Mixed Choir a capella

Now available for mixed voices! This traditional greeting/salutation song of the Kwangali and Sotho people, with authentic call and response vocals, djembe, bass drum and shakers will be easily learne...

Now available for mixed voices! This traditional greeting/salutation song of the Kwangali and Sotho people, with authentic call and response vocals, djembe, bass drum and shakers will be easily learne...

Fast, rhythmic, with accents, textural twists and a slow rubato middle section, this short secular a cappella work is full of surprises and comic elements. With an Italian text by Charles Anthony Silv...

Fast, rhythmic, with accents, textural twists and a slow rubato middle section, this short secular a cappella work is full of surprises and comic elements. With an Italian text by Charles Anthony Silv...

Be quiet, be still, listen and hear, far away a voice is calling, this is the translation of this original work that evokes the wonder and beauty of the country of South Africa. The gentle declaration...

Be quiet, be still, listen and hear, far away a voice is calling, this is the translation of this original work that evokes the wonder and beauty of the country of South Africa. The gentle declaration...

Here is the Latin antiphon from the requiem mass for unaccompanied voices and soloists. Varied textures and a full dynamic range give this setting an emotional context that will offer appropriate chal...

Here is the Latin antiphon from the requiem mass for unaccompanied voices and soloists. Varied textures and a full dynamic range give this setting an emotional context that will offer appropriate chal...

John Bennet (c. 1575-c. 1614) was a Renaissance-era English composer who wrote several madrigals in the style of Thomas Morley. This is perhaps his most famous one, and is a wonderful contest or festi...

John Bennet (c. 1575-c. 1614) was a Renaissance-era English composer who wrote several madrigals in the style of Thomas Morley. This is perhaps his most famous one, and is a wonderful contest or festi...

K. Lee Scott has taken a Latin setting of Psalm 51, Create in me a clean heart, and laced it with a luscious 21st century harmonies. Gentle and yet stirring, this setting is excellent for college or c...

K. Lee Scott has taken a Latin setting of Psalm 51, Create in me a clean heart, and laced it with a luscious 21st century harmonies. Gentle and yet stirring, this setting is excellent for college or c...

Stacey Gibbs captures the soul of each Spiritual he arranges. The essense of the song is unchanged, yet something new and fresh appears. It is the spiritual we know and love, yet it glistens like neve...

Stacey Gibbs captures the soul of each Spiritual he arranges. The essense of the song is unchanged, yet something new and fresh appears. It is the spiritual we know and love, yet it glistens like neve...

Ken Berg had a brilliant idea when he merged the classic Samuel Francis text with this elegant Brahms motet. Deeply profound in its simplicity, this piece is an excellent choice for Communion, Lent an...

Ken Berg had a brilliant idea when he merged the classic Samuel Francis text with this elegant Brahms motet. Deeply profound in its simplicity, this piece is an excellent choice for Communion, Lent an...

A lovely setting of the Latin Grace from Jesus College, Cambridge, featuring harmonic richness and subtle rhythmic and textural merits. An excellent a cappella selection for mature mixed choruses.

A lovely setting of the Latin Grace from Jesus College, Cambridge, featuring harmonic richness and subtle rhythmic and textural merits. An excellent a cappella selection for mature mixed choruses.

Composed for the choir of St. Chad's, Shrewsbury, this setting for unaccompanied mixed voices of the prayer after communion presents the text in a straightforward manner, with nuanced phrases and gent...

Composed for the choir of St. Chad's, Shrewsbury, this setting for unaccompanied mixed voices of the prayer after communion presents the text in a straightforward manner, with nuanced phrases and gent...

The choral music of Orlando Gibbons (1583-1625) is unusual among his Tudor contemporaries for being all in English (as far as we know), and is of the very highest quality. This collection provides an...

The choral music of Orlando Gibbons (1583-1625) is unusual among his Tudor contemporaries for being all in English (as far as we know), and is of the very highest quality. This collection provides an...

Opening with a slow, unaccompanied statement of the refrain, this contemporary setting of the traditional spiritual then unfolds into a dramatic layering thematic treatment that is tremendously exciti...