Johann Strauss (Sohn): Intermediate Sheet Music
- Soloists, Men's Chorus (TTBB) and Piano
- Choral Part Soprano Solo
- Hermann Erdlen
- August Cranz Musikverlag
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Auf, auf, vorbei ist die Nacht' aus der Operette 'Der Zigeunerbaron'
Auf, auf, vorbei ist die Nacht' aus der Operette 'Der Zigeunerbaron'
- Men's Chorus (TTBB) and Piano
- Choral Part Tenor 1
- Theodor Jung
- August Cranz Musikverlag
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Auf, auf, vorbei ist die Nacht' aus der Operette 'Der Zigeunerbaron' Partitur = Klavierstimme
Auf, auf, vorbei ist die Nacht' aus der Operette 'Der Zigeunerbaron' Partitur = Klavierstimme
- Men's Chorus (TTBB) and Piano
- Score
- Theodor Jung
- August Cranz Musikverlag
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Auf, auf, vorbei ist die Nacht' aus der Operette 'Der Zigeunerbaron'
Auf, auf, vorbei ist die Nacht' aus der Operette 'Der Zigeunerbaron'
- Men's Chorus (TTBB) and Piano
- Choral Part Tenor 2
- Theodor Jung
- August Cranz Musikverlag
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Auf, auf, vorbei ist die Nacht' aus der Operette 'Der Zigeunerbaron'
Auf, auf, vorbei ist die Nacht' aus der Operette 'Der Zigeunerbaron'
- Men's Chorus (TTBB) and Piano
- Choral Part 1st Bass
- Theodor Jung
- August Cranz Musikverlag
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Auf, auf, vorbei ist die Nacht' aus der Operette 'Der Zigeunerbaron'
Auf, auf, vorbei ist die Nacht' aus der Operette 'Der Zigeunerbaron'
- Men's Chorus (TTBB) and Piano
- Choral Part 2nd Bass
- Theodor Jung
- August Cranz Musikverlag
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Der liebe Gott im Paradies' - Walzer gemischter Chor (SATB) und Klavier oder Orchester
Der liebe Gott im Paradies' - Walzer gemischter Chor (SATB) und Klavier oder Orchester
- Mixed Choir (SATB) and Piano
- Choral Part Soprano
- F. Th. Cursch-Bühren
- August Cranz Musikverlag
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Der liebe Gott im Paradies' - Walzer Partitur = Klavierstimme gemischter Chor (SATB) und Klavier oder Orchester
Der liebe Gott im Paradies' - Walzer Partitur = Klavierstimme gemischter Chor (SATB) und Klavier oder Orchester
- Mixed Choir (SATB) and Piano
- Score
- F. Th. Cursch-Bühren
- August Cranz Musikverlag
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Der liebe Gott im Paradies' - Walzer gemischter Chor (SATB) und Klavier oder Orchester
Der liebe Gott im Paradies' - Walzer gemischter Chor (SATB) und Klavier oder Orchester
- Mixed Choir (SATB) and Piano
- Choral Part Alto
- F. Th. Cursch-Bühren
- August Cranz Musikverlag
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Der liebe Gott im Paradies' - Walzer gemischter Chor (SATB) und Klavier oder Orchester
Der liebe Gott im Paradies' - Walzer gemischter Chor (SATB) und Klavier oder Orchester
- Mixed Choir (SATB) and Piano
- Choral Part Tenor
- F. Th. Cursch-Bühren
- August Cranz Musikverlag
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Der liebe Gott im Paradies' - Walzer gemischter Chor (SATB) und Klavier oder Orchester
Der liebe Gott im Paradies' - Walzer gemischter Chor (SATB) und Klavier oder Orchester
- Mixed Choir (SATB) and Piano
- Choral Part Bass
- F. Th. Cursch-Bühren
- August Cranz Musikverlag
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Von dieser hübschen Polka francaise op. 328 gibt es sowohl Einspielungen für Chor mit Orchester als auch nur für Orchester. Da die Stücke von Johann Strauss eine unglaubliche Rennaissance erfahren, wa...
Von dieser hübschen Polka francaise op. 328 gibt es sowohl Einspielungen für Chor mit Orchester als auch nur für Orchester. Da die Stücke von Johann Strauss eine unglaubliche Rennaissance erfahren, wa...
- Accordion Orchestra
- Score
- Hermann Illenberger
- Verlag Purzelbaum
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Von dieser hübschen Polka francaise op. 328 gibt es sowohl Einspielungen für Chor mit Orchester als auch nur für Orchester. Da die Stücke von Johann Strauss eine unglaubliche Rennaissance erfahren, wa...
Von dieser hübschen Polka francaise op. 328 gibt es sowohl Einspielungen für Chor mit Orchester als auch nur für Orchester. Da die Stücke von Johann Strauss eine unglaubliche Rennaissance erfahren, wa...
- Accordion Orchestra
- Set of Parts
- Hermann Illenberger
- Verlag Purzelbaum
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The operetta 'Wiener Blut' is set against the Vienna of the early nineteenth century, during the Congress of Vienna. At that time, the Biedermeier city was poised to become a pulsing metropolis, a cul...
The operetta 'Wiener Blut' is set against the Vienna of the early nineteenth century, during the Congress of Vienna. At that time, the Biedermeier city was poised to become a pulsing metropolis, a cul...
- Concert Band (Solo/Feature: 2 Voices (high))
- Score and Parts
- Egbert van Groningen
- Baton Music
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The operetta 'Wiener Blut' is set against the Vienna of the early nineteenth century, during the Congress of Vienna. At that time, the Biedermeier city was poised to become a pulsing metropolis, a cul...
