Intermediate Sheet Music from Schott Musik

This work of the composer and theatre music director from Berlin, probably created at the end of the 18th century, consists of three movements and bears the characteristic features of the Berlin Schoo...

This work of the composer and theatre music director from Berlin, probably created at the end of the 18th century, consists of three movements and bears the characteristic features of the Berlin Schoo...

This work of the composer and theatre music director from Berlin, probably created at the end of the 18th century, consists of three movements and bears the characteristic features of the Berlin Schoo...

This work of the composer and theatre music director from Berlin, probably created at the end of the 18th century, consists of three movements and bears the characteristic features of the Berlin Schoo...

Stimmensatz - Cembalo/Continuo, 5 Violinen I, 5 Violinen II, 3 Violen, 3 Violoncelli, 2 Kontrabässe

The edition is part of the Trinity syllabus 2007 (grade 7)

The edition is part of the Trinity syllabus 2007 (grade 7)

The edition is part of the Trinity syllabus 2007 (grade 7)

The edition is part of the Trinity syllabus 2007 (grade 7)

The edition is part of the Trinity syllabus 2007 (grade 7)

The edition is part of the Trinity syllabus 2007 (grade 7)

The edition is part of the Trinity syllabus 2007 (grade 7)

In this symphony, C.Ph.E. Bach appears as pioneer of the Viennese Classicism. Just in the first movement, we encounter a theme of individual form, a seven-bar (!) combination of syncopated tone repeti...

In this symphony, C.Ph.E. Bach appears as pioneer of the Viennese Classicism. Just in the first movement, we encounter a theme of individual form, a seven-bar (!) combination of syncopated tone repeti...

In this symphony, C.Ph.E. Bach appears as pioneer of the Viennese Classicism. Just in the first movement, we encounter a theme of individual form, a seven-bar (!) combination of syncopated tone repeti...

In this symphony, C.Ph.E. Bach appears as pioneer of the Viennese Classicism. Just in the first movement, we encounter a theme of individual form, a seven-bar (!) combination of syncopated tone repeti...

In this symphony, C.Ph.E. Bach appears as pioneer of the Viennese Classicism. Just in the first movement, we encounter a theme of individual form, a seven-bar (!) combination of syncopated tone repeti...