Jazz Ensemble with Vocal Solo

Let's Face The Music is another priceless Ella chart, transcribed from her Irving Berlin Songbook album. The original arrangement was by Paul Weston, and calls for Flute and Clarinet doubles in the re...

Transcribed from her Harold Arlen songbook album, this fabulous Ella chart was originally arranged by the late, great Billy May and it swings like crazy from start to finish. His use of the unison sax...

Transcribed from Natalie Cole's 'Still Unforgettable' album, this chart is a really clever fusion of old and new, as it combines elements of Nat King Cole's original recording along with his daughters...

This version of Ain't We Got Fun was recorded by Doris Day, with the Paul Weston Orchestra accompanied by the Norman Luboff Choir. The original arrangement was by Paul Weston. Our transcription closel...

This chart was originally recorded by Ella Mae Morse with the Freddie Slack Orchestra in July 1942 (on Capitol 115). The title itself refers to Jimmy Rushing, Count Basie's vocalist from 1935-48. The...

Recorded by Helen Forrest with the Artie Shaw band, this is an accurate transcription of the original Jerry Gray concept, complete with the intro Piano solo and Shaw's silky first chorus solo line. We...

8 brass, 5 saxes and 4 rhythm, plus 3 optional flutes, 2 Bb clarinets and horn in F. Swing band girl vocal. The all time favourite ballad, featured in the 1942 film Casablanca. A full band intro leads...

The Bobby Darin version which really swings right from the start. The first four bars can easily be repeated for a great opener. Take a look at the TV recording on YouTube to see how this works-brilli...

From the album 'Rock Swings' a very effective medium groove version of the 1994 Soundgarden number in the classic Sinatra/Basie style. Available for Augmented Big Band with full strings (POW4330) The...

The dynamic mid tempo number from the 2016 album 'Nobody But Me'.

Big Band Vocal. A superb mid tempo full band chart included as a bonus track on Michael Buble's Christmas album.

Augmented Big Band Vocal. A superb mid tempo chart included as a bonus track on Michael Buble's Christmas album. Includes full strings, optional flute and clarinet.

Roger's medium swing arrangement for vocal soloist is a perfect choice for your holiday concert.

From Michael Bublé's 2011 Christmas album. The Basie style 'relaxed groove' tempo is just perfect for this all-time Christmas favourite. Cy Payne's transcription is in the recorded key and is scored f...

A Michael Bublé / Alan Chang original ballad from the Christmas album. For Big Band and full Strings.

I'm Beginning To See The Light is a popular tune, recorded by most of the great vocalists. Our offering here is the Harry James version originally sung by Kitty Kallen. The chart is unusual in that it...

A bouncy vocal from Anita O'Day and the Gene Krupa band, with an unreasonably long title! This chart was one of the most requested of O'Day's repertoire, and we have faithfully recreated it for you he...

This version of Why Don't You Do Right was recorded in 1942 by Peggy Lee during her stay with the Benny Goodman band and Peggy made this song her own. We have faithfully transcribed Goodman's chart, i...

From the Natalie Cole album 'Unforgetable With Love'. A particularly fine medium groove Ralph Burns arrangement in the classic relaxed 'Basie' style-the perfect combination of singer and big band.Key...

Rut un Wiess - das sind die Kölner Farben. Aber ob Kölner oder nicht, zum Schunkeln und Tanzen ist dieser Bläck Fööss-Song bestens geeignet!

Für Big Band; kpl. Partitur

Calling all male vocalists! Clementine is simply great fun. This Bobby Darin version is in a similar style to his more well known Mack the Knife, with successive half-step modulations, and a band back...

That Ole Devil is a wonderful torchlight ballad which was made famous by Billie Holiday, and latterly by Alison Moyet. Ours draws from the best of both, and we have added extra depth and richness to t...

Cole Porter penned some fabulous songs. My Heart Belongs to Daddy was written for the 1938 musical, Leave it to Me, and has a wonderfully naughty lyric where 'daddy' means 'sugar daddy'. Our arrangeme...