Michael Jarrell Sheet Music for Orchestra
- Flute, Oboe and Orchestra
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- Soloists, Choir and Orchestra
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- Piano and Orchestra
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- Piano and Orchestra
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In contrast to the stage play, which is divided into 15 scenes framed by introductory songs, Michael Jarrell has constructed his opera as uninterrupted flow of 12 tableaux, in an effort to highlight t...
In contrast to the stage play, which is divided into 15 scenes framed by introductory songs, Michael Jarrell has constructed his opera as uninterrupted flow of 12 tableaux, in an effort to highlight t...
- 13 Soloists, Choir and Orchestra
- Score
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Back to painting, with Leonard de Vinci, in ...d'ombres lointaines.... 'You will portray landscapes beneath wind and water, at down and at dusk. You will portray wind over land and over water, you wil...
Back to painting, with Leonard de Vinci, in ...d'ombres lointaines.... 'You will portray landscapes beneath wind and water, at down and at dusk. You will portray wind over land and over water, you wil...
- Orchestra
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- Orchestra
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Composition works like an arborescent structure. At each ramification you choose a path, which depends on the whole dynamic of the whole piece. Doing this, you leave quite a lot of ideas and fragments...
Composition works like an arborescent structure. At each ramification you choose a path, which depends on the whole dynamic of the whole piece. Doing this, you leave quite a lot of ideas and fragments...
- Cello and Orchestra
- Score
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Musik existiert eigentlich nur im Konzert. Ein Komponist, der so denkt, steht vermutlich auch dem Abschluss eines eigenen Werkes kritisch gegenüber. Tatsächlich reklamiert Michael Jarrell schon seit d...
Musik existiert eigentlich nur im Konzert. Ein Komponist, der so denkt, steht vermutlich auch dem Abschluss eines eigenen Werkes kritisch gegenüber. Tatsächlich reklamiert Michael Jarrell schon seit d...
- Clarinet, Cello and Orchestra
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- 2 Violins, Viola, Cello and Orchestra
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The Geneva-born composer Michael Jarrell writes music based on the idea of dialogue. Most of his recent works for large ensemble place one or more soloists in relation to a massed orchestral sound, ei...
The Geneva-born composer Michael Jarrell writes music based on the idea of dialogue. Most of his recent works for large ensemble place one or more soloists in relation to a massed orchestral sound, ei...
- Flute and Orchestra
- Score
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Sillage (Wakes): 'the trace that a ship leaves behind it on the surface of waters,' says the dictionary. But also: 'Part of a fluid (liquid, air) left behind a body in motion - perturbations that occu...
Sillage (Wakes): 'the trace that a ship leaves behind it on the surface of waters,' says the dictionary. But also: 'Part of a fluid (liquid, air) left behind a body in motion - perturbations that occu...
- Flute, Oboe, Piano and Orchestra
- Score
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The piano concerto Abschied was a commission of the Salzburg Festival and had its premiere there on the 8th of august 2001. The initial idea was that of a spiral developing almost infinitely. A chain...
The piano concerto Abschied was a commission of the Salzburg Festival and had its premiere there on the 8th of august 2001. The initial idea was that of a spiral developing almost infinitely. A chain...
- Piano and Orchestra
- Score
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- Piano and Orchestra
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- Oboe and Orchestra
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The notion of prism applied to a whole instrumental ensemble, which Jarrell makes explicit in the title of his work, condenses and crystallises the hidden side of the solo violin. 'I frequently like t...
The notion of prism applied to a whole instrumental ensemble, which Jarrell makes explicit in the title of his work, condenses and crystallises the hidden side of the solo violin. 'I frequently like t...
- Violin and Orchestra
- Score
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- Violin and Orchestra
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His Instantanés are thus his way of saying, like Augustine: 'Present time cries that it cannot last long'. Here, the same figures unravel, each claiming its Present: in the first piece, in the urgency...
His Instantanés are thus his way of saying, like Augustine: 'Present time cries that it cannot last long'. Here, the same figures unravel, each claiming its Present: in the first piece, in the urgency...
- Orchestra
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The harmonic language of Michael Jarrell's works is marked by a subtle sounding out of intervallic relationships: chords derive their characteristics from the specific arrangement of their intervals....
The harmonic language of Michael Jarrell's works is marked by a subtle sounding out of intervallic relationships: chords derive their characteristics from the specific arrangement of their intervals....
- Orchestra
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The basic idea for the opening of the work was to start with a short and powerful 'primal explosion' that would reappear throughout the piece in different forms, more or less regularly. This 'art of p...
The basic idea for the opening of the work was to start with a short and powerful 'primal explosion' that would reappear throughout the piece in different forms, more or less regularly. This 'art of p...
- Percussion and Orchestra
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...Le ciel, tout à l'heure encore si limpide, soudain se trouble horriblement...(...The sky, recently so clear, suddenly becomes horribly murky...) On the nature... of musicality Michael Jarrell, born...
...Le ciel, tout à l'heure encore si limpide, soudain se trouble horriblement...(...The sky, recently so clear, suddenly becomes horribly murky...) On the nature... of musicality Michael Jarrell, born...
- Orchestra
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- Drums and Orchestra
- Sheet Music
- Editions Paul Beuscher
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Propos de Michael Jarrell recueillis par Stéphane Friederich "Quelle est la genèse de la partition ?" Au départ, je n'avais pas l'idée de composer une oeuvre en six parties plus ou moins brèves. J'ai...
Propos de Michael Jarrell recueillis par Stéphane Friederich "Quelle est la genèse de la partition ?" Au départ, je n'avais pas l'idée de composer une oeuvre en six parties plus ou moins brèves. J'ai...
- Orchestra
- Sheet Music
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- Viola and Orchestra
- Score
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