Istvan Szelenyi: Intermediate Sheet Music

This work by Kodály's pupil Szelényi, published here for the first time, might be seen as something approaching the Romantic 'piano concerto without orchestra'. Even the Fugato in this work seems to p...

The Hungarian composer István Szelényi (1904-1972) studied with Zoltán Kodály and later himself became a lecturer at the Budapest Academy of Music. This Rhapsody, published here for the first time, wa...

The Hungarian composer István Szelényi (1904 - 1972), a student of Kodály, originally wrote Aria for cello or clarinet and piano. Subsequently the solo part has been transcribed for violin (arranged b...

With this lively suite, the Hungarian music -teacher and pupil of Kodaly created a very in-s-tructive piece. Since all parts have independ-ent melodic tasks and are very often opposed to each other on...

Szelényi (1904-72) studied with Kodaly and later taught at the Academy of Music and the Conservatory in Budapest. He chiefly wrote chamber music and material for his students. Simple, chordal streams...

The Hungarian composer István Szelényi (1904-1972) studied composition with Zoltán Kodály and later taught at the Conservatoire of Budapest. He wrote primarily chamber and piano music. His hitherto un...

The three-movement work can be regarded as an instructive introduction into a modern world of sounds. It can be performed both as solo piece and with string chorus. Bowing indications have been given...

The three-movement work can be regarded as instructive introduction into a modern world of sounds. It can be performed both as solo piece and with string chorus. Bowing indications have been given in...

The Hungarian composer István Szelényi (1904-1972) studied with Zoltán Kodály and later himself became a lecturer at the Budapest Academy of Music. This Rhapsody, published here for the first time, wa...

With this lively suite, the Hungarian music -teacher and pupil of Kodaly created a very in-s-tructive piece. Since all parts have independ-ent melodic tasks and are very often opposed to each other on...

With this lively suite, the Hungarian music -teacher and pupil of Kodaly created a very in-s-tructive piece. Since all parts have independ-ent melodic tasks and are very often opposed to each other on...

With this lively suite, the Hungarian music -teacher and pupil of Kodaly created a very in-s-tructive piece. Since all parts have independ-ent melodic tasks and are very often opposed to each other on...

With this lively suite, the Hungarian music -teacher and pupil of Kodaly created a very in-s-tructive piece. Since all parts have independ-ent melodic tasks and are very often opposed to each other on...

With this lively suite, the Hungarian music -teacher and pupil of Kodaly created a very in-s-tructive piece. Since all parts have independ-ent melodic tasks and are very often opposed to each other on...

With this lively suite, the Hungarian music -teacher and pupil of Kodaly created a very in-s-tructive piece. Since all parts have independ-ent melodic tasks and are very often opposed to each other on...

The three-movement work can be regarded as an instructive introduction into a modern world of sounds. It can be performed both as solo piece and with string chorus. Bowing indications have been given...

The three-movement work can be regarded as an instructive introduction into a modern world of sounds. It can be performed both as solo piece and with string chorus. Bowing indications have been given...

The three-movement work can be regarded as an instructive introduction into a modern world of sounds. It can be performed both as solo piece and with string chorus. Bowing indications have been given...