Mixed Choir a capella

There is no better example of the classic Waring sound than in the sonorous chords of this arrangement by Roy Ringwald. High school and college choirs, churches and civic choruses must all have the op...

There is no better example of the classic Waring sound than in the sonorous chords of this arrangement by Roy Ringwald. High school and college choirs, churches and civic choruses must all have the op...

Uses: General, Pentecost Scripture: Galatians 5; Psalm 33:6-33 Gospel joy is in every word of this a cappella gem. Flawless part-writing makes this anthem an easy sing and the catchy tune is very capt...

John Parker and Greg Gilpin have combined their talents to create this exuberant and original spiritual for a cappella voices. Full of dynamic contrast, rhythmic nuances, and textual percussiveness, '...

The famous words of Christina Rossetti and the music of Gustav Holst are beautifully set for a cappella voices by Jay Rouse. It begins with wind-like oo's, then followed by a more contemporary choral...

Combining two spirituals with original music and employing two soloists, this arrangement from first time contributor Carlos Simon is amazing. Series editor Eugene Rogers wrote and said get this piece...

Using the traditional lyric, 'May the road rise to meet you', Joyce's a cappella creation makes a moving, easily-taught concert closer. Available: SATB a cappella.

Based on a traditional Alentejo carol from southern Portugal, this music of the Magnificat is gentle, soothing, and almost hypnotic. Each verse is treated differently, giving the solo voice and all th...

With both an English and a Swedish text, this simple tune and comforting text are perfect for general church services or the concert stage. The melody is passed around from one voice part to another b...

A movment from Mihaud's Cantata 'Les Deux Cites'.

A fun, syncopated, spiritual-type piece for a cappella choir. There's also a part for a soprano solo. Requires a full group, as all parts divide at times. A rousing hand-clapper!

Simplified version for SATB Choir A Cappella.

For a cappella SATB voices, with text by Gerard Manley Hopkins. Includes piano accompaniment for rehearsal purposes.

The third in a suite of four, the text forms a requiem in miniature, with varied vocal textures and harmonies and dynamic contrasts. Performance time: approx. 5:30.

Jazzy arrangements of favourite folk songs from around the world. All nine pieces published for the first time in this collection Songs from French Canada, Andalucía, America, Japan, England, Northern...

SATB unaccompanied & with organ The Ivy and the Holly is a superb collection of carols and motets for Advent, Christmas, and Epiphany by contemporary composers. Scored for mixed voices - a cappella an...

for SSATBarB unaccompanied. This is a striking setting of a poem by Gilbert Keith Chesterton, characterised by antiphonal exchanges between the upper and lower voices, and rich, ever-changing harmonie...

This second book of anthems by Bob Chilcott assembles pieces in a wonderful range of styles and moods. The anthems have been carefully selected to be both approachable to a wide range of choirs and ap...

Displaying Chydenius's unique style, I am the great sun is a driven and focused setting of Charles Causley's poem. This is textured choral writing: you'll find imitative passages, melodic and rhythmic...

for SSATBB unaccompanied A beautiful 6-part unaccompanied Marian motet written for the Marian Consort. The work combines reminiscences of Renaissance settings of this text with McDowall's distinctive...

for SATB with divisions, unaccompanied This is a sensitive and uplifting setting of a text by Geraldine Atkinson, who tragically died aged 24. The reflective nature of the music makes it particularly...

SATB unaccompanied This set of Preces and Responses was commissioned by the London Festival of Contemporary Church Music for their 2010 festival. The work is uplifting, beautifully crafted, and perfec...

Chilcott's arrangement of this well-loved carol is gentle and expressive. Extended harmonies and suspensions beautifully colour the unaccompanied second verse, while the third verse is paired with an...

for SATB (divisi) with 2 soprano solos This engagingly written piece sets the Lamentations of Jeremiah. The overlapping passages of music passed between the soloists and the choir create a dramatic ef...