Mixed Choir a capella

Gemischter Chor und Orgel, Harfe oder 3 Instrumente.

Chorpartitur - gemischter Chor (SSSMezMezMezAAATTTBarBarBarBBB).

This flexible collection offers a wealth of excellent material for singing in rounds. All of the standard rounds are represented, including many by master composers as well as anonymous ones. The book...

This 10-minute a cappella motet is suitable for advanced choirs for both concert and liturgical perfomances. It is a reflective and richly textured work, which uses an anonymous Latin text from a sett...

The text of We Are the Music-Makers is a few lines from Arthur O'Shaughnessy's Ode that speaks of the special feelings of being musicians, in many ways apart from the world, perhaps lonely and misunde...

While the melody used in this setting is entirely new, it is somewhat reminiscent of an old Scottish air. The violin obligato underscores the great poignancy of Robert Burns' lyrics.

The lovely new tune by Paul Short is a lyric and expansive melody, particularly well-suited for the voice, while the appearance of the original tune by Samuel Ward and the juxtaposition of the two in...

Kenneth Grahame's simple and slightly archais language brings to mind the gentle rocking rhythm associated both with traditional carols and folk lullabies, which the composer has augmented with occasi...

In this setting, the text is repeated in fragments, and not in its usual three-fold form used in liturgy today. Musically, the phrases are formed in continual motion of uninterrupted breath.

With words by Robert Burns, the melody used in this setting is an entirely new one, but one which is somewhat reminiscent of an old Scottish air.

This setting of the familiar Cantate Domino text is full of rhythmic vitality and forward momentum. Enjoy the playful metric surprises!

This fresh new arrangement was written in response to the events of September 11, 2001.

O come, O come Emmanuel is the first movement of the work Millennial Suite: Hymns through the Ages. The work's six movements make imaginative use of popular hymns that are presented in chronological o...

Now thank we all our God is the third movement of the work Millennial Suite: Hymns through the Ages. The work's six movements make imaginative use of popular hymns that are presented in chronological...

Let us break bread together is the fifth movement of the work Millennial Suite: Hymns through the Ages. The work's six movements make imaginative use of popular hymns that are presented in chronologic...

Hardly any melody evokes such profound emotions of farewell, gratitude, and new beginnings as the traditional Scottish classic "Auld Lang Syne." In this moving arrangement for mixed choir (SATB) and p...