Mixed Choir with Piano

A holiday classic all wrapped in a delightful 2-part choral that marches and dances with ease and includes the opportunity to play kazoos! A novel arrangement that sparkles with fun for the season.

Paralleling the voyages we make through life with those of a river to the sea, this poignant original work by Amy Bernon creates a thoughtful and meaningful atmosphere suitable for any general concert...

This endearing song from the musical You're a Good Man, Charlie Brown will delight your audiences with its adorable lyric and sweet melody. With a tender and supportive piano accompaniment, Happiness...

Alan Hovhaness' Majnun Answered for SATB choir with Piano accompaniment and Trumpet solo. From 'Majnun' Symphony, No. 24.

John Jacob Niles' I Wonder As I Wander has been arranged here by the composer and Lewis Henry Horton for solo Medium Voice with 3-part (SAB) Choir and Piano accompaniment.

Be enchanted by "Under the Willow Tree", one of the most graceful and beloved moments from the celebrated opera "Vanessa". This atmospheric piece captivates with its lyrical elegance and lively, dance...

Seven happy songs for unison, two- and three-part voices with Piano accompaniment, about a menagerie of animals by Carolyn Jennings. Includes Bandicoot, Giraffes, Penguