Mixed Choir a capella

This lovely arrangement of a brief, but artfully crafted movement from one of Mozart's masterworks is highly recommended for intermediate singers. With only a short phrase in Latin to learn, plenty of...

This ideal concert opener presents a fusion of joyful Latin phrases and exuberant English text. A contrasting 'Alleluia' section echoes legato lines between paired parts. Use the optional divisi at th...

Lyrical voices float over a Bach-inspired piano accompaniment in this beautiful setting built on five common Latin words. Three independent melodies are introduced one at a time and eventually layered...

Lyrical voices float over a Bach-inspired piano accompaniment in this beautiful setting built on five common Latin words. Three independent melodies are introduced one at a time and eventually layered...

This jubilant song of exaltation is designed to make mixed and changing meters intuitive, familiar, easy. Organized in 3 + 2 + 2, the dance-like main theme is quickly mastered. A small number of famil...

A driving and dramatic spiritual meets the riveting "day of wrath" Latin text in this unique arrangement that's not to be missed. Experience the thrill of mixed and changing meters, soaring and chroma...

Victor C. Johnson's jubilant setting of the traditional Latin text is ideal for developing choirs. The rousing mixed-meter introduction lays the groundwork for a syncopated presentation of the main th...

Victor C. Johnson's radiant realization of the traditional Latin "light born of light" text is equally fitting for the concert hall, stage, or sanctuary. With plenty of room for expressive singing, th...

Using the traditional "Cantate Domino" text, this piece is ideal for developing ensembles. The stackable melody spans a conservative six-note range that works well for changing voices, and an additive...

This flowing and melismatic Latin setting offers every voice part something satisfying to sing. After a brief opening solo and presentation of the main theme, a minor-key section creates striking cont...

Here's a joyful, syncopated celebration that maintains its driving tempo from start to finish. This dynamic minor-key opener introduces a "Jubilate Deo" theme in unison, then develops it further with...

Kantate zum 3. Sonntag nach Trinitatis. Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Oboe, Fagott, Trompete (3), Posaune (4), Pauke, Violine (2), Viola, Basso continuo - Klavier...

Kantate zum 19. Sonntag nach Trinitatis. Klavierauszug nach dem Urtext der Neuen Bach-Ausgabe (deutsch/englisch). Bass solo, Gemischter Chor-SATB, Oboe (2), Englischhorn, Streicher, Basso continuo

Kantate zum Reformationsfest (deutsch/englisch), nach der Neuen Bach-Ausgabe. Sopran solo, Alt solo, Tenor solo, Bass solo, Oboe (3)/ Oboe d'amore/ Oboe-dacc, Streicher, Basso continuo - Klavierauszug

Kantate zu einer Trauerfeier (deutsch/englisch), nach der Neuen Bach-Ausgabe. Alt solo, Bass solo, Gemischter Chor-SATB, Alt-Blockflöte in f,g (2), Viola da gamba (2), Basso continuo

The anthem "How beautiful are the feet", also known as "Anthem on the Peace", was premiered in 1749 by the Chapel Royal in London at a thanksgiving service on the occasion of the Peace of Aachen, whic...

The anthem "How beautiful are the feet", also known as "Anthem on the Peace", was premiered in 1749 by the Chapel Royal in London at a thanksgiving service on the occasion of the Peace of Aachen, whic...

George Frideric Handel's anthem "Blessed are they that considereth the poor" was first performed in 1749 at a benefit concert for the Foundling Hospital orphanage and is known by this name. The vocal...

George Frideric Handel's anthem "Blessed are they that considereth the poor" was first performed in 1749 at a benefit concert for the Foundling Hospital orphanage and is known by this name. The vocal...

Dvorák composed the 'Mass in D major' in 1887 at the suggestion of his patron Josef Hlávka for the inauguration of the Lužany castle chapel. It is written for choir and organ with sporadic passages fo...

This choral score contains two movements from "Liturgische Sätze über altevangelische Kyrie- und Gloriaweisen" op. 13 (1933/35) by the Protestant church musician Hugo Distler. They are written for mix...