Mack Wilberg Sheet Music for Mixed Choir

Gounod's classic Christmas anthem is published here in its original scoring for Soprano and Alto soloists, three-part chorus of Upper Voices, Piano and optional Organ/Harmonium.

A festive introit.

This heartfelt setting is built upon a haunting melody of folk-like simplicity, underpinned throughout by a lyrical and independent accompaniment. An orchestral accompaniment is available on hire. A v...

This delightful arrangement of a traditional Swedish melody presents the tune in a variety of scorings, from unison upper voices at the opening to classic four-part harmony with a twist later on. This...

This uplifting work by American composer Reginal Wright sets a text by the nineteenth-century poet Arthur O'Shaughnessy. The powerful words are sung to a memorable melody embellished with syncopation...

From the collection Mack Wilberg Carols, 'The Virgin Mary had a baby boy' is Wilberg's spirited arrangement in calypso style of the traditional West Indian carol, scored for SATB and piano. A version...

From the collection Mack Wilberg Carols, 'How far is it to Bethlehem?' is Wilberg's charming arrangement of this English carol. Scored for SATB and piano, this gentle version is accessible to choirs o...

From the collection Mack Wilberg Carols, 'Gloria tibi Domine' is Wilberg's energetic setting of the fifteenth-century English carol text, scored for SATB and piano. A version with accompaniment for pi...

O Gracious Light is a tender and reflective work setting an English translation of a Greek third-century text. With rich, four-part harmonies and flowing melodic lines, this intimate work will be enjo...

Sarah Quartel's On this Silent Night perfectly conveys the magic and excitement of winter, conjuring images of warmth by the fireside while the weather outside closes in. It would be a compelling secu...

The traditional Swedish melody is eminently hummable, flowing naturally and predictably through each phrase. The accompanying orchestral parts, however, boast some wonderful surprises, which make for...

This is a powerful arrangement that uses the full range of the upper voices. Orchestral material is available on hire. 2.2.2.2 - 4.3.3.1 - Timp.2Perc - Org - Str.

For SATB and piano (4 hands) or orchestra (2. 2. 2. 2-4. 3. 3. 1-Timp. Perc-Str). This is No. 3 of Four American Folk Hymns which draw on the rich folk traditions of New England and rural Southern Uni...

The combination of solo flute and cor anglais with choir and orchestra creates a warm unique sound in this tender and restful hymn. Orchestral material is available on hire. 3.1.Ca.2.2 - 2.0.0.0 - Hp....

This luscious arrangement opens with a wind and brass introduction. A flowing, gently rocking string background sets off the vocal line in the altos while the rest of the chorus sings 'oohs'. This mak...

A brilliant and rapturous arrangement. A descending figure which first appears in the flute is transformed into the pealing notes of the chimes as the emotional and musical current swells.

This light-hearted hymn explores the natural wonders of God's creation. The prominent upper-wind countermelodies also work well on the organ. Orchestral material is available on hire. Piccolo, Flute,...

This refreshing dance-like arrangement of this traditional hymn speaks to the praise of God in all of creation. The first is sung in unison by the women and the second by the men. Verse three brings t...

Written in 2004, Jackson harks back to the time of the Eton Choirbook with this expansive polyphonic Salve Regina, with its intricate and delicate interspersions in English decorating the celebrated L...

A uniquely graceful arrangement of the well-loved tune from Southern Harmony Also available in SSAA voicing (HMC1675)

Orchestration: fl, 3hn, hp, str This gentle arrangement of Will L. Thompson's words and melody (1880) is ideal for mixed-voice choirs of all levels of experience. The melody is sympathetically treated...

This gentle arrangement of Will L. Thompson's words and melody (1880) is ideal for upper-voice choirs of all levels of experience. The melody is sympathetically treated, with simple vocal harmonizatio...