Mixed Choir with Organ

Für den Gottesdienst zur Einführung von Dr. Heike Springhart als Landesbischöfin der Badischen Landeskirche am Sonntag, den 10. April 2022.

FOR SOLOISTS, CHORUS, GIRL'S CHORUS AND ORCHESTRA Texts from the Latin Texts by Simon Grotrian 2 fl. grande 1 fl. picc. 2 oboi 1 c. ingl. 2 cl. in Bb 1 cl. basso in Bb 2 fagotti 1 contrafag. 4 corni i...

Wena Wedwa is a tremendous song of praise from Africa. The vocal parts are accessible and repetitive, so learning the initial rhythms and texts is well worth the effort. Add a soloist and percussion t...

Arranged for soloists, choir and organ.

Arranged for soloists, choir and organ.

Coro SATB, Org, Vne, [Vl colla parte]

At the age of eighty-six Heinrich Schütz composed his last work in 1671 with his monumental setting of Psalm 119, complemented in an appendix with a setting of Psalm 100, and a setting of a German Mag...

An Introduction to Hark, the Glad Sound for soprano saxophone, mixed voice choir and organ by Judith Bingham.

Camille Saint-Saëns (1835-1921) wrote his Oratorio de Noël in a matter of weeks, completing the work ten days before it premiered on Christmas in 1858 in Paris. Written and structured in a style that...

A setting of Christina Rossetti's Remember written for the choirs of Pembroke College, Cambridge, for performance on the centenary of the Armistice that ended World War I.

Gounod's O Sing To God (Noel) is written for Soprano solo with mixed chorus and organ accompaniment. The text for the anthem is credited to the Rev. B. Webb, and the piece was written and first perfor...

With text by Alice Goodman (2024), after John of Grimestone (14th Century), this carol is scored for SATB choir, male voice semichorus and organ. It was commissioned by Harrow School and first perform...

A welcome wonder indeed ...This spirited and engaging work is a homage to English choral music of the 20th century by a gifted composer and organist in his mid-thirties. Billed as 'a Christmas cantata...

Orlando Gibbons was a master of the verse anthem during the English renaissance. Here, David Giardiniere gives us a practical edition of the outstanding work. Try it during Advent or for Christmas.

This is something a little different for a sacred Christmas concert. A bit advanced, for wordless four-part choir and organ, with narration of Julie Stine's rather mystical poetry, approximately 5 min...

Chilcott's convivial setting of Crashaw's Welcome, all wonders in one sight! opens with a bright and declamatory refrain that proclaims 'welcome!' over a grand, oscillating organ part that is grounded...

Chilcott's convivial setting of Crashaw's text invites us to lift up 'our loftier song, and wake the sun that lies too long'. Choral triplets gesture towards a swung rhythm, and jazz-like inflections...

One of the most beautiful chorales from the Christmas Oratorio "Das Wort ward Fleisch" for four-part mixed choir and organ