Johann Sebastian Bach Sheet Music for Mixed Choir

S.A.B., with Optional Accompaniment (Organ, Piano or Brass)

Gounod's ever-popular 'Ave Maria' arranged here for solo soprano, choir and keyboard by Mark Armstrong.

Ausgewählt und zurechtgelegt von Finn Hoffding.

One of the most famous melodies from Bach's 'Magnificat' is given a familiar refrain courtesy of past FMEA chair Russell Robinson. A beautiful melody has now become more accessible and serves as a gat...

Bright with joy and sparkling with a Baroque elegance, here is a great choice for a service or concert opener. Brilliant traditional choral writing mixes with a well-crafted piano part to support the...

Urtext der Neuen Bach-Ausgabe. Gemischter Chor - Partitur; Urtextausgabe; Gesamtausgabe

Trompete (2), Posaune (2) - Bläserpartitur

What does Bach's "Christmas Oratorio" have to do with Hercules? More than you might think at first glance. In the summer of 1733, the eleventh birthday of the Saxon Elector Friedrich Christian on 5 Se...

Although Bach's Mass in B minor is one of the most frequently performed works by the Cantor of St. Thomas's, it is full of puzzles and problems. This applies not only to the question, still unanswered...

Ein feste Burg ist unser Gott BWV 80 (CV31080-00) is one of Johann Sebastian Bach's most frequently-performed cantatas. But the well-known form of the work, with its great opening chorale chorus, repr...

Written in the 1970s, Dieter Schnebel's arrangements of the Contrapuncti I, VI and XI from Johann Sebastian Bach's The Art of Fugue have long since been considered classics of contemporary choral musi...

Written in the 1970s, Dieter Schnebel's arrangements of the Contrapuncti I, VI and XI from Johann Sebastian Bach's The Art of Fugue have long since been considered classics of contemporary choral musi...

Written in the 1970s, Dieter Schnebel's arrangements of the Contrapuncti I, VI and XI from Johann Sebastian Bach's The Art of Fugue have long since been considered classics of contemporary choral musi...

Written in the 1970s, Dieter Schnebel's arrangements of the Contrapuncti I, VI and XI from Johann Sebastian Bach's The Art of Fugue have long since been considered classics of contemporary choral musi...

Classic Bach in the hands of master arranger Russell Robinson means this setting will sound as full and rich as the original, but it will be accessible to three-part choirs in a very sing-able way. Th...

Johann Sebastian Bach (1685-1750) composed his CANTATA NO. 10: MEINE SEEL ERHEBT DEN HERREN, BWV 10 in 1724 as part of his second cantata cycle since becoming Kantor at St. Thomas the previous year. B...

Johann Sebastian Bach (1685-1750) composed his CANTATA NO. 10: MEINE SEEL ERHEBT DEN HERREN, BWV 10 in 1724 as part of his second cantata cycle since becoming Kantor at St. Thomas the previous year. B...

Johann Sebastian Bach (1685-1750) composed his CANTATA NO. 10: MEINE SEEL ERHEBT DEN HERREN, BWV 10 in 1724 as part of his second cantata cycle since becoming Kantor at St. Thomas the previous year. B...

Johann Sebastian Bach (1685-1750) composed his MOTET No. 1: SINGET DEM HERRN EIN NEUES LIED (Sing unto the Lord a new song), BWV 225 around 1727, and it was likely performed also in that year. In thre...

Johann Sebastian Bach (1685-1750) composed his MOTET No. 1: SINGET DEM HERRN EIN NEUES LIED (Sing unto the Lord a new song), BWV 225 around 1727, and it was likely performed also in that year. In thre...