Medley

Wolfgang Amadeus Mozart (1756-1791) composed the seven-movement SERENADE in B-flat, K. 361/370a (also titled SERENADE No. 10, subtitled GRAN PARTITA) between 1781 and 1782. Serenades at the time were...

Wolfgang Amadeus Mozart (1756-1791) composed the seven-movement SERENADE in B-flat, K. 361/370a (also titled SERENADE No. 10, subtitled GRAN PARTITA) between 1781 and 1782. Serenades at the time were...

SERENADE NO. 11 in E-flat Major, K. 375, written for eight wind instruments, is widely regarded to be the first masterpiece by Wolfgang Amadeus Mozart (1756-1791). Composed in the early months of 1781...

SERENADE NO. 11 in E-flat Major, K. 375, written for eight wind instruments, is widely regarded to be the first masterpiece by Wolfgang Amadeus Mozart (1756-1791). Composed in the early months of 1781...

The title of this medley describes it perfectly since it features short snipits of several famous classics. At the same time it showcases the wide range of colorful timbres that are possible in woodwi...

Hans Winterberg (1901-1991) left behind a rich chamber music oeuvre, which has only recently been made accessible through first editions and CD productions. In addition to one string trio, four string...

MP3 and YouTube video are interpreted in the quartet version, which corresponds to references BIM 96006A and 96006B.

MP3 and YouTube video are interpreted in the quartet version, which corresponds to references BIM 96006A and 96006B.

In this three-movement suite, Corrado Maria Saglietti skillfully uses his sense of drama, elegance and burlesque to transport us into a quasi-cinematic comedy in which the melodies are transformed int...

In this three-movement suite, Corrado Maria Saglietti skillfully uses his sense of drama, elegance and burlesque to transport us into a quasi-cinematic comedy in which the melodies are transformed int...

In a typical tango atmosphere, a melancholy, sensual melody opens the first piece. Then a simple but intense song unfolds, in a sometimes thin, sometimes passionate setting. The last piece is rhythmic...

'Der Freischütz', is a German opera with spoken dialogue in three acts by Carl Maria von Weber with a libretto by Friedrich Kind. The plot is based on the German folk legend of the 'Freischütz' and ma...

'Der Freischütz', is a German opera with spoken dialogue in three acts by Carl Maria von Weber with a libretto by Friedrich Kind. The plot is based on the German folk legend of the 'Freischütz' and ma...

'Der Freischütz', is a German opera with spoken dialogue in three acts by Carl Maria von Weber with a libretto by Friedrich Kind. The plot is based on the German folk legend of the 'Freischütz' and ma...

'Der Freischütz', is a German opera with spoken dialogue in three acts by Carl Maria von Weber with a libretto by Friedrich Kind. The plot is based on the German folk legend of the 'Freischütz' and ma...

Ravel originally wrote Ma mère loye (Mother Goose) as a piano duet for the Godebski children, Mimi and Jean, ages 6 and 7. Ravel dedicated this work for four hands to the children (just as he had dedi...

Ravel originally wrote Ma mère loye (Mother Goose) as a piano duet for the Godebski children, Mimi and Jean, ages 6 and 7. Ravel dedicated this work for four hands to the children (just as he had dedi...