Intermediate Sheet Music from Schott Musik

The next I'll do is 3 violin quartets wrote Schumann to Clara Wieck in 1838, stating his reasons in a letter dated 17 March 1838: The thought of the quartets gives me pleasure. The piano is getting to...

In his second string quartet the composer Harald Weiss counters our fast-moving time with a work on silence and concentration. Rubatos, fermatas and little caesuras are added to simple note values - l...

The present arrangement is of practical use for small string ensembles in particular to study the polyphony of Bach.

A symphony that impresses by intransigence, extremely hard sound clusters and extremely strong emphasis on affections.

A concerto of classical elegance, cantability and virtuosity. The allegro in sonata form and the serenade-like andante are followed by the brilliant rondo reminding of Mozart, with a charming minuet a...

Stimmensatz - Horn I, Horn II, 4 Violinen I, 4 Violinen II, 2 Violen, 4 Violoncelli/Kontrabässe

This edition was arranged for today's music-mak-ing practice allowing the instrumental enlargement by adding various wind instruments to the simple string scoring.

Streicherstimmensatz

Stimmensatz - je 1x Violine 1 bis 8, je 1x Viola 1 und 2, je 1x Violoncello 1 und 2, 1x Kontrabass

Among his orchestral works, the symphonies (Wq 182) are certainly those with which C.Ph.E. Bach advances farthest into new ground in music. Contrast and surprise as well as the permanent change of aff...

Among his orchestral works, the symphonies (Wq 182) are certainly those with which C.Ph.E. Bach advances farthest into new ground in music. Contrast and surprise as well as the permanent change of aff...

The work is a musical depiction of the concept of ‘screaming and crying' in all its numerous aspects: a general shout and fanfare-like whoop to attract attention increases in intensity and chang...

The work is a musical depiction of the concept of ‘screaming and crying' in all its numerous aspects: a general shout and fanfare-like whoop to attract attention increases in intensity and chang...

In the late classical period composers began to want to determine every note in the cadenzas of solo concertos, rather than leaving this as a matter for the soloist’s virtuoso inspiration. Pende...

The edition is part of the ABRSM syllabus (grade 8)