Intermediate Sheet Music from Editions Bim

2 trumpets and chamber orchestra or piano Exact instrumentation: 2.2.2.2-2.0.0.0-strings

Blik [Gleam] is a work by Icelandic composer Askell Masson, inspired by and written in 1979 for clarinet virtuoso Einar Johannesson. The six minute long piece covers the complete range of the instrume...

Blik [Gleam] is a work by Icelandic composer Askell Masson, inspired by and written in 1979 for clarinet virtuoso Einar Johannesson. The six minute long piece covers the complete range of the instrume...

The Sonatina's three movements are played without a break. The opening Andante is a dark, slow waltz - a spectre, perhaps, of old Vienna - with its tightly coiled motifs leading to a more lyrical, med...

The Sonatina's three movements are played without a break. The opening Andante is a dark, slow waltz - a spectre, perhaps, of old Vienna - with its tightly coiled motifs leading to a more lyrical, med...

These 3 Bagatelles, for clarinet alone, by Icelandic composer Askell Masson, are a study of contrasts involving a wide range of dynamics while utilizing the full range of the clarinet. Quest, the firs...

These 3 Bagatelles, for clarinet alone, by Icelandic composer Askell Masson, are a study of contrasts involving a wide range of dynamics while utilizing the full range of the clarinet. Quest, the firs...

Dez a fio' in Portuguese, is a linguistic expression which means 'a sequence of 10 things'. In the context of this work, this idea is reflected in formal structure, or, in other words, this work is th...

Dez a fio' in Portuguese, is a linguistic expression which means 'a sequence of 10 things'. In the context of this work, this idea is reflected in formal structure, or, in other words, this work is th...

The Sonata for clarinet and piano represents my inner feelings and personal perception of the evolution of the world. It was my intention to use modern musical language to express these very strong pe...

I chose Solissimo as a general title for a series of works for unaccompanied instruments. The first part of Solissimo III for clarinet alone - Lento - was written in the form of a passacaglia. A low t...

I chose Solissimo as a general title for a series of works for unaccompanied instruments. The first part of Solissimo III for clarinet alone - Lento - was written in the form of a passacaglia. A low t...

As a booster of contemporary music, it has always been my personal credo to premiere a composition at my concerts. When the Lincoln Center for the Performing Arts (NYC) asked me to perform a series of...

As a booster of contemporary music, it has always been my personal credo to premiere a composition at my concerts. When the Lincoln Center for the Performing Arts (NYC) asked me to perform a series of...

My deliberate and extensive studies of the musical repertoire of the first half of the 19th century over many years has enabled me to become familiar with the structures and writing techniques of that...

My deliberate and extensive studies of the musical repertoire of the first half of the 19th century over many years has enabled me to become familiar with the structures and writing techniques of that...

Reflections was composed in 1992. It was commissioned by Marc Fink, Professor of Oboe at the University of Wisconsin-Madison. He premiered this three-movement work at the 1992 International Double Ree...

Reflections was composed in 1992. It was commissioned by Marc Fink, Professor of Oboe at the University of Wisconsin-Madison. He premiered this three-movement work at the 1992 International Double Ree...

Bagatelles, similarly to 'Badineries' or 'Capprici' allow composers to express their sense of humor, of parody or derision. This genre strongly inspires Jean-François Michel as these 3 Bagatelles for...

Maurice Ravel originally composed his Pièce en Forme de Habanera in 1907 for bass voice and piano. Ravel later transcribed the piece for cello and piano, while retaining all the virtuosity of the orig...

Maurice Ravel originally composed his Pièce en Forme de Habanera in 1907 for bass voice and piano. Ravel later transcribed the piece for cello and piano, while retaining all the virtuosity of the orig...