Intermediate Sheet Music from Editions Bim
- Horn and Piano
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This 'Nocturne' for Horn and Strings was written in 1987 for the American hornist Gail Williams, and was completed in 1988 in Los Angeles. The work especially brings out the lyrical and expressive sid...
This 'Nocturne' for Horn and Strings was written in 1987 for the American hornist Gail Williams, and was completed in 1988 in Los Angeles. The work especially brings out the lyrical and expressive sid...
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A youthful effort, this Sonatine is evidence of the love of the composer for the horn, his 'second' instrument at the Conservatory, and of the influence on him of the rhythms and modes of the folk mus...
A youthful effort, this Sonatine is evidence of the love of the composer for the horn, his 'second' instrument at the Conservatory, and of the influence on him of the rhythms and modes of the folk mus...
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Jerusalem Fugue for horn and strings (or piano) was commissioned by James Cox, principal horn with the Israel Philharmonic, and the International Horn Society (the Meir Rimon Commissioning Assistance...
Jerusalem Fugue for horn and strings (or piano) was commissioned by James Cox, principal horn with the Israel Philharmonic, and the International Horn Society (the Meir Rimon Commissioning Assistance...
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Jerusalem Fugue for horn and strings (or piano) was commissioned by James Cox, principal horn with the Israel Philharmonic, and the International Horn Society (the Meir Rimon Commissioning Assistance...
Jerusalem Fugue for horn and strings (or piano) was commissioned by James Cox, principal horn with the Israel Philharmonic, and the International Horn Society (the Meir Rimon Commissioning Assistance...
- Horn and Piano
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On a characteristic tango atmosphere, a melancholic and sensual melody opens the first piece. A simple and vibrant chant comes next, in a frame that's sometimes rarefied, sometimes passionate. The fin...
On a characteristic tango atmosphere, a melancholic and sensual melody opens the first piece. A simple and vibrant chant comes next, in a frame that's sometimes rarefied, sometimes passionate. The fin...
- Horn and Piano
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- Horn and Piano
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Thanks to the basic exercises compiled here, I have been able to build and maintain my orchestral, soloist and chamber music career in the best physical shape, as is absolutely necessary in our profes...
Thanks to the basic exercises compiled here, I have been able to build and maintain my orchestral, soloist and chamber music career in the best physical shape, as is absolutely necessary in our profes...
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- Double Bass and Orchestra
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- Double Bass and Orchestra
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Exact instrumentation: 2.2.2.2. - 2.2.0.0. - timpani, grand cassa - strings The present work published here for the first time bears the title: 'Concertino für die Tenor Bass Posaune mit Begleitung de...
Exact instrumentation: 2.2.2.2. - 2.2.0.0. - timpani, grand cassa - strings The present work published here for the first time bears the title: 'Concertino für die Tenor Bass Posaune mit Begleitung de...
- Trombone and Piano
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- Istvan Mariassy
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When Jean-Pierre Mathez asked me to write this concerto for trombone, I was perplexed: what kind of music should I write for such an unusual solo instrument? Then I remembered J.C. Higginbotham* and h...
When Jean-Pierre Mathez asked me to write this concerto for trombone, I was perplexed: what kind of music should I write for such an unusual solo instrument? Then I remembered J.C. Higginbotham* and h...
- Trombone and Piano
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- Trombone and Organ
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The Sonata for Trombone and Piano was completed in July 1999 as a commission for Andrew Malloy. The work is based on a 'troublesome' 12 tone row, the intervals of which imply shifting chromatic tonali...
The Sonata for Trombone and Piano was completed in July 1999 as a commission for Andrew Malloy. The work is based on a 'troublesome' 12 tone row, the intervals of which imply shifting chromatic tonali...
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