Opera in three parts (1937) Libretto: Reinhard Goering (German) Premiere: 12. November 1937, Hamburg, Staatsoper Place and time of action: Ice surface at the South Pole, February 1912 Personalities: S...
Opera in three parts (1937) Libretto: Reinhard Goering (German) Premiere: 12. November 1937, Hamburg, Staatsoper Place and time of action: Ice surface at the South Pole, February 1912 Personalities: S...
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My writing style of the last ten years, for example, can be confidently described as dodecaphonic, as the twelve tones are always present in close proximity. It is atonal because it dispenses with ton...
My writing style of the last ten years, for example, can be confidently described as dodecaphonic, as the twelve tones are always present in close proximity. It is atonal because it dispenses with ton...
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Tragedia lirica in three acts (1844) Libretto: Francesco Maria Piave (after Lord Byron's tragedy of the same name from 1822)(Italian) Premiere: 3. November 1844, Rome, Teatro ArgentinaTranslation: Kur...
Tragedia lirica in three acts (1844) Libretto: Francesco Maria Piave (after Lord Byron's tragedy of the same name from 1822)(Italian) Premiere: 3. November 1844, Rome, Teatro ArgentinaTranslation: Kur...
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- Mixed Choir (SATB) and Double Bass
- Instrumental Part: Double Bass (Download)
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Uraufführung am 7. Oktober 1961 in Kassel, Kasseler Musiktage: Riggina Beekman, Nettie Bos, Tine van Raalte (Echostimmen), NCRV Voccaal-Ensemble Hilversum, Leitung Marinus Voorberg, Klaus-Martin Ziegl...
Uraufführung am 7. Oktober 1961 in Kassel, Kasseler Musiktage: Riggina Beekman, Nettie Bos, Tine van Raalte (Echostimmen), NCRV Voccaal-Ensemble Hilversum, Leitung Marinus Voorberg, Klaus-Martin Ziegl...
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- 2 Mixed Choirs (SATB)
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Oratorium. Bearbeitung von Wolfgang Amadeus Mozart. Klavierauszug nach dem Urtext der Neuen Mozart-Ausgabe. Sopran solo (2), Alt solo, Tenor solo, Bass solo, Gemischter Chor-SSATB, Flöte (2), Oboe (2)...
Oratorium. Bearbeitung von Wolfgang Amadeus Mozart. Klavierauszug nach dem Urtext der Neuen Mozart-Ausgabe. Sopran solo (2), Alt solo, Tenor solo, Bass solo, Gemischter Chor-SSATB, Flöte (2), Oboe (2)...
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- Wolfgang Amadeus Mozart Ernst R. Barthel
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Deutsche Oper in 2 Aufzügen, Klavierauszug nach dem Urtext der Neuen Mozart-Ausgabe. Sopran solo (6), KnaSt (3), Tenor solo (4), Bass solo (5), Sprecher (4), Gemischter Chor, Piccolo, Flöte (2), Oboe...
Deutsche Oper in 2 Aufzügen, Klavierauszug nach dem Urtext der Neuen Mozart-Ausgabe. Sopran solo (6), KnaSt (3), Tenor solo (4), Bass solo (5), Sprecher (4), Gemischter Chor, Piccolo, Flöte (2), Oboe...
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- Martin Schelhaas
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Deutsches Singspiel in 3 Aufzügen. Klavierauszug nach dem Urtext der Neuen Mozart-Ausgabe. Sopran solo (2), Tenor solo (2), Bass solo, Sprecher (2), Chor, Piccolo, Flöte (2), Oboe (2), Klarinette in b...
Deutsches Singspiel in 3 Aufzügen. Klavierauszug nach dem Urtext der Neuen Mozart-Ausgabe. Sopran solo (2), Tenor solo (2), Bass solo, Sprecher (2), Chor, Piccolo, Flöte (2), Oboe (2), Klarinette in b...
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- Eugen Epplée
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Gemischter Chor (2)-SATB+SATB - Singpartitur
Gemischter Chor (2)-SATB+SATB - Singpartitur
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In Bachs riesigem Gesamtwerk bilden die Motetten nur eine kleine Gruppe, die sich zumal neben den rund 200 überlieferten Kantaten recht bescheiden ausnimmt. Doch im historischen Rückblick erscheint ge...
In Bachs riesigem Gesamtwerk bilden die Motetten nur eine kleine Gruppe, die sich zumal neben den rund 200 überlieferten Kantaten recht bescheiden ausnimmt. Doch im historischen Rückblick erscheint ge...
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Doppelchörige Motette. Urtext der Neuen Bach-Ausgabe, auch Chorpartitur zur Ausgabe mit Instrumenten (BA5130). Gemischter Chor-SATB+SATB - Partitur; Chorpartitur; Urtextausgabe
Doppelchörige Motette. Urtext der Neuen Bach-Ausgabe, auch Chorpartitur zur Ausgabe mit Instrumenten (BA5130). Gemischter Chor-SATB+SATB - Partitur; Chorpartitur; Urtextausgabe
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