Intermediate Sheet Music from Lush Life Music

Too Darn Hot was written by Cole Porter for the 1948 musical 'Kiss Me Kate' and was featured by Ella Fitzgerald on her Cole Porter Songbook album, with the original arrangement by Buddy Bregman. We ha...

Puttin' On the Ritz has been transcribed from the original Paul Weston chart, written for Ella Fitzgerald's Irving Berlin Songbook album. The structure of this chart is: intro, full vocal chorus, inst...

Here is a very classy adaptation of the Michael Bublé version of Me and Mrs Jones. In terms of style, structure and range it is the same as the MB version. All we have done is remove the string lines...

This is the Basie Band doing what it did best - Swinging The Blues. An up tempo chart that swings from beginning to end, with solo space for Trumpet, both Tenors, Piano and Drums. All solos and the Pi...

This version of Alright, Okay was done by Joe Williams with the Count Basie Orchestra and it is a very dancable bouncy shuffle that has a solid pulse. There is nothing complicated about the chart and...

Fans of Louis Jordan will instantly recognize this title, and our arrangement is equally singable by most male or female singers. The rhythm section starts it off, and the trumpets blow the dirty 'wah...

Thunderbird is another chart from the Ray Anthony / George (the Silver Fox) Williams partnership, and is a classic of its time. It is a completely ensemble chart, and has some great sectional writing....

Made famous by the Monroe film Gentlemen Prefer Blondes, Diamonds are a Girl's Best Friend is a sure crowd pleaser. This arrangement is a straight ahead Female swing vocal, though not the Monroe versi...

Transcribed from the original Neal Hefti chart written for Sinatra's sessions with the Count Basie orchestra, The Tender Trap is a fine example of powerful writing which supports Sinatra's crooning vo...

Transcribed from Peggy Lee's 1959 'Jump for Joy' album, this beautifully crafted Nelson Riddle chart swings hard from start to finish. The band writing is sublime and always gives perfect support to t...

Transcribed from her album 'Bette Midler Sings the Rosemary Clooney Songbook', this version was performed as a duet between Ms Midler and Barry Manilow (who also played the Piano on the track), and it...

This chart of the Blue Danube has been transcribed from a version by Joe Loss, and is played at Viennese Walts tempo. Saxes are scored for AAATT in Miller style, with 1st Alto doubling Clarinet. The a...

This beautifully laid-back, bluesy ballad has been transcribed from the original Nelson Riddle chart written for Ella Fitzgerald's Gershwin Songbook album. The original studio album included strings,...

Hey! Ba Ba Re Bop! was performed by Tex Beneke, both while fronting the post-war Miller band, and with his own outfit. In many ways this chart was a portent of things to come, and brifges the gap betw...

This vocal chart is based around Nina Simone's great version. This chart works well even if played by Vocal and Rhythm section only. The Piano part is mostly written out.

A great swing chart from the pen of Louis Bellson, Skin Deep opens with a big half-time fanfare and them breaks into up-tempo swing. The Saxes lead the first chorus and the brass are loud and punchy b...

Flight of the Foo Birds is one of the great tracks from the Basie band of the 1950's, and one of a series done for the band by Neal Hefti, to be found on The Atomic Mr Basie album. This is a transcrip...

A classic tune from the brothers Gershwin, we have arranged Strike Up the Band as a swing quickstep which makes an excellent set opener and is very suitable for dancing. At two minutes twenty it is no...

One of Artie Shaw's most endearing charts, Softly as a Morning Sunrise was scored as a mid-tempo swing chart for the Shaw band by Jerry Gray, later of Miller fame. We have transcibed the chart and sco...

Artie Shaw had many great swing charts to his name, but few were as punchy and as powerful as Traffic Jam. It fairly rips along at a quick 240 beats a minute, yet it never sounds forced or rushed. We...

A fine Sy Oliver composition for the Tommy Dorsey orchestra, Yes Indeed is a 'swing spiritual' which Sy Oliver originally sang with the band. Dorsey recorded the chart a few times in a couple of keys,...

The Andrews Sisters recorded this chart with the Jimmy Dorsey orchestra in November 1938, and it went on to be a big hit for them. We have transcribed the original chart, but have scored it for 8 Bras...

I'm Beginning To See The Light is a popular tune, recorded by most of the great vocalists. Our offering here is the Harry James version originally sung by Kitty Kallen. The chart is unusual in that it...

Stardust is one of the great Hoagy Carmichael tunes, and deserves a place in the library of every band. Bob Martin has done a truly excellent job of transcription and modification of this Ted Heath ve...

This chart of Night and Day is transcribed and adapted from Artie Shaw's April 1937 RCA session, the original arrangement being penned by Jerry Gray. The band then consisted of 5 Brass, 4 Reeds, 4 Rhy...