Jazz Sheet Music from Ludwig Music Publishing Company

Important Avenues for Today's Jazz Drummer by Sperie Karas deals with the bossa nova, the samba, the 4/4 Afro-Cuban Rhythm, as well as the hi-hat, ride rhythm exercises, the shuffle, 5/4 rhythm, and b...

This exciting orchestral medley presents great American tunes of George Gershwin and Stephen Foster in an original setting. Creative harmonies are punctuated by a driving drum set and jazzy rhythms, w...

This diverse and unique collection of ragtime selections passes the melodic interest around to all players. All players will enjoy the light-hearted syncopation, wide variety of keys, and challenging...

Here's a fun collection for this year's holidays! Eleven holiday favorites are given a little twist and come out as We Wish You a Merry Tango; The Rest of the Gentlemen; The Halls Bedecked; Cool King...

Here's a fun collection for this year's holidays! Eleven holiday favorites are given a little twist and come out as We Wish You a Merry Tango; The Rest of the Gentlemen; The Halls Bedecked; Cool King...

The roots of Top Brass lie in jazz. The work is in three movements and is scored for four trumpets, four horns, two trombones, bass trombone and tuba. First performed by the Portland, OR Symphony, Ski...

The roots of Top Brass lie in jazz. The work is in three movements and is scored for four trumpets, four horns, two trombones, bass trombone and tuba. First performed by the Portland, OR Symphony, Ski...

This serene, jazz influenced piece is for four-mallet vibraphone. Pedaling is marked in the music.

Luis de Narváez (ca. 1500 - ca. 1550) was a 16th century composer and performer on the vihuela, also notable for being the first composer for vihuela to adapt the contemporary Italian style of lute mu...

Luis de Narváez (ca. 1500 - ca. 1550) was a 16th century composer and performer on the vihuela, also notable for being the first composer for vihuela to adapt the contemporary Italian style of lute mu...

Luis de Narváez (ca. 1500 - ca. 1550) was a 16th century composer and performer on the vihuela, also notable for being the first composer for vihuela to adapt the contemporary Italian style of lute mu...

These five piano pieces - a blues, two rags, a jazz waltz and a Latin-American vignette - offer much variety in the jazz idiom. The music incorporates not only color and variety, but also a playful el...

This is all about the drummers! Your percussion section will love this feature piece for its strong snare drum line and spirited crash cymbals. Add an easily accessible melody line for the winds and b...

The only solo Piano pieces for concert performance which Gershwin wrote were five Piano Preludes which he himself premiered in December of 1926 in New York City. Of the original five, three have remai...

A familiar style, accompanied by syncopated rhythms and contemporary harmonies, make this a favorite with young musicians. Chromatics allow for the expansion of student ranges while remaining conserva...

Jazz is a uniquely American art form, and this is the perfect vehicle for introducing it to your young band. With few technical problems, this work will allow them to swing like the pros.

Dance, Ballerina, Dance was written by Nat King Cole and recorded by both the writer and Frank Sinatra. Ira Hearshen has crafted the third movement of his Aragon suite in the style of this beloved tun...

Jazz-rock harmonies and melodic lines will encourage your students to practice more, making Quincy Hilliard's Throwdown a sure-fire ticket to success for the youngsters. Just enough syncopation to mak...

Jazz-rock harmonies and melodic lines will encourage your students to practice more, making Quincy Hilliard's Throwdown a sure-fire ticket to success for the youngsters. Just enough syncopation to mak...

The only solo Piano pieces for concert performance which Gershwin wrote were five Piano Preludes which he himself premiered in December of 1926 in New York City. Of the original five, three have remai...

Jazz is a uniquely American art form, and this is the perfect vehicle for introducing it to your young band. With few technical problems, this work will allow them to swing like the pros.

Syncopated rhythms, fat chords, trombone glissandi, and a compelling drive make this an exciting work for bands. It can be played with as few as four percussionists or you can assign a player to each...

Back Home Again in Indiana by James F. Hanley has become a jazz standard over the years and is the perfect vehicle for your band's vocal soloist. It may be played without the vocalist if you wish, wit...