Intermediate Sheet Music from Editions Bim
Richard Lane was 44 when he composed this 'Dialogue' for flute and piano in February 1987 for his friends Erich and Erna Laury, two prominent psychiatrists whose avocation was music performance at a p...
Richard Lane was 44 when he composed this 'Dialogue' for flute and piano in February 1987 for his friends Erich and Erna Laury, two prominent psychiatrists whose avocation was music performance at a p...
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Richard Lane dedicated with pleasure smaller works to friends or students. All have his caracteristic musical signature, a synthesis between charm and an exceptional sens for melodic and harmonic form...
Richard Lane dedicated with pleasure smaller works to friends or students. All have his caracteristic musical signature, a synthesis between charm and an exceptional sens for melodic and harmonic form...
- Flute and Piano
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Richard Lane dedicated with pleasure smaller works to friends or students. All have his caracteristic musical signature, a synthesis between charm and an exceptional sens for melodic and harmonic form...
Richard Lane dedicated with pleasure smaller works to friends or students. All have his caracteristic musical signature, a synthesis between charm and an exceptional sens for melodic and harmonic form...
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This Trio has been written to the opening of an exhibition dedicated to the subject 'water'. The piece starts very quietly in the low and middle register, getting more lively, whirles with trills befo...
This Trio has been written to the opening of an exhibition dedicated to the subject 'water'. The piece starts very quietly in the low and middle register, getting more lively, whirles with trills befo...
- Flute Trio
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This Trio has been written to the opening of an exhibition dedicated to the subject 'water'. The piece starts very quietly in the low and middle register, getting more lively, whirles with trills befo...
This Trio has been written to the opening of an exhibition dedicated to the subject 'water'. The piece starts very quietly in the low and middle register, getting more lively, whirles with trills befo...
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Lace' for flute and piano was written in 2007. It is a brilliant, masterly and very effectiv piece putting the virtuoso aspect of the flute playing in evidence.
Lace' for flute and piano was written in 2007. It is a brilliant, masterly and very effectiv piece putting the virtuoso aspect of the flute playing in evidence.
- Flute and Piano
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Lace' for flute and piano was written in 2007. It is a brilliant, masterly and very effectiv piece putting the virtuoso aspect of the flute playing in evidence.
Lace' for flute and piano was written in 2007. It is a brilliant, masterly and very effectiv piece putting the virtuoso aspect of the flute playing in evidence.
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As Ingrid Dingfelder, flute player and dedicacee (with pianist Rita Koors-Myers) of this Sonata No.3 for flute and piano relates, this piece, dated September 1973, is in fact a revised version of a wo...
As Ingrid Dingfelder, flute player and dedicacee (with pianist Rita Koors-Myers) of this Sonata No.3 for flute and piano relates, this piece, dated September 1973, is in fact a revised version of a wo...
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As Ingrid Dingfelder, flute player and dedicacee (with pianist Rita Koors-Myers) of this Sonata No.3 for flute and piano relates, this piece, dated September 1973, is in fact a revised version of a wo...
As Ingrid Dingfelder, flute player and dedicacee (with pianist Rita Koors-Myers) of this Sonata No.3 for flute and piano relates, this piece, dated September 1973, is in fact a revised version of a wo...
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- Flute Duet
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- Flute Duet
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Learning instrumental techniques is transmitted through methods and technical studies. But for the art of interpretation, the transmission occurs with musical works that are adapted to specific techni...
Learning instrumental techniques is transmitted through methods and technical studies. But for the art of interpretation, the transmission occurs with musical works that are adapted to specific techni...
- Flute and Piano
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Learning instrumental techniques is transmitted through methods and technical studies. But for the art of interpretation, the transmission occurs with musical works that are adapted to specific techni...
Learning instrumental techniques is transmitted through methods and technical studies. But for the art of interpretation, the transmission occurs with musical works that are adapted to specific techni...
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Anyone who has sung in a choir knows the unavoidable and more or less boring exercises of the beginning of a rehearsal: vocal warm-up. Caroline Charriere has drawn a parody from this phase of the rehe...
Anyone who has sung in a choir knows the unavoidable and more or less boring exercises of the beginning of a rehearsal: vocal warm-up. Caroline Charriere has drawn a parody from this phase of the rehe...
- Women's Choir
- Choral Score
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Anyone who has sung in a choir knows the unavoidable and more or less boring exercises of the beginning of a rehearsal: vocal warm-up. Caroline Charriere has drawn a parody from this phase of the rehe...
Anyone who has sung in a choir knows the unavoidable and more or less boring exercises of the beginning of a rehearsal: vocal warm-up. Caroline Charriere has drawn a parody from this phase of the rehe...
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Agnus Dei for women's choir (S.S.A.A.) was first performed in 1993 by the Choeur de Jade of Fribourg (Switzerland) in that city. It was during the period of war time in the former Yugoslavia, and I wa...
Agnus Dei for women's choir (S.S.A.A.) was first performed in 1993 by the Choeur de Jade of Fribourg (Switzerland) in that city. It was during the period of war time in the former Yugoslavia, and I wa...
- Women's Choir (SSAA)
- Choral Score
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Agnus Dei for women's choir (S.S.A.A.) was first performed in 1993 by the Choeur de Jade of Fribourg (Switzerland) in that city. It was during the period of war time in the former Yugoslavia, and I wa...
Agnus Dei for women's choir (S.S.A.A.) was first performed in 1993 by the Choeur de Jade of Fribourg (Switzerland) in that city. It was during the period of war time in the former Yugoslavia, and I wa...
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Psaume 27 (Psalm 27) has been commissioned by Marc Bochud, director of the great girls choir of the Schola of Sion (Valais, Switzerland). Both pieces require a harp accompaniement. The first one, Exau...
Psaume 27 (Psalm 27) has been commissioned by Marc Bochud, director of the great girls choir of the Schola of Sion (Valais, Switzerland). Both pieces require a harp accompaniement. The first one, Exau...
- Women's Choir and Harp
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Psaume 27 (Psalm 27) has been commissioned by Marc Bochud, director of the great girls choir of the Schola of Sion (Valais, Switzerland). Both pieces require a harp accompaniement. The first one, Exau...
Psaume 27 (Psalm 27) has been commissioned by Marc Bochud, director of the great girls choir of the Schola of Sion (Valais, Switzerland). Both pieces require a harp accompaniement. The first one, Exau...
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1 C'est un vieux banc sur la colline, Les moineaux vont s'y réchauffer Quand le soleil sur l'aubépine Chasse au loin gel et giboulées. Doux printemps d'aimer, ô, J'ai gravé nos coeurs pour toujours. L...
1 C'est un vieux banc sur la colline, Les moineaux vont s'y réchauffer Quand le soleil sur l'aubépine Chasse au loin gel et giboulées. Doux printemps d'aimer, ô, J'ai gravé nos coeurs pour toujours. L...
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In this short song, Caroline Charrière sets to music a poem by the Vaud poetess José-Flore Tappy. She dedicates it to the Fribourg politician Solange Berset, in gratitude for her commitment to the cre...
In this short song, Caroline Charrière sets to music a poem by the Vaud poetess José-Flore Tappy. She dedicates it to the Fribourg politician Solange Berset, in gratitude for her commitment to the cre...
- Mixed Choir
- Choral Score
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In this short song, Caroline Charrière sets to music a poem by the Vaud poetess José-Flore Tappy. She dedicates it to the Fribourg politician Solange Berset, in gratitude for her commitment to the cre...
In this short song, Caroline Charrière sets to music a poem by the Vaud poetess José-Flore Tappy. She dedicates it to the Fribourg politician Solange Berset, in gratitude for her commitment to the cre...
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In 1941, Bernard Reichel composed 'Trois Prières latines ' (Three Latin Prayers), which he dedicated to Charles Faller. The lyrics of these songs are extracted from psalms and perhaps reflect the tens...
In 1941, Bernard Reichel composed 'Trois Prières latines ' (Three Latin Prayers), which he dedicated to Charles Faller. The lyrics of these songs are extracted from psalms and perhaps reflect the tens...
- Mixed Choir and Organ
- Choral Score
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In 1941, Bernard Reichel composed 'Trois Prières latines ' (Three Latin Prayers), which he dedicated to Charles Faller. The lyrics of these songs are extracted from psalms and perhaps reflect the tens...
In 1941, Bernard Reichel composed 'Trois Prières latines ' (Three Latin Prayers), which he dedicated to Charles Faller. The lyrics of these songs are extracted from psalms and perhaps reflect the tens...
- Mixed Choir and Organ
- Choral Score Download
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The Foam Against the Giant is inspired by a sea voyage by composer Ewen Cousin. The title refers to the encounter between human fragility and the overwhelming power of nature, as experienced during vi...
The Foam Against the Giant is inspired by a sea voyage by composer Ewen Cousin. The title refers to the encounter between human fragility and the overwhelming power of nature, as experienced during vi...
- Oboe, Violin, Cello and Harp
- Score and Parts
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