The operetta 'Wiener Blut' is set against the Vienna of the early nineteenth century, during the Congress of Vienna. At that time, the Biedermeier city was poised to become a pulsing metropolis, a cul...
- Concert Band (Solo/Feature: 2 Voices (high))
- Score
- Egbert van Groningen
- Baton Music
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Beside his 150 waltzes Johann Strauss composed several operettas of which 'Die Fledermaus' his best contribution to this genre is. The duet 'Trinke Liebchen, trinke schnell' is sung by Alfredo and Ros...
Beside his 150 waltzes Johann Strauss composed several operettas of which 'Die Fledermaus' his best contribution to this genre is. The duet 'Trinke Liebchen, trinke schnell' is sung by Alfredo and Ros...
- Concert Band (Solo/Feature: 2 Voices (high))
- Score and Parts
- Jos van de Braak
- Baton Music
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Beside his 150 waltzes Johann Strauss composed several operettas of which 'Die Fledermaus' his best contribution to this genre is. The duet 'Trinke Liebchen, trinke schnell' is sung by Alfredo and Ros...
Beside his 150 waltzes Johann Strauss composed several operettas of which 'Die Fledermaus' his best contribution to this genre is. The duet 'Trinke Liebchen, trinke schnell' is sung by Alfredo and Ros...
- Concert Band (Solo/Feature: 2 Voices (high))
- Score
- Jos van de Braak
- Baton Music
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The operetta 'Wiener Blut' is set against the Vienna of the early nineteenth century, during the Congress of Vienna. At that time, the Biedermeier city was poised to become a pulsing metropolis, a cul...
The operetta 'Wiener Blut' is set against the Vienna of the early nineteenth century, during the Congress of Vienna. At that time, the Biedermeier city was poised to become a pulsing metropolis, a cul...
- Concert Band (Solo/Feature: 2 Voices (high))
- Score and Parts
- Jos van de Braak
- Baton Music
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The operetta 'Wiener Blut' is set against the Vienna of the early nineteenth century, during the Congress of Vienna. At that time, the Biedermeier city was poised to become a pulsing metropolis, a cul...
The operetta 'Wiener Blut' is set against the Vienna of the early nineteenth century, during the Congress of Vienna. At that time, the Biedermeier city was poised to become a pulsing metropolis, a cul...
- Concert Band (Solo/Feature: 2 Voices (high))
- Score
- Jos van de Braak
- Baton Music
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'Der Zigeunerbaron' is Strauss's second most popular operetta after 'Die Fledermaus'. Its 1885 premiere had political resonance; the plot popularized the Dual (Austro-Hungarian) Monarchy which was to...
'Der Zigeunerbaron' is Strauss's second most popular operetta after 'Die Fledermaus'. Its 1885 premiere had political resonance; the plot popularized the Dual (Austro-Hungarian) Monarchy which was to...
- Concert Band, Medium Voice and Mixed Choir
- Score and Parts
- Jos van de Braak
- Baton Music
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'Der Zigeunerbaron' is Strauss's second most popular operetta after 'Die Fledermaus'. Its 1885 premiere had political resonance; the plot popularized the Dual (Austro-Hungarian) Monarchy which was to...
'Der Zigeunerbaron' is Strauss's second most popular operetta after 'Die Fledermaus'. Its 1885 premiere had political resonance; the plot popularized the Dual (Austro-Hungarian) Monarchy which was to...
- Concert Band, Medium Voice and Mixed Choir
- Score
- Jos van de Braak
- Baton Music
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-
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Johann Strauss's (1825-1899) ninth operetta 'Eine Nacht in Venedig' (A Night in Venice) premiered 1883 in Berlin and is his only operetta to be premiered outside Vienna. Although the score gained high...
Johann Strauss's (1825-1899) ninth operetta 'Eine Nacht in Venedig' (A Night in Venice) premiered 1883 in Berlin and is his only operetta to be premiered outside Vienna. Although the score gained high...
- Concert Band (Vocal Solo (High Voice))
- Score and Parts
- Raoul Steffani
- Baton Music
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Johann Strauss's (1825-1899) ninth operetta Eine Nacht in Venedig (A Night in Venice) premiered 1883 in Berlin and is his only operetta to be premiered outside Vienna. Although the score gained high a...
Johann Strauss's (1825-1899) ninth operetta Eine Nacht in Venedig (A Night in Venice) premiered 1883 in Berlin and is his only operetta to be premiered outside Vienna. Although the score gained high a...
- Concert Band and High Voice
- Score and Parts
- Raoul Steffani
- Baton Music
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Johann Strauss's (1825-1899) ninth operetta Eine Nacht in Venedig (A Night in Venice) premiered 1883 in Berlin and is his only operetta to be premiered outside Vienna. Although the score gained high a...
Johann Strauss's (1825-1899) ninth operetta Eine Nacht in Venedig (A Night in Venice) premiered 1883 in Berlin and is his only operetta to be premiered outside Vienna. Although the score gained high a...
- Concert Band and High Voice
- Score
- Raoul Steffani
- Baton Music
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For Soprano, Mezzo Soprano, Tenor, Baritone, Choir and Symphonic Band Beside his 150 waltzes Johann Strauss composed several operettas of which 'Die Fledermaus' his best contribution to this genre is....
For Soprano, Mezzo Soprano, Tenor, Baritone, Choir and Symphonic Band Beside his 150 waltzes Johann Strauss composed several operettas of which 'Die Fledermaus' his best contribution to this genre is....
- Concert Band, Soloists and Mixed Choir
- Score and Parts
- Roger Niese
- Baton Music
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