Loreta Fin: Easy Sheet Music

This is a catchy version of the familiar boogie with 'pizzazz'. A delightful piece for elementary school or middle school students.

This is a catchy version of the familiar boogie with 'pizzazz'. A delightful piece for elementary school or middle school students.

This simple E minor melody will encourage students to listen and develop good intonation. The use of long notes and whole bows is an essential skill for all young string players. Bow divisions need to...

Just add ... strings! This uncomplicated work is designed to teach very elementary concepts of bowing, pizzicato, lifted bows, and dynamics. It uses eight basic rhythms in common time. The use of rhyt...

Just add ... strings! This uncomplicated work is designed to teach very elementary concepts of bowing, pizzicato, lifted bows, and dynamics. It uses eight basic rhythms in common time. The use of rhyt...

A gentle, pretty waltz in D Major which would captivate students and audiences alike. There are interesting melodic parts for all. The piano is needed for the arrangement.

A gentle, pretty waltz in D Major which would captivate students and audiences alike. There are interesting melodic parts for all. The piano is needed for the arrangement.

A gentle, pretty waltz in D Major which would captivate students and audiences alike. There are interesting melodic parts for all. The piano is needed for the arrangement.

The ensemble should be encouraged to use whole bows for each note, regardless of whether it is a dotted minim, a minim or a crotchet. Therefore, the students need to 'plan' their bow speed, so that it...

The ensemble should be encouraged to use whole bows for each note, regardless of whether it is a dotted minim, a minim or a crotchet. Therefore, the students need to 'plan' their bow speed, so that it...

The ensemble should be encouraged to use whole bows for each note, regardless of whether it is a dotted minim, a minim or a crotchet. Therefore, the students need to 'plan' their bow speed, so that it...

Every teacher knows the dangers of pizzicato and the need to train the internal metronome to resist the temptation to rush. This very simple piece is pizzicato throughout. It begins in unison, so anyo...

Every teacher knows the dangers of pizzicato and the need to train the internal metronome to resist the temptation to rush. This very simple piece is pizzicato throughout. It begins in unison, so anyo...

Every teacher knows the dangers of pizzicato and the need to train the internal metronome to resist the temptation to rush. This very simple piece is pizzicato throughout. It begins in unison, so anyo...

This is a very easy and straightforward piece in D Major, using repeated eighth and quarter notes. All sections of the orchestra are sure to be kept busy. Whole bows should be used for quarter note pa...

This is a very easy and straightforward piece in D Major, using repeated eighth and quarter notes. All sections of the orchestra are sure to be kept busy. Whole bows should be used for quarter note pa...

Written in E natural minor, this simple piece is a lesson in dynamic variations, bow divisions, and minor tonality. It uses mostly quarter notes and half notes, encouraging students to vary the bow sp...

Written in E natural minor, this simple piece is a lesson in dynamic variations, bow divisions, and minor tonality. It uses mostly quarter notes and half notes, encouraging students to vary the bow sp...

This fun piece is written in first position for all parts. It is in D Major, with a short section in b minor. It encourages the use of forearm bowing in the quaver passages and is rhythmically and har...

This fun piece is written in first position for all parts. It is in D Major, with a short section in b minor. It encourages the use of forearm bowing in the quaver passages and is rhythmically and har...

This fun piece is designed to teach bow division and bow speeds. The last eighth note can be lifted and carefully replaced in the half note rest in various measures - a jack in the box! (2:25)

The title doesn't lie: there is no doubt about whether the note should be sharp or natural. The piano part is essential so that the students can hear the changing harmonies from major tonality to mino...

The title doesn't lie: there is no doubt about whether the note should be sharp or natural. The piano part is essential so that the students can hear the changing harmonies from major tonality to mino...

Just like the piece says: it's all about counting beats, rhythms, and rests. Students can fall into the trap of forgetting to count. This piece makes it easy to teach the young ensemble all at the sam...

Just like the piece says: it's all about counting beats, rhythms, and rests. Students can fall into the trap of forgetting to count. This piece makes it easy to teach the young ensemble all at the sam...