Michael Philip Mossman Jazz Ensemble Sheet Music

In 1977 Stevie Wonder was in his prime and 'Sir Duke' was on top of the charts. Michael Mossman takes this familiar hit and adds his own unique touch. The middle section goes into a double time swing...

In 1977 Stevie Wonder was in his prime and 'Sir Duke' was on top of the charts. Michael Mossman takes this familiar hit and adds his own unique touch. The middle section goes into a double time swing...

In 1977 Stevie Wonder was in his prime and 'Sir Duke' was on top of the charts. Michael Mossman takes this familiar hit and adds his own unique touch. The middle section goes into a double time swing...

In 1977 Stevie Wonder was in his prime and 'Sir Duke' was on top of the charts. Michael Mossman takes this familiar hit and adds his own unique touch. The middle section goes into a double time swing...

In 1977 Stevie Wonder was in his prime and 'Sir Duke' was on top of the charts. Michael Mossman takes this familiar hit and adds his own unique touch. The middle section goes into a double time swing...

In 1977 Stevie Wonder was in his prime and 'Sir Duke' was on top of the charts. Michael Mossman takes this familiar hit and adds his own unique touch. The middle section goes into a double time swing...

Here is the Miles Davis jazz standard skillfully and uniquely arranged for 6 horns plus rhythm. On the head, the saxes take the signature melody line answered by the brass. The open solo section featu...

Here is the Miles Davis jazz standard skillfully and uniquely arranged for 6 horns plus rhythm. On the head, the saxes take the signature melody line answered by the brass. The open solo section featu...

Here is the Miles Davis jazz standard skillfully and uniquely arranged for 6 horns plus rhythm. On the head, the saxes take the signature melody line answered by the brass. The open solo section featu...

Here is the Miles Davis jazz standard skillfully and uniquely arranged for 6 horns plus rhythm. On the head, the saxes take the signature melody line answered by the brass. The open solo section featu...

Here is the Miles Davis jazz standard skillfully and uniquely arranged for 6 horns plus rhythm. On the head, the saxes take the signature melody line answered by the brass. The open solo section featu...

Here is the Miles Davis jazz standard skillfully and uniquely arranged for 6 horns plus rhythm. On the head, the saxes take the signature melody line answered by the brass. The open solo section featu...

Here is the Miles Davis jazz standard skillfully and uniquely arranged for 6 horns plus rhythm. On the head, the saxes take the signature melody line answered by the brass. The open solo section featu...

Here is the Miles Davis jazz standard skillfully and uniquely arranged for 6 horns plus rhythm. On the head, the saxes take the signature melody line answered by the brass. The open solo section featu...

Here is the Miles Davis jazz standard skillfully and uniquely arranged for 6 horns plus rhythm. On the head, the saxes take the signature melody line answered by the brass. The open solo section featu...

Here is the Miles Davis jazz standard skillfully and uniquely arranged for 6 horns plus rhythm. On the head, the saxes take the signature melody line answered by the brass. The open solo section featu...

Here is the Miles Davis jazz standard skillfully and uniquely arranged for 6 horns plus rhythm. On the head, the saxes take the signature melody line answered by the brass. The open solo section featu...

Here is the Miles Davis jazz standard skillfully and uniquely arranged for 6 horns plus rhythm. On the head, the saxes take the signature melody line answered by the brass. The open solo section featu...

Here is the Miles Davis jazz standard skillfully and uniquely arranged for 6 horns plus rhythm. On the head, the saxes take the signature melody line answered by the brass. The open solo section featu...

Here is the Miles Davis jazz standard skillfully and uniquely arranged for 6 horns plus rhythm. On the head, the saxes take the signature melody line answered by the brass. The open solo section featu...

Famously recorded by Louis Armstrong, Michael Mossman uses a moderate cha-cha style for a creative version of this classic melody. Even in this small band format there is an amazing variety in texture...

Famously recorded by Louis Armstrong, Michael Mossman uses a moderate cha-cha style for a creative version of this classic melody. Even in this small band format there is an amazing variety in texture...

Famously recorded by Louis Armstrong, Michael Mossman uses a moderate cha-cha style for a creative version of this classic melody. Even in this small band format there is an amazing variety in texture...

Famously recorded by Louis Armstrong, Michael Mossman uses a moderate cha-cha style for a creative version of this classic melody. Even in this small band format there is an amazing variety in texture...

Famously recorded by Louis Armstrong, Michael Mossman uses a moderate cha-cha style for a creative version of this classic melody. Even in this small band format there is an amazing variety in texture...