Johann Sebastian Bach: Easter Music Sheet Music for Every Ensemble

Piano reduction with German/English text - Passio secundum Johannem. Soprano solo, alto solo, tenor solo (2), bass solo (2), mixed choir-SATB, orchestra > This edition replaces the previous piano redu...

> BA 5038-90 replaces the previous vocal score but retains its longstanding article number. > The pagination has been adopted from the previous edition. This means that you can rehearse and perform th...

Come, ye daughters, help me lament, "Have mercy", "We sit down with tears", these and many other poignant movements from Bach's most famous passions have captivated musicians and listeners alike for o...

Unlike Bach's other oratorio compositions, there is no definitive version of the St. John Passion. The first version of 1724 which is today's standard version represents a mixture of different reading...

The Easter oratorio BWV 249 was first performed on Easter Sunday 1725 with the text "Come, make haste and run". In the counting of the new BWV, this is already BWV 249.3, following two congratulatory...

Arias with 1 or 2 obbligato flutes (with complete vocal part [dt/engl]). Ausgewählte Sätze aus weltlichen Kantaten, Johannes-Passion, Magnificat D-dur, Weihnachtsoratorium und dem Osteroratorium - Sel...

Urtext of the New Bach Edition - Cantata for Easter Sunday. Soprano solo, Alto solo, Tenor solo, Bass solo, Mixed choir-SATB; Trumpet/ Cornetto/ Zinc, Trombone (3), Strings, Basso continuo - Piano red...

It is hard to imagine today that the music of J. S. Bach fell into oblivion for about half a century after the composer’s death. His successors at the Thomaskirche preferred simpler homophonic composi...

There is hardly a work by a contemporary with which Bach demonstrably occupied himself as often and intensively as with Keiser's "St. Mark Passion". A total of three performances can be proven, for ea...

Eine geschickte Auswahl der Stücke, weil hier die Flöte wirklich solistisch und führend, aber auch sonst durchgehend eingesetzt ist.

With the publication of this choral score the performance material for Johann Sebastian Bach’s St. Matthew Passion is now complete.

The cantata "Sie werden euch in den Bann tun" BWV 183 for Sunday Exaudi is one of the cantatas based on texts by the Leipzig poet Christian Mariane von Ziegler, with which Bach concluded his second Le...

On April 1, 1725, Bach formed the Easter cantata "Kommt, gehet und eilt" BWV 249.3, which was to become the nucleus of the Easter Oratorio, from the Shepherd's Cantata BWV 249.1 he had composed a few...

The music scholar Malcolm Bruno has prepared a new reconstruction of the work based on the meanwhile established parody model Trauerode BWV 198. Welcome comeback Bach's St John and St. Matthew Passion...

Released to coincide with the 300th anniversary of the work’s premiere, the choral score of Bach’s St. Matthew Passion BWV 244 provides choral singers with a lightweight and practical edition that con...

The St. John Passion was first performed in Leipzig on Good Friday of 1724. Written three years before the St. Matthew Passion, it was a work Bach revised during the rest of his life, in fact he did n...

Every era hears and interprets Bach anew, and every era also evaluates the sources afresh and with new eyes. 40 years after the publication of the St. Matthew Passion in the New Bach Edition, Klaus Ho...

The Easter oratorio BWV 249 was first performed on Easter Sunday 1725 with the text "Come, make haste and run". In the counting of the new BWV, this is already BWV 249.3, following two congratulatory...