Intermediate Sheet Music from Southern Music Company

DREAMDANCING opens with an expansive, lyrical introduction. The middle section is more animated as the dance theme unfolds, ultimately driving the piece to a majestic and dramatic conclusion. The scor...

On Edge refers to a feeling of nervousness and suspense, and is the opposite of calm and relaxed. This piece conveys the feeling of urgency and anticipation through rapid 8th note passages in all part...

The Nighthawk of Golden Bell was commissioned for the 30th anniversary of Camp Con Brio (formerly the Colorado ASTA String Camp), which the composer founded in 1995. The camp is currently held every s...

Originally composed for blues guitar, this piece evolved into a string orchestral form, which is somewhat different than the original. Your cellos and basses will love the driving rhythmic accompanime...

Ballade for Strings is about the journey to and the arrival on the ultimate tonic key of D major at the very end of the piece, but not before. The work employs four distinct thematic elements. Express...

This treatment has been done for strings alone with an optional part for harp. The original key of F has been retained, and the optional harp part is embraced by the celli in definitive sections. This...

Based on Cantata No. 156, this beautiful melody has been used by many arrangers as the theme in solos for strings and wind instruments.

Songs: I. Standchen, II. O kühler Wald, III. Minnelied, IV. Sonntag, V. Vergebliches Ständchen

Originally for piano, this lyric work is a shining presentation of Price's signature style. The first statement is in E-flat Major, then modulates to F Major. Although short, the piece requires mature...

Originally for piano, this lyric work is a shining presentation of Price's signature style. The first statement is in E-flat Major, then modulates to F Major. Although short, the piece requires mature...

This reimagined band edition by Mark Rogers breathes new life into an absolute gem by Leroy Anderson. This publication features the first full score offered with the parts - as well as an alternate tr...

FORGOTTEN DREAMS was completed on May 28, 1954. The first performance was a few days later on June 2nd during a recording session for Delta Records in New York, at which time Leroy Anderson performed...

Capriccio is the third composition by James Barnes that resulted from a commission by the Zushi High School Alumni Band in Kanagawa Prefecture, Japan. It is a light-hearted, happy piece in rondo form,...

Capriccio is the third composition by James Barnes that resulted from a commission by the Zushi High School Alumni Band in Kanagawa Prefecture, Japan. It is a light-hearted, happy piece in rondo form,...

The spirit of adventure is accurately portrayed in this grade 3 tour de force. It has all the elements players and conductors love: excitement, bold sounds, and interesting harmonies; yet, it avoids t...

Written in 1916, THE AMERICAN COLORS is a patriotic and vivacious splash of Americana. It is highly original and, as was often done during the composer's time, quotes COLUMBIA, GEM OF THE OCEAN in the...

Evocative and retrospective, MOONSET is a highly original work for concert band. It explores soundscapes in unique manner and serves as an excellent work for contest or festival or just as that someth...

Sousa composed this march at the request of his nephew, who was sponsoring his uncle's entrance into the Ancient Arabic Order of Nobles of the Mystic Shrine in 1922. The following year, the march rece...

GLENDOWER is a delightful march in 6/8 meter. It has a few dynamic twists to keep your players on their toes and the audience fully invested in the performance. It is a wonderful addition to the reper...

Originally published in 1961, THE BAND OF BANDS was composed for the Wisconsin Band Masters. It is unique in style, with terrific melodies and interesting harmonic changes. It makes a wonderful change...

Was written at the suggestion of and as a tribute to the United States Strategic Air Command. Two editions of the Strategic Air Command March are published: the complete Concert March version, and a q...

Like all concert marches, as distinct from the march intended to accompany marching groups of people, this piece differs from the traditional form, instrumentation and musical elements found in its pr...

This piece is one of two marches attributed to Bruckner often performed by contemporary bands, though evidene suggests that it was actually written by another of Otto Kitzler's students, Bela Keler. R...