Intermediate Sheet Music from Schott Musik

Joseph Haas was the teacher, Paul Hindemith the model of the director of many years' standing of the Frankfurter Musikhochschule. The 'Heitere Suite' was created in 1945. 'After a slow introduction (q...

Joseph Haas was the teacher, Paul Hindemith the model of the director of many years' standing of the Frankfurter Musikhochschule. The 'Heitere Suite' was created in 1945. 'After a slow introduction (q...

Joseph Haas was the teacher, Paul Hindemith the model of the director of many years' standing of the Frankfurter Musikhochschule. The 'Heitere Suite' was created in 1945. 'After a slow introduction (q...

Joseph Haas was the teacher, Paul Hindemith the model of the director of many years' standing of the Frankfurter Musikhochschule. The 'Heitere Suite' was created in 1945. 'After a slow introduction (q...

Joseph Haas was the teacher, Paul Hindemith the model of the director of many years' standing of the Frankfurter Musikhochschule. The 'Heitere Suite' was created in 1945. 'After a slow introduction (q...

Kinderchor (SMezA) mit Solo, Sprecher und Streichorchester, Bläser und Schlagzeug ad libitum Partitur - deutsch. Hindemiths lapidare Anweisung in der Originalpartitur zur 1932 komponierten 'Kantate' (...

Einzelstimme - Sprecher - Kinderchor (SMezA) mit Solo, Sprecher und Streichorchester, Bläser und Schlagzeug ad libitum

Einzelstimme - Solo-Singstimme - Kinderchor (SMezA) mit Solo, Sprecher und Streichorchester, Bläser und Schlagzeug ad libitum

Hindemith's succinct instructions in the original score of the 1932 'Cantata' (ED 1624, performance repertoire) for part of the 'Plöner Musiktag' are: 'The three preceding choral pieces are sung toget...

Einzelstimme - hohe Instrumentalstimme - Kinderchor (SMezA) mit Solo, Sprecher und Streichorchester, Bläser und Schlagzeug ad libitum

Einzelstimme - mittlere Instrumentalstimme - Kinderchor (SMezA) mit Solo, Sprecher und Streichorchester, Bläser und Schlagzeug ad libitum

Einzelstimme - tiefe Instrumentalstimme - Kinderchor (SMezA) mit Solo, Sprecher und Streichorchester, Bläser und Schlagzeug ad libitum

Kinderchor oder Jugendchor, 2 Flöten, Streichorchester und Klavier, Schlagzeug ad libitum Diese den zehn Geschichten des Kinderbuch-Klassikers von Heinrich Hoffmann folgende Kantate kann mit einfachen...

With this work, Pachelbel, who was born in Nuremberg, created one of the most popular orchestral pieces of the baroque period. In the canon two of the strictest contrapuntal forms are combined: The th...

With this work, Pachelbel, who was born in Nuremberg, created one of the most popular orchestral pieces of the baroque period. In the canon two of the strictest contrapuntal forms are combined: The th...

With this work, Pachelbel, who was born in Nuremberg, created one of the most popular orchestral pieces of the baroque period. In the canon two of the strictest contrapuntal forms are combined: The th...

With this work, Pachelbel, who was born in Nuremberg, created one of the most popular orchestral pieces of the baroque period. In the canon two of the strictest contrapuntal forms are combined: The th...

With this work, Pachelbel, who was born in Nuremberg, created one of the most popular orchestral pieces of the baroque period. In the canon two of the strictest contrapuntal forms are combined: The th...

With this work, Pachelbel, who was born in Nuremberg, created one of the most popular orchestral pieces of the baroque period. In the canon two of the strictest contrapuntal forms are combined: The th...

The three-movement work can be regarded as an instructive introduction into a modern world of sounds. It can be performed both as solo piece and with string chorus. Bowing indications have been given...

The three-movement work can be regarded as an instructive introduction into a modern world of sounds. It can be performed both as solo piece and with string chorus. Bowing indications have been given...

The three-movement work can be regarded as an instructive introduction into a modern world of sounds. It can be performed both as solo piece and with string chorus. Bowing indications have been given...