Johann Sebastian Bach Sheet Music for Mixed Choir

Bach's Christmas Oratorio, composed in 1734, narrates the story of the birth of Jesus in a cycle of six cantatas with a text probably by Christian Friedrich Henrici (known as Picander) who provided se...

Bach chose an unconventional beginning for his nine-movement cantata 'Schau, lieber Gott, wie meine Feind' BWV 153, which he composed in his first year as Kantor of St. Thomas's for the Sunday after N...

The popular motet "Praise the Lord, all ye Gentiles" is one of the great mysteries of Bach research. A lot of things don't fit together and the sources - all from the 19th century - are of little help...

Solostimmen (SATB), gemischter Chor und Orchester

An die italienische Tradition der instrumentalen Weihnachts-Pastorale anschließend, leitet Johann Sebastian Bach den zweiten Abschnitt seines Weihnachts-Oratoriums BWV 248 mit der berühmten, rein inst...

One of the few works in which Bach used Latin text, the Magnificat was composed to be first performed at Vespers on Christmas Day 1723. This edition of the famous chorus is a welcome addition to conce...

Bachs Oratorium zum Himmelfahrtstag entstand 1735 in Leipzig. Es entspricht vom Umfang her einer Kantate, von der Textwahl her ist es jedoch als ein oratorisches Werk einzuordnen. Neben den biblischen...

Bach's oratorio for Ascension Day was composed in Leipzig in 1735. In terms of scope, it corresponds to a cantata, but in terms of the choice of text, it can be classified as an oratorio. In addition...

Bach's Christmas Oratorio, composed in 1734, narrates the story of the birth of Jesus in a cycle of six cantatas with a text probably by Christian Friedrich Henrici (known as Picander) who provided se...

With the publication of this choral score the performance material for this central work by Johann Sebastian Bach is now complete.

This choral score completes the performance material for this central work by Johann Sebastian Bach.

Arranged for SATB choir and organ Many congregations cannot celebrate Christmas without 'Jauchzet, frohlocket, auf, preiset die Tage', but often the instrumental possibilities and financial means for...

Arranged for SATB choir and organ Many congregations cannot celebrate Christmas without 'Jauchzet, frohlocket, auf, preiset die Tage', but often the instrumental possibilities and financial means for...

After a statement of the chorale in unison, Hal Hopson has taken the final movement from part 1 of J.S. Bach's 'Christmas Oratorio' 'Vom Himmel hoch' and set it using the words penned by Martin Luther...

für Soli (SATB), gem. Chor und Orchester

The cantata "Gottlob! nun geht das Jahr zu Ende" BWV 28 for the Sunday after Christmas begins unusually: with an aria instead of the usual opening chorus, characterized by joyful, dance-like rhythms i...

Festive horn sounds open Bach's cantata Darzu ist erscheinen der Sohn Gottes BWV 40, first performed on 26.12.1723. The two inner chorales, which are inserted between the recitative and the correspond...

Bach's second cantata beginning with the text "Nun komm, der Heiden Heiland" BWV 62 was performed on 1 Advent (the only Advent Sunday with church music in Leipzig at the time) in 1724 and belongs to t...

With its large orchestration, which was used chorally in accordance with older models, the cantata is a festive piece. In terms of its external splendor, it is at best equalled, but not surpassed, by...

The cantata Sehet, welch eine Liebe BWV 64, composed for Christmas Day 1723, is characterized by the opening chorus in the "old style" without obbligato instruments. As with the cantata Darzu ist ersc...