Mixed Choir a capella

The first word of Psalm 119 is both the first and last word of this music - 'Blessed.' Written to celebrate the 750th anniversary of Merton College, Oxford, This music cannot be rushed. It is relaxed...

Blake Fragments was written for performance in Frank Lloyd Wright's iconic Guggenheim Museum in New York City and calls for the solo voices to be placed in various positions on the concentric rings th...

This short, 3 line prayer has found favor from presidents to world leaders and from the solo fisherman. Here it is set as a simple, a cappella duet for treble voices. This is a wonderful benediction f...

This is the first in a set of three spirituals with the overarching title of Songs for the Journey. They celebrate those who have made the trek to freedom during the era of slavery, inspire those who...

This is the 2nd of three songs that create Songs for the Journey. Setting this traditional spiritual in a slow, gut wrenching style, your choir will find endless places to draw inspiration and emotion...

Here is a concert spiritual for the very best choirs. Extended ranges, divisi in all parts, and a tenor solo for that tenor who can really cut it loose. Fun, exciting and the perfect closer for your c...

While we as humans are rooted here to the ground, why do we always look up when searching for answers? This music explores this ancient theme with long phrases, repeated words and the seemingly unendi...

Here is a work about light. Light which brings peace, hope, awareness, wholeness. The a cappella writing is descriptive and transparent and a wonderful vehicle for exploring choral colors.

Rubato phrasings and delicate word painting are the gentle elements that move this beautiful new setting of the iconic Pickthall poem. Shifting tonal centers, divisi in all voice parts and the a cappe...

Written in a Foundation for Small Voices song-writing workshop hosted by the Cincinnati Children's Choir, the student's message is loud and clear - 'Whatever your journey, whatever your beliefs, whate...

This beautiful text by Canadian poet Bliss Carman speaks to themes of peace, thankfulness and humility. The texture is mostly homophonic with brief sections of divisi to illuminate colors and images i...

Heavenly Home is a 13-minute cycle of a cappella settings of beloved 19th century religious songs, all of which share the text imagery of heaven as 'home'. Each movement features newly-composed materi...

Here is a collection of three of the most popular spirituals in the repertoire. Down To The River To Pray, Deep River and In That Great Gettin'-up Morning are arranged for success. Numbers 1 & 3 are a...

Here are four classic Christmas carols skillfully arranged for the concert stage, worship anthems or caroling in your neighborhood. These are not set in a traditional hymn style but rather graced with...

Nights in armor is a suite for a cappella chorus which reflects on the themes of Arthurian legend as brought to verse by Alfred, Lord Tennyson in Idylls of the King. Each of the four songs takes the v...

Nights in armor is a suite for a cappella chorus which reflects on the themes of Arthurian legend as brought to verse by Alfred, Lord Tennyson in Idylls of the King. Each of the four songs takes the v...

Nights in armor is a suite for a cappella chorus which reflects on the themes of Arthurian legend as brought to verse by Alfred, Lord Tennyson in Idylls of the King. Each of the four songs takes the v...

In 1955, while in the midst of working on a musical version of Voltaire's Candide with the distinguished American playwright Lillian Hellman, Leonard Bernstein composed French and Latin choruses as in...

In 1955, while in the midst of working on a musical version of Voltaire's Candide with the distinguished American playwright Lillian Hellman, Leonard Bernstein composed French and Latin choruses as in...

This piece has been set up to be easily learned, yet to produce a rich and exotic sound, so that even an inexperienced choir can have the pleasure of creating a Medieval Christmas fantasy. Published a...

mit Klavierbegleitung zu Probenzwecken

Jabula Jesu is not hard to learn, and yet creates very rich textures that allow for great variety in shaping and phrasing. The piece can be performed completely unaccompanied, but two or more percussi...

In 1955, while in the midst of working on a musical version of Voltaire's Candide with the distinguished American playwright Lillian Hellman, Leonard Bernstein composed French and Latin choruses as in...