Michael Oare: Intermediate Sheet Music

As the title might imply, this unique composition contains several references to the number 5. For starters, the meter of 5/4 is an obvious connection. More subtle is the prominent use of the interval...

As the title might imply, this unique composition contains several references to the number 5. For starters, the meter of 5/4 is an obvious connection. More subtle is the prominent use of the interval...

As the title might imply, this unique composition contains several references to the number 5. For starters, the meter of 5/4 is an obvious connection. More subtle is the prominent use of the interval...

As the title might imply, this unique composition contains several references to the number 5. For starters, the meter of 5/4 is an obvious connection. More subtle is the prominent use of the interval...

As the title might imply, this unique composition contains several references to the number 5. For starters, the meter of 5/4 is an obvious connection. More subtle is the prominent use of the interval...

As the title might imply, this unique composition contains several references to the number 5. For starters, the meter of 5/4 is an obvious connection. More subtle is the prominent use of the interval...

As the title might imply, this unique composition contains several references to the number 5. For starters, the meter of 5/4 is an obvious connection. More subtle is the prominent use of the interval...

As the title might imply, this unique composition contains several references to the number 5. For starters, the meter of 5/4 is an obvious connection. More subtle is the prominent use of the interval...

As the title might imply, this unique composition contains several references to the number 5. For starters, the meter of 5/4 is an obvious connection. More subtle is the prominent use of the interval...

As the title might imply, this unique composition contains several references to the number 5. For starters, the meter of 5/4 is an obvious connection. More subtle is the prominent use of the interval...

As the title might imply, this unique composition contains several references to the number 5. For starters, the meter of 5/4 is an obvious connection. More subtle is the prominent use of the interval...

As the title might imply, this unique composition contains several references to the number 5. For starters, the meter of 5/4 is an obvious connection. More subtle is the prominent use of the interval...

As the title might imply, this unique composition contains several references to the number 5. For starters, the meter of 5/4 is an obvious connection. More subtle is the prominent use of the interval...

As the title might imply, this unique composition contains several references to the number 5. For starters, the meter of 5/4 is an obvious connection. More subtle is the prominent use of the interval...

As the title might imply, this unique composition contains several references to the number 5. For starters, the meter of 5/4 is an obvious connection. More subtle is the prominent use of the interval...

In this dynamic and creative work, Michael Oare features a “juxtaposition” of various modes of “F” (major, mixolydian, and minor) as layers of sound are created with various te...

In this dynamic and creative work, Michael Oare features a “juxtaposition” of various modes of “F” (major, mixolydian, and minor) as layers of sound are created with various te...

In this dynamic and creative work, Michael Oare features a “juxtaposition” of various modes of “F” (major, mixolydian, and minor) as layers of sound are created with various te...

In this dynamic and creative work, Michael Oare features a “juxtaposition” of various modes of “F” (major, mixolydian, and minor) as layers of sound are created with various te...

In this dynamic and creative work, Michael Oare features a “juxtaposition” of various modes of “F” (major, mixolydian, and minor) as layers of sound are created with various te...

In this dynamic and creative work, Michael Oare features a “juxtaposition” of various modes of “F” (major, mixolydian, and minor) as layers of sound are created with various te...

In this dynamic and creative work, Michael Oare features a “juxtaposition” of various modes of “F” (major, mixolydian, and minor) as layers of sound are created with various te...

In this dynamic and creative work, Michael Oare features a “juxtaposition” of various modes of “F” (major, mixolydian, and minor) as layers of sound are created with various te...

In this dynamic and creative work, Michael Oare features a “juxtaposition” of various modes of “F” (major, mixolydian, and minor) as layers of sound are created with various te...

In this dynamic and creative work, Michael Oare features a “juxtaposition” of various modes of “F” (major, mixolydian, and minor) as layers of sound are created with various te...