Intermediate Sheet Music from Schott Musik

A student of Antonin Reicha at the Paris Conservatoire, Eugène Walckiers, a native of the French part of Flanders, ranks among illustrious French composers: Hector Berlioz, Charles Gounod or César Fra...

Theobald Böhm became the first flutist of the royal Isartortheater in 1816, two years later a member of the royal court orchestra of his native Munich and from 1830 also its first flutist. Concert tou...

Trained on many instruments by the town piper of Schleusingen near his birthplace Erlau in Thuringia, Kaspar (Gaspard, Caspar) Kummer served in various capacities in the service of the Duke of Saxe-Co...

Xavier Boisselot studied composition at the Conservatoire in Paris. In 1836 he won the 1er Grand prix de Rome with the cantata Velléda. His opera Ne touchez pas à la reine premiered in 1847, followed...

The Italian Giulio Briccialdi learned to play the flute mainly from his father. His virtuoso career began early and he received a position as flute teacher with the Count of Syracuse in Sicily. He tra...

Anton Ortner worked as an organist, choirmaster, singing teacher and church musician in his native Munich as well as in Augsburg, where he lived until his death. As a composer, he wrote mainly sacred...

American flutist Henry Clay Wysham was born in Baltimore. He played solo flute in the Baltimore and Boston Symphony Orchestras. As an author, he published an essay 'The Evolution of the Boehm Flute' i...

Little more is known about Edmond Sténosse than his date of birth: April 7, 1839. From 1875 until after 1900, some 20 works by Edmond Sténosse - mainly for flute - appeared in print, some of them publ...

Raised in a family of organ builders and organists, Charles-Marie Widor's path as an organist was preordained. In 1870 he moved from his native Lyon to Paris and became titular organist at Saint-Sulpi...

Duo playing with guitar is becoming increasingly popular. This edition brings an entertaining work of the classical guitar composer.

Although French, Guillemain's complete works are marked by the characteristics of the Italian style, which are particularly evident in the composer's predilection for rich ornamentation, sweeping move...

The three-part sonata, set up for practical use, is not without significance for a deeper and more extensive acquaintance with a particular stylistic period in the history of music.