Jazz Sheet Music from Alfred Publishing

Featuring the full ensemble, this swing chart rehearses without a hitch. The vocal range is from G below the staff to second line G, treble clef. Scored for 5 saxes, 8 brass, and 4 rhythm, plus option...

A phenomenal Latin songo groove! The chart has auxiliary percussion, soprano lead with optional alto 1 part, and a hip piano montuno. Lead trumpet range is to written double A. Solo space for all saxe...

If you're looking for a bright and challenging piece, look no further than this super swing chart. Solo space for all saxes, trumpet, and trombone. Includes an auxiliary percussion part. No woodwind d...

This classic swinger played around 126 BPM is a perfect fit for your young band. Trumpet 1 range is to written F-sharp top line, written-out solos indicated for alto 1, tenor 1, and optional trombone...

A classic jazz standard arranged for the young jazz group as a medium-tempo cha-cha. The instrumentation is 4/2/2/3, but playable with reduced instrumentation of three saxes, one trumpet, one trombone...

Yes, the Michael Jackson rock hit arranged for your young jazz band. Played around 114 BPM with modest ranges, nice voicings, and a written-out easy to play bass solo (cued for trombone or bari sax)....

Wow! This terrific chart is inspired by the iconic Clark Terry version featuring two trumpets with plungers. A swing chart played around 112 BPM with sample solos provided for tenor 1 and trumpet 2, a...

A superb vocal chart with big band on a great jazz standard. The cut-time tempo is around 92 BPM. The vocal range is from G below middle C to third space C, plus there's some unison scat with the saxe...

A superb vocal chart with big band on a great jazz standard. The cut-time tempo is around 92 BPM. The vocal range is from G below middle C to third space C, plus there's some unison scat with the saxe...

From Essential Jazz Editions, Set #1: New Orleans Jazz, 1918-1927.

From Essential Jazz Editions, Set #2: Louis Armstrong, 1926-1929.

From Essential Jazz Editions, Set #2: Louis Armstrong, 1926-1929.

From Essential Jazz Editions, Set #2: Louis Armstrong, 1926-1929.

From Essential Jazz Editions, Set #3: Music of the 1930s.

From Essential Jazz Editions, Set #4: Music of the 1930s, Part II.

From Essential Jazz Editions, Set #5: Music of the 1940s, Part I.

This is one of Sammy Nestico's best! It features a trombone solo (which was written for Bill Watrous) that goes up to high B-flat and requires a strong performer, but in the right hands, it's dynamite...

This is a re-issue of the famous title featured by Count Basie and others. This should be in EVERY school jazz ensemble library and performed at least once a week. Great for teaching rhythmic ensemble...

The classic Earth, Wind & Fire hit is a natural for jazz ensemble. This strong arrangement by Victor López will be a hit with your students. It is funky and wild! (duration 3:21)

We welcome Calvin Custer to the Warner Bros. Jazz writing team. Here is Calvin's great arrangement of the Neil Hefti classic, designed to feature your drummer. The center section of this chart really...

From the pen of young band specialist Paul Cook comes a dynamite arrangement of this Count Basie standard for the beginning jazz ensemble. Although the technical demands have been limited to insure pl...

This is a fabulous new arrangement by Calvin Custer of the classic Gershwin ballad. The technical demands are limited, but the musical content is superior from start to finish. This is one of the fres...

This Count Basie standard gets a fresh new sound in the hands of master arranger Calvin Custer. Neil Hefti was famous for his swingin' charts, and this is a great realization of the Basie style. You n...

This jazz-flavored pop classic by Van Morrison is perfect for jazz ensemble. Roy Phillippe has taken this 'cool' tune to a new level of swing. There are opportunities for trombone, alto sax and trumpe...

The best way to teach the laid-back 'Basie style' is by working on LI'L DARLIN', but up until now it was only playable by more advanced groups. Roy Phillippe has changed the key and reorchestrated thi...