Mixed Choir a capella

DER FLIEGENDE HOLLÄNDER (THE FLYING DUTCHMAN), WWV 63, had two sources of inspiration for Richard Wagner (1813-1883). The first was a short story by Heinrich Heine, based on the folk legend of a sea-c...

Wolfgang Amadeus Mozart (1756-1791) completed his Mass No. 15 in C, K. 317 on March 23, 1779 after a period of seeking for employment in places such as Paris and Mannheim. Failing that, Mozart's fathe...

The most famous of several Vivaldi works entitled Gloria (RV 589), this edition by Clayton Westermann includes a short preface to explain performance practice. Of the three recorded Glorias Vivaldi wr...

While it scandalized Parisian audiences at its premiere by the Opéra-Comique in Paris on March 3rd, 1875, Georges Bizet's (1838-1875) Carmen became, a mere decade later, one of the most popular and fr...

Attending performances of Handel's choral works while in England, Franz Josef Haydn (1732-1809) decided to write his own large-scale oratorio. He began to work on DIE SCHÖPFUNG (THE CREATION), Hob.XXI...

LES CONTES D'HOFFMANN (THE TALES OF HOFFMANN) was written betweem 1876 and 1880 and is the final work composed by Jacques Offenbach (1819-1880), who died four months before the premiere, a fear that O...

AIDA, with music by Giuseppe Verdi (1813-1901) and a libretto by Antonio Ghislanzoni, is a staple of the operatic repertoire. The story, set in the Old Kingdom of Egypt, tells of tragic love challenge...

Johann Sebastian Bach (1685-1750) composed his CANTATA NO. 10: MEINE SEEL ERHEBT DEN HERREN, BWV 10 in 1724 as part of his second cantata cycle since becoming Kantor at St. Thomas the previous year. B...

Johann Sebastian Bach (1685-1750) composed his CANTATA NO. 10: MEINE SEEL ERHEBT DEN HERREN, BWV 10 in 1724 as part of his second cantata cycle since becoming Kantor at St. Thomas the previous year. B...

Johann Sebastian Bach (1685-1750) composed his CANTATA NO. 10: MEINE SEEL ERHEBT DEN HERREN, BWV 10 in 1724 as part of his second cantata cycle since becoming Kantor at St. Thomas the previous year. B...

NABUCCO is the four-act Italian-language opera by Giuseppe Verdi that permanently established Verdi's reputation as a composer. The opera, borrowed from the Bible, follows the plight of the Jews as th...

NABUCCO is the four-act Italian-language opera by Giuseppe Verdi that permanently established Verdi's reputation as a composer. The opera, borrowed from the Bible, follows the plight of the Jews as th...

The CHANDOS ANTHEMS, HWV 246-256, are a collection of eleven anthems composed by George Frideric Handel (1685-1759) when he was composer in residence at Cannons, the court of James Brydges, newly the...

The CHANDOS ANTHEMS, HWV 246-256, are a collection of eleven anthems composed by George Frideric Handel (1685-1759) when he was composer in residence at Cannons, the court of James Brydges, newly the...

The CHANDOS ANTHEMS, HWV 246-256, are a collection of eleven anthems composed by George Frideric Handel (1685-1759) when he was composer in residence at Cannons, the court of James Brydges, newly the...

Johann Sebastian Bach (1685-1750) composed his MOTET No. 1: SINGET DEM HERRN EIN NEUES LIED (Sing unto the Lord a new song), BWV 225 around 1727, and it was likely performed also in that year. In thre...

Johann Sebastian Bach (1685-1750) composed his MOTET No. 1: SINGET DEM HERRN EIN NEUES LIED (Sing unto the Lord a new song), BWV 225 around 1727, and it was likely performed also in that year. In thre...

Antonio Vivaldi (1678-1741) wrote numerous versions in G minor of the Magnificat canticle, making alterations to his own settings over his decades serving as director of music at the Ospedale della Pi...

In spite of being well-known as a great composer of large, complex musical works, some of Brahms' most successful works were smaller, more intimate pieces, such as the eighteen 'Liebeslieder,' or 'Lov...

A Choral Extended Work for SATB composed by Johannes Brahms.

A Choral Extended Work for SSAATTB composed by Johannes Brahms.