982 Dublin International Organ Festival by RHM Foods. It was first performed on the 27th June 1982 by Pete Sweeney, at St. Patrick's Cathedral in Dublin. The piece...
- Organ
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This book gives you everything you'll need to Blitz! the ABRSM Grade 3 Theory exam. It contains: - Everything you need to know (and nothing you don't) for the 2018 syllabus. - More information, revisi...
This book gives you everything you'll need to Blitz! the ABRSM Grade 3 Theory exam. It contains: - Everything you need to know (and nothing you don't) for the 2018 syllabus. - More information, revisi...
- Theory
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How To Blitz! ABRSM Theory Grade 4 (2018 Revision) includes everything you'll need to blitz your Grade 4 ABRSM Theory exam.
How To Blitz! ABRSM Theory Grade 4 (2018 Revision) includes everything you'll need to blitz your Grade 4 ABRSM Theory exam.
- Theory
- Book
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For solo harpsichord.
- Harpsichord
- Sheet Music
- Chester Music
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Immerse yourself in the radiant sonic warmth of the sunny season with the "Quintetto Dell'estate". This enchanting chamber work masterfully captures the vibrant, luminous atmosphere of summer, offerin...
Immerse yourself in the radiant sonic warmth of the sunny season with the "Quintetto Dell'estate". This enchanting chamber work masterfully captures the vibrant, luminous atmosphere of summer, offerin...
- Flute, Clarinet, Violin, Cello and Piano
- Score and Parts
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A Hymn to God the Father. A Hymn to Christ. The sun rising.
A Hymn to God the Father. A Hymn to Christ. The sun rising.
- High Voice and Piano
- Sheet Music
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Marienhymne is a piece on a smaller scale than Tavener's dramatic cantatas, and is written for unaccompanied choir and semiChorus. Tavener was drawn to writer and philosopher Frithjof Schuon's vision...
Marienhymne is a piece on a smaller scale than Tavener's dramatic cantatas, and is written for unaccompanied choir and semiChorus. Tavener was drawn to writer and philosopher Frithjof Schuon's vision...
- Mixed Choir (SATB) and Female Choir (SSAA)
- Choral Score
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The Leopold Serenata is taken from the Secular Cantata written in commemoration of the birthday of Leopold, Duke of Anhalt-Côthen. This serenata is one of the most charming pieces of chamber music wr...
The Leopold Serenata is taken from the Secular Cantata written in commemoration of the birthday of Leopold, Duke of Anhalt-Côthen. This serenata is one of the most charming pieces of chamber music wr...
- Piano
- Sheet Music
- Walter Rummel
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This overture is the opening of the 146th Church Cantata. It is scored for full string orchestra with organ obbligato and is the original form of the first movement of the later and better known Piano...
This overture is the opening of the 146th Church Cantata. It is scored for full string orchestra with organ obbligato and is the original form of the first movement of the later and better known Piano...
- Piano
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- Walter Eummel
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Extracted from the Final Chorus of Bach's Cantata No. 22. The Chorale is a folk-tune of the 15th Century. The words are by Elizabeth Creutziger (1524). 'Ach wie flüchtig, ach wie nichtig ist des mensc...
Extracted from the Final Chorus of Bach's Cantata No. 22. The Chorale is a folk-tune of the 15th Century. The words are by Elizabeth Creutziger (1524). 'Ach wie flüchtig, ach wie nichtig ist des mensc...
- Piano
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- Walter Rummel
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Adapted by Walter Rummel from J. S. Bach's original. 'Liebster Jesu wir sind hier.'
Adapted by Walter Rummel from J. S. Bach's original. 'Liebster Jesu wir sind hier.'
- Piano
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- Walter Rummel
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Adapted by Walter Rummel from J. S. Bach's original. 'Was Gott tut, das ist wohlgetan.'
Adapted by Walter Rummel from J. S. Bach's original. 'Was Gott tut, das ist wohlgetan.'
- Piano
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- Walter Rummel
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Adapted by Walter Rummel from J. S. Bach's original. 'Stürze zu boden.'
Adapted by Walter Rummel from J. S. Bach's original. 'Stürze zu boden.'
- Piano
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- Walter Rummel
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Adapted by Walter Rummel from J. S. Bach's original. 'Dich hab' ich je und je geliebt.'
Adapted by Walter Rummel from J. S. Bach's original. 'Dich hab' ich je und je geliebt.'
- Piano
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- Walter Rummel
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Adapted by Walter Rummel from J. S. Bach's original. 'Mein gläubiges herze, frohlocke, sing, scherze.'
Adapted by Walter Rummel from J. S. Bach's original. 'Mein gläubiges herze, frohlocke, sing, scherze.'
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- Walter Rummel
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Adapted by Walter Rummel from J. S. Bach's original. Tanzlied des Pan 'Zu tanze, zu sprunge'.
Adapted by Walter Rummel from J. S. Bach's original. Tanzlied des Pan 'Zu tanze, zu sprunge'.
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- Walter Rummel
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Adapted by Walter Rummel from J. S. Bach's original Cantata 129. 'Gelobet sei mein Gott in alle ewigkeit.' There are two versions of this work printed in this book. One is a simplified version.
Adapted by Walter Rummel from J. S. Bach's original Cantata 129. 'Gelobet sei mein Gott in alle ewigkeit.' There are two versions of this work printed in this book. One is a simplified version.
- Piano
- Sheet Music
- Walter Rummel
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One of the most beautiful of all Bach's melodies, is this one taken from the alto aria of the 127th Cantata, and was accompanied by string quartet and oboe. As this accompaniment mainly consists of ch...
One of the most beautiful of all Bach's melodies, is this one taken from the alto aria of the 127th Cantata, and was accompanied by string quartet and oboe. As this accompaniment mainly consists of ch...
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- Walter Rummel
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