Intermediate Sheet Music from Schott Musik

This symphony gives, above all, the wind instruments the opportunity of a highly articulate and characteristic play. The interesting early classical work consists of allegro, adagio, menuetto and a fi...

With his diverse musical activities and venues, Frank Maus (1937–2022) was an institution in the musical life of the cosmopolitan city of Berlin. Born in Haan near Solingen, he worked as a solo repeti...

With his diverse musical activities and venues, Frank Maus (1937–2022) was an institution in the musical life of the cosmopolitan city of Berlin. Born in Haan near Solingen, he worked as a solo repeti...

The edition is part of the ABRSM syllabus (grade 8)

Portrait II ist ein virtuoses Werk, das aber auch die besondere Kantabilität des Instruments zur Wirkung bringt. Für Konzert und Wettbewerb empfohlen.

Stimmensatz - Flöte I; Flöte II; Fagott; Horn I; Horn II; 4 Violinen I; 4 Violinen II; 2 Violen; 4 Violoncelli/Kontrabässe - Orchester

Streicher-Ergänzungssatz - 2 Violinen I; 2 Violinen II; Viola; 2 Violoncelli/Kontrabässe - Orchester

A romantic concerto full of expressivity, virtuoso and suited to the playing techniques of the clarinet.

A romantic concerto full of expressivity, virtuoso and suited to the playing techniques of the clarinet.

Der Komponist und Verleger Franz Anton Hoffmeister gehört zu den bekanntesten und beliebtesten Meistern der Wiener Klassik.

Für Sopran solo, gemischten Chor und Orchester. Dirigier- und Studienpartitur (lateinisch).

Dieses Werk in zwei Sätzen ist von der mexikanischen Marimba-Tradition inspiriert. Von Veracruz bis San Cristobal de la Casas ist mir diese fröhliche oder auch melancholische, jedoch immer festliche M...

Atsuhiko Gondai has researched musical space as a rite grounded in Catholic religious belief. wood still says nothing named by the passage from the poem written by Kim Chi-ha (Korean Christian poet).

The piece opens with the strings swaying between two notes that are either right next to each other or 15 tones apart but the interplay of these two notes sets each instrument in sympathetic vibration...

The composer Johanna Senfter (1879 1961) from Oppenheim concerned herself with chamber music for strings all her life, even studied violin in Frankfurt herself. Max Reger then gave her lessons in Leip...