Mixed Choir a capella

This lively and joyous arrangement of the folksong 'Montagnarde' from the Haute-Auvergne region of France makes playful use of the call of the cuckoo in a catchy refrain. 'Montagnarde' is featured on...

For SSAATB unaccompanied.

Owain Park's arrangement of John Rutter's secular carol presents a new take on this Christmas classic, drawing on Rutter's evocative orchestral colours to create this characterful arrangement. This ar...

Rejoice in the Lord is a fast, festive, and joyful setting of Psalm 33. After an exuberant opening, a lively organ passage leads into a beautiful moment of stillness in the choir, unaccompanied, creat...

From the collection Bob Chilcott Songbook, this is a beautiful unaccompanied arrangement of a popular Japanese children's song. With a text full of natural imagery and a folk-like pentatonic melody, '...

The Songs of Farewell have found a secure place in the repertoires of chamber choirs and ecclesiastical choral foundations. An offprint from Robert Quinney's critical edition of this fantastic work, t...

Off-printed from the complete William Walton Edition, this is one of three versions (the others are for SATB unaccompanied) on a text by Phineas Fletcher - 'Drop, drop slow tears'. The poignant chroma...

A practical edition of the extremely famous work by Allegri.

Also in 100 Carols for Choirs.

Also in Carols for Choirs 3, and 100 Carols for Choirs.

This setting can be found both in Five Traditional Songs and Folk Songs for Choirs 1. The text is simple, while the arrangement is varied and charming.

for SATB unaccompanied. Setting inspiring words by James Weldon Johnson, this work is both poignant and stirring. My heart be brave is an ideal choice for choirs looking to address issues of social ju...

The Parting Glass is a traditional Scottish song, often sung as a farewell at the end of a get-together. Sarah Quartel's arrangement features close harmonies, idiomatic Scotch snap rhythms, and effect...

Written in an a cappella style with scat accompaniment, A Tree is a Song is a joyful celebration of the affinity between trees and how wisdom can be passed on 'as a melody from tree to tree'. McDowall...

This gently flowing, contemplative sacred choral work sets words from Isaiah 26 and Psalm 73, expressing gratitude for God's protection and guidance. McGlade includes a short passage which may be sung...

This solemn yet dramatic work sets a traditional Latin prayer lauding the Virgin Mary, with intense melodic lines that are at once steadfast and arresting, reflecting the mystery of the immaculate con...

Make we joy now in this fest is a lively and vibrant setting of a 15th-century macaronic text. An eminently memorable and energetic chorus frames expressive verses that vividly illuminate the medieval...

Make we joy now in this fest is a lively and vibrant setting of a 15th-century macaronic text. An eminently memorable and energetic chorus frames expressive verses that vividly illuminate the medieval...

Kling no, klokka! is a traditional Norwegian carol, skilfully arranged here for mixed voices by Frank Havroy. The piece has a compelling folk feel, with glissando and chromatic passages contributing t...

for SATB unaccompanied. In this gentle arrangement of Still, still, still, Remel Derrick underpins the melody of the traditional Austrian carol with contemporary harmonies, creating a warm and refresh...

In this gentle arrangement of Still, still, still, Remel Derrick underpins the melody of the traditional Austrian carol with contemporary harmonies, creating a warm and refreshing soundscape. A soarin...

For SATB (with divisions) unaccompanied. This is a harmonically rich carol setting a late medieval English text, centred on the phrase verbum caro factum est. The piece opens with a solo soprano line...

This is a harmonically rich carol setting a late medieval English text centred on the phrase verbum caro factum est. The piece opens with a solo soprano line and gradually expands, culminating in the...

For tenor and soprano solo and SATB (with divisions) unaccompanied. French's quasi-lullaby setting of Thomas Hardy's The Oxen opens by alternating between a tutti refrain and solo verses, with an atmo...

French's quasi-lullaby setting of Thomas Hardy's The Oxen opens by alternating between a tutti refrain and solo verses, with an atmospheric syllabic accompaniment, before building to a tutti final ver...