Mass Sheet Music for Mixed Choir

The name SAM-Klang takes the three voice parts from the arrangements Soprano, Alto and Men and combines it with the Scandinavian and German words for ‘sound’ to create the portmanteau word ‘sound toge...

The shadows of Holy Week invite us to pause and reflect on the sacrifice of Christ's work of grace. This thoughtful choral cantata is fashioned after Tenebrae (a service of shadows) and is designed fo...

The shadows of Holy Week invite us to pause and reflect on the sacrifice of Christ's work of grace. This thoughtful choral cantata is fashioned after Tenebrae (a service of shadows) and is designed fo...

Anderson's Bell Mass , for double SATB choir, was written for performance at Westminster Abbey and commissioned by the Dean and Chapter of Westminster Abbey, as part of the 450th anniversary of the Ab...

The Chester Missa Brevis was written for the choir of Chester Cathedral in 2013 and is a tentative homage to Benjamin Britten in his centenary year. All the movements are thematically related and the...

Drawn from a larger work, Missa Brevis, this contemplative setting of the familiar liturgical Latin text features warm harmonies and expressive melodic lines, and would be equally appropriate for conc...

Uplifting and energetic, Paul Basler's accessible new setting of the traditional liturgical text works well for both large and small ensembles in a variety of settings, from concert to church service....

The contemplative setting of the Lord, have mercy on us motif stays within very accessible vocal ranges. Suitable for high school and church choirs. Duration: ca. 4:00.

For those looking for a distinguished selection by maestro F. J. Haydn (1732-1809), this last movement in the St. Nicholas Mass is the perfect choice for choirs with accomplished soloists. It features...

This chorus from Haydn's Heiligmesse is an ideal introduction to classical style. Available: SATB. Performance Time: Approx. 2:10.

Franz Joseph Haydn's Little Organ Mass is a departure from the larger, more fully orchestrated works of the 18th century. Written to be performed in a small chapel, this meditative setting is appropri...

This anthem is based on the Gloria from Haydn's Heiligmesse Holy Mass No. 10 in Bb Major. It has been arranged for the 2009 International Haydn Festival in Vienna, Austria and will be performed by The...

If Mendelssohn's How Lovely Are The Messengers is a bit outside the reach of your choir, try Carl Nygard's moving setting of texts from Romans and Psalm 119.

For Cantor, Congregation and Three-Part Choir with Organ (and optional brass accompaniment).

Commissioned by the 2015 Three Choirs Festival, this is Chilcott's second setting of the Evening Canticles. Bright and rhythmical, the 'Magnificat' features syncopated chords in the organ part that pu...

This congregational mass setting is short and accessible, with a congregational part that may be intuitively learnt. The congregational part, which may be photocopied, is available at the back of the...

This congregational mass setting is short and accessible, with a congregational part that may be intuitively learnt. The congregational part, which may be photocopied, is available at the back of the...

Simon Biazeck has artfully arranged Dyson's Evening Service in C minor for mixed voices, transposing the work up a tone to better suit the SATB vocal ranges. The arrangement is engaging and eminently...

Maurice Ravel's popular Pavane pour une infante défunte is here arranged for mixed voices and organ, allowing choirs to perform this beautiful staple of the orchestral repertoire for the first time. R...

This is a lyrical and tonally rich setting of the Latin Mass, composed to commemorate the 900th anniversary of The Priory Church of St Bartholomew the Great. The work, scored for SATB, organ, and opti...

Trevor Weston's setting of the Magnificat and Nunc Dimittis, with English text, is a glorious contribution to the rich tradition of choral Evening Services. Written in the canon of Vaughan Williams an...

I composed this mass in the first years of my presence at Notre-Dame, before the creation of the association Musique sacrée à Notre-Dame de Paris and the restructuring of the cathedral's choir in its...

For a catholic Breton like Jean Cras, it was only but natural to write a mass. To choose this "very special genre", an a cappella mass, was the result from his particular technical and aesthetic pursu...

The title of this piece comes from the magnificent great Gregorian antiphon Salve Regina, probably written in the 11th century that has been since inspiring musicians for almost a thousand years. This...