Intermediate Sheet Music from Southern Music Company

Capriccio is the third composition by James Barnes that resulted from a commission by the Zushi High School Alumni Band in Kanagawa Prefecture, Japan. It is a light-hearted, happy piece in rondo form,...

The spirit of adventure is accurately portrayed in this grade 3 tour de force. It has all the elements players and conductors love: excitement, bold sounds, and interesting harmonies; yet, it avoids t...

Written in 1916, THE AMERICAN COLORS is a patriotic and vivacious splash of Americana. It is highly original and, as was often done during the composer's time, quotes COLUMBIA, GEM OF THE OCEAN in the...

Evocative and retrospective, MOONSET is a highly original work for concert band. It explores soundscapes in unique manner and serves as an excellent work for contest or festival or just as that someth...

Sousa composed this march at the request of his nephew, who was sponsoring his uncle's entrance into the Ancient Arabic Order of Nobles of the Mystic Shrine in 1922. The following year, the march rece...

GLENDOWER is a delightful march in 6/8 meter. It has a few dynamic twists to keep your players on their toes and the audience fully invested in the performance. It is a wonderful addition to the reper...

Originally published in 1961, THE BAND OF BANDS was composed for the Wisconsin Band Masters. It is unique in style, with terrific melodies and interesting harmonic changes. It makes a wonderful change...

Was written at the suggestion of and as a tribute to the United States Strategic Air Command. Two editions of the Strategic Air Command March are published: the complete Concert March version, and a q...

Like all concert marches, as distinct from the march intended to accompany marching groups of people, this piece differs from the traditional form, instrumentation and musical elements found in its pr...

This piece is one of two marches attributed to Bruckner often performed by contemporary bands, though evidene suggests that it was actually written by another of Otto Kitzler's students, Bela Keler. R...

Hermann Ludwig Blankenburg (1876 - 1956) was a German composer of military marches, and is likely the most prolific march composer in history (1328 in total), preferring to compose when inspiration st...

This march in 6/8 was commissioned by All My Friends in The 312th U.S. Army Reserve Band.

Stirling Castle stands at the gateway to the Highlands of Scotland, and is the home of one of Britain's most famous regiments, the argyll and Sutherland Highlanders, in which Major J. H. Howe. Written...

Part of the New Sousa Band Editions, celebrating the compositions and performance practices of this American composer and his legendary band. This piece was originally commissioned by Judge Kenesaw Mo...

Eighty-seven daily and technical studies and repertoire include: 18 Studies (Ferling, Op. 12), Grandes Etudes and Second Cantilene (A. M. Barret), Sheperds of Provence - duet in four movements for obe...

This collection of etudes, duets, and exercises was written, compiled and edited by Russian oboist and pedagogue Yuri Maizels to provide the most efficient means possible for young players to learn th...

MODAL WALTZ: Moderate swing in 3/4 that employs the C and F dorian modes. 4. FULL CIRCLE WITH SAX UNISON: Chords in the circle of fourths (key: F Concert), with a unison sax line to aid tuning. 5. BON...

This beautiful piece is a wonderful showcase for an advancing player's lyrical ability, where even the more technical section remains melodic. Versions for flute, alto flute, oboe, alto saxophone, ten...

This Adagio (from Sonata No. V) and Allegro (from Sonata No. III) by Galliard was originally written for bassoon (or cello) and continuo and has been transcribed for bass clarinet and piano by Lyle Me...

The 'Allegro Spiritoso' is the 3rd movement of a Sonata in D Minor. Versions for following instruments are available from the publisher: alto clarinet, bass clarinet, contra alto clarinet, contrabass...

This composition serves as an appropriate early piece of music for the trombonist transitioning to bass trombone, with stepwise movement through the bass trombone range and no note lower than pedal Bb...

Featuring multiple mallet changes, most of this solo for marimba and piano is played with two mallets, though sections incorporating four-mallet technique are also featured.

Contents: I. Mountain Song and II. Rosewood Forest