Intermediate Sheet Music from G. Henle Verlag
Revised edition replaces HN1360. Bach's three-part Sinfonias acquaint pianists of every age with the art of playing three equal parts with just two hands - a true phenomenon! It is no accident that th...
Revised edition replaces HN1360. Bach's three-part Sinfonias acquaint pianists of every age with the art of playing three equal parts with just two hands - a true phenomenon! It is no accident that th...
- Piano
- Sheet Music (Urtext)
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You don't need to be a virtuoso on the piano to immerse yourself in the dream world of French Impressionism. Debussy makes it particularly easy to get started, since he knows how to create masterful m...
You don't need to be a virtuoso on the piano to immerse yourself in the dream world of French Impressionism. Debussy makes it particularly easy to get started, since he knows how to create masterful m...
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- Sheet Music (Urtext)
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Haydn's piano sonatas are an integral part of the lighter piano literature not only because of their good playability, but also because of their humor and inventiveness. In our volume we have included...
Haydn's piano sonatas are an integral part of the lighter piano literature not only because of their good playability, but also because of their humor and inventiveness. In our volume we have included...
- Piano
- Sheet Music (Urtext)
- Sylvia Herwig-Tröscher
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> Ascending difficulty from easy to medium > Also easy pieces of cheerful-melancholic depth > For returning pianists and their teachers > Editor and fingering: Sylvia Hewig-Tröscher Of the twelve comp...
> Ascending difficulty from easy to medium > Also easy pieces of cheerful-melancholic depth > For returning pianists and their teachers > Editor and fingering: Sylvia Hewig-Tröscher Of the twelve comp...
- Piano
- Sheet Music (Urtext)
- Sylvia Hewig-Tröscher
- G. Henle Verlag
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> Unmistakably Chopinian tone even in the not too difficult, short pieces > Gradual introduction to the tonal language of the Polish-French master > Editor and fingering: Sylvia Hewig-Troescher Alth...
> Unmistakably Chopinian tone even in the not too difficult, short pieces > Gradual introduction to the tonal language of the Polish-French master > Editor and fingering: Sylvia Hewig-Troescher Alth...
- Piano
- Sheet Music (Urtext)
- Sylvia Hewig-Tröscher
- G. Henle Verlag
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Bach's Preludes are on holiday at the Mediterranean' - the wonderful alliance of polyphonic fluency and musical delight in Domenico Scarlatti's piano sonatas could be described thus. Originally compos...
Bach's Preludes are on holiday at the Mediterranean' - the wonderful alliance of polyphonic fluency and musical delight in Domenico Scarlatti's piano sonatas could be described thus. Originally compos...
- Piano
- Sheet Music (Urtext)
- Detlef Kraus
- G. Henle Verlag
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Bach's Preludes are on holiday at the Mediterranean' - the wonderful alliance of polyphonic fluency and musical delight in Domenico Scarlatti's piano sonatas could be described thus. Originally compos...
Bach's Preludes are on holiday at the Mediterranean' - the wonderful alliance of polyphonic fluency and musical delight in Domenico Scarlatti's piano sonatas could be described thus. Originally compos...
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- Sheet Music (Urtext)
- Detlef Kraus
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It is almost impossible to tell from listening to them that Bach's extremely popular concerti for harpsichord were probably his own transcriptions of solo concerti which had originally been composed f...
It is almost impossible to tell from listening to them that Bach's extremely popular concerti for harpsichord were probably his own transcriptions of solo concerti which had originally been composed f...
- Piano and Orchestra
- Study Score (Urtext)
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The basis for the musical text of this study score was Henle's revised edition of Part I published in 1997 and Yo Tomita's brand new revision of Part II (spring 2007). A detailed commentary rounds off...
The basis for the musical text of this study score was Henle's revised edition of Part I published in 1997 and Yo Tomita's brand new revision of Part II (spring 2007). A detailed commentary rounds off...
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Johann Kuhnau, who preceded Johann Sebastian Bach as Thomas Cantor in Leipzig, left a wealth of works, including pivotal compositions for keyboard instruments. Now for the first time all of these work...
Johann Kuhnau, who preceded Johann Sebastian Bach as Thomas Cantor in Leipzig, left a wealth of works, including pivotal compositions for keyboard instruments. Now for the first time all of these work...
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Variations on a well-liked theme, mainly from contemporary operas, were extremely popular at the end of the 18th century. Even the young Beethoven made several contributions to this genre. We do not k...
Variations on a well-liked theme, mainly from contemporary operas, were extremely popular at the end of the 18th century. Even the young Beethoven made several contributions to this genre. We do not k...
- Cello and Piano
- Sheet Music (Urtext)
- David Geringas
- G. Henle Verlag
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Bach’s harpsichord concerti, extremely popular among pianists, are presumably reworkings of pieces originally written for the violin. Bach, however, succeeded in transferring the diverse idiosyncrasie...
Bach’s harpsichord concerti, extremely popular among pianists, are presumably reworkings of pieces originally written for the violin. Bach, however, succeeded in transferring the diverse idiosyncrasie...
- Harpsichord, 2 Violins, Viola and Continuo
- Instrumental Part: Violin 1 (Urtext)
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Bach’s harpsichord concerti, extremely popular among pianists, are presumably reworkings of pieces originally written for the violin. Bach, however, succeeded in transferring the diverse idiosyncrasie...
Bach’s harpsichord concerti, extremely popular among pianists, are presumably reworkings of pieces originally written for the violin. Bach, however, succeeded in transferring the diverse idiosyncrasie...
