Intermediate Sheet Music from Southern Music Company

This arrangement is a wonderful introduction to the music of one of Mozart's lesser-known contemporaries. In sonata-allegro form, D Major and ¾ time, the first theme is dramatic and bold, while the se...

This arrangement is a wonderful introduction to the music of one of Mozarts lesser-known contemporaries. In sonata-allegro form, D Major and ¾ time, the first theme is dramatic and bold, while the sec...

These two movements from a trio sonata exemplify the best of the English baroque, with their delightful quirky chromatic twists. Violin 1 is independent, while Violin 2 and Viola support each other as...

These two movements from a trio sonata exemplify the best of the English baroque, with their delightful quirky chromatic twists. Violin 1 is independent, while Violin 2 and Viola support each other as...

Originally composed for full orchestra, the movement opens with a powerful C minor introduction before turning to a bright, cheerful and graceful C major. Later in the work, the tonality turns to E-fl...

Originally composed for full orchestra, the movement opens with a powerful C minor introduction before turning to a bright, cheerful and graceful C major. Later in the work, the tonality turns to E-fl...

In the key of G Major, the work begins with a Moderato where dotted rhythms are abundant. A brief Adagio intervenes and we continue with a slightly fugal, crisply rhythmic Allegro, with 16th note pass...

Created for string ensembles working at a level 3.5, ADAGIO AND ALLEGRO offers a wonderful opportunity for developing players to discover the brilliant and dramatic composer that is Ludwig Van Beethov...

This lively toe-tapper is melodic, and gives all the sections something fun to play. Built on an ostinato G in the bass, Hoe Down combines rhythmic motifs that propel the music forward, accompanying a...

This is a piece that has seen several iterations, originally composed for the Trance genre, then modified for string quartet and finally string orchestra. I was inspired by how human beings solve comp...

Carpe Diem was written for the Argyle Secondary School in Vancouver and premiered at the final senior band concert of 2016, with the composer conducting his peers. The work is intended to have fun par...

Commissioned by the Durham Middle School Wind Ensemble in Lewisville, Texas, in the Fall of 2019, for its first performance under their new Director, Ms. Ellie Murphy, Kings and Angels Dancing begins...

Rhythmic, incisive, and energetic, Juilare is truly a jubilant work that will open or close a concert with an emphatic statement. From beginning to end, this is perpetual movement and excitement.

ROAR OF THE ARMOR, written in 1982 while the composer was the Bandmaster of the 3rd Armored Division Band in Frankfurt, Germany, was inspired by the 'esprit de corps' of the U.S. Cavalry and the old '...

Though lesser known than some Christmas melodies, this stately, pastoral work incorporates the chorus of O, Come All Ye Faithful (or Adeste Fideles) into the writing. The original melody by Yon is rat...

While the song is now usually called the GLOUCESTER WASSAIL and was certainly copied down from a Gloucestershire resident by Ralph Vaughan Williams, it existed in many versions in most of the counties...

This toe-tapping polka is originally for piano solo and transposed to the keys of A and E major. The melody and harmony float between the violins, with a brief appearance for cello and bass. The viola...

This toe-tapping polka is originally for piano solo and transposed to the keys of A and E major. The melody and harmony float between the violins, with a brief appearance for cello and bass. The viola...

Ferdinand Joseph LeMonthe (c. 1890-1941), better known by his pen name Jelly Roll Morton, was a New Orleans-born ragtime pianist, composer, and band leader. One of the first musicians to play the New...

Cajuns are the descendants of Catholic French Canadians whom the British Empire expelled from the captured French territory of Acadia (modern-day Nova Scotia and its surrounding areas) in the 18th cen...

This exciting piece for intermediate bands begins with a rousing melody in four that passes between the sections before transitioning to a smooth, slow section in three, before finally returning to th...