- Harpsichord, 2 Violins, Viola and Continuo
- Instrumental Part: Violin 2 (Urtext)
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Bach’s harpsichord concerti, extremely popular among pianists, are presumably reworkings of pieces originally written for the violin. Bach, however, succeeded in transferring the diverse idiosyncrasie...
Bach’s harpsichord concerti, extremely popular among pianists, are presumably reworkings of pieces originally written for the violin. Bach, however, succeeded in transferring the diverse idiosyncrasie...
- Harpsichord, 2 Violins, Viola and Continuo
- Instrumental Part: Viola (Urtext)
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Bach’s harpsichord concerti, extremely popular among pianists, are presumably reworkings of pieces originally written for the violin. Bach, however, succeeded in transferring the diverse idiosyncrasie...
Bach’s harpsichord concerti, extremely popular among pianists, are presumably reworkings of pieces originally written for the violin. Bach, however, succeeded in transferring the diverse idiosyncrasie...
- Harpsichord, 2 Violins, Viola and Continuo
- Instrumental Part: Continuo (Urtext)
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The Divertimento K. 247 in B-flat major was composed for the name day of Countess Antonia Lodron, and was first performed on 18 June 1776 in Salzburg. The little March K. 248 was presumably used to ac...
The Divertimento K. 247 in B-flat major was composed for the name day of Countess Antonia Lodron, and was first performed on 18 June 1776 in Salzburg. The little March K. 248 was presumably used to ac...
- 2 Horns, 2 Violins, Viola and Double Bass
- Study Score (Urtext)
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It is almost impossible to tell from listening to them that Bach's extremely popular concerti for harpsichord were probably his own transcriptions of solo concerti which had originally been composed f...
It is almost impossible to tell from listening to them that Bach's extremely popular concerti for harpsichord were probably his own transcriptions of solo concerti which had originally been composed f...
- Piano and Orchestra
- Study Score (Urtext)
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The Concerto in Bb major K. 595 is not only Mozart's very last in the series of very important works for piano and orchestra. It is generally regarded as his most mature, perhaps even his most beautif...
The Concerto in Bb major K. 595 is not only Mozart's very last in the series of very important works for piano and orchestra. It is generally regarded as his most mature, perhaps even his most beautif...
- Piano and Orchestra
- Study Score (Urtext)
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After Volumes IV and III of the series with Mozart's complete string quartets appeared as Henle Urtext editions in early 2017 and 2019 respectively, Mozart expert Wolf-Dieter Seiffert now presents Vol...
After Volumes IV and III of the series with Mozart's complete string quartets appeared as Henle Urtext editions in early 2017 and 2019 respectively, Mozart expert Wolf-Dieter Seiffert now presents Vol...
- String Quartet (2 Violins, Viola and Cello)
- Study Score (Urtext)
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The serenade flourished in Mozart’s era, but with Brahms the genre experienced a new surge in popularity in the 19th century. Dvořák’s cheerful and relaxed op. 22 came into being in 1875, during a ver...
The serenade flourished in Mozart’s era, but with Brahms the genre experienced a new surge in popularity in the 19th century. Dvořák’s cheerful and relaxed op. 22 came into being in 1875, during a ver...
- String Orchestra
- Instrumental Part: Violin 1 (Urtext)
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The serenade flourished in Mozart’s era, but with Brahms the genre experienced a new surge in popularity in the 19th century. Dvořák’s cheerful and relaxed op. 22 came into being in 1875, during a ver...
The serenade flourished in Mozart’s era, but with Brahms the genre experienced a new surge in popularity in the 19th century. Dvořák’s cheerful and relaxed op. 22 came into being in 1875, during a ver...
- String Orchestra
- Instrumental Part: Violin 2 (Urtext)
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The serenade flourished in Mozart’s era, but with Brahms the genre experienced a new surge in popularity in the 19th century. Dvořák’s cheerful and relaxed op. 22 came into being in 1875, during a ver...
The serenade flourished in Mozart’s era, but with Brahms the genre experienced a new surge in popularity in the 19th century. Dvořák’s cheerful and relaxed op. 22 came into being in 1875, during a ver...
- String Orchestra
- Instrumental Part: Viola (Urtext)
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The serenade flourished in Mozart’s era, but with Brahms the genre experienced a new surge in popularity in the 19th century. Dvořák’s cheerful and relaxed op. 22 came into being in 1875, during a ver...
The serenade flourished in Mozart’s era, but with Brahms the genre experienced a new surge in popularity in the 19th century. Dvořák’s cheerful and relaxed op. 22 came into being in 1875, during a ver...
- String Orchestra
- Instrumental Part: Cello (Urtext)
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The serenade flourished in Mozart’s era, but with Brahms the genre experienced a new surge in popularity in the 19th century. Dvořák’s cheerful and relaxed op. 22 came into being in 1875, during a ver...
The serenade flourished in Mozart’s era, but with Brahms the genre experienced a new surge in popularity in the 19th century. Dvořák’s cheerful and relaxed op. 22 came into being in 1875, during a ver...
- String Orchestra
- Instrumental Part: Double Bass (Urtext)
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Elgar’s Serenade for Strings was composed in 1892 and represents the first of his works with which the 35-year-old composer was truly satisfied. Whether, as often claimed, it derives from three pieces...
Elgar’s Serenade for Strings was composed in 1892 and represents the first of his works with which the 35-year-old composer was truly satisfied. Whether, as often claimed, it derives from three pieces...
- String Orchestra
- Instrumental Part: Violin 1 (Urtext)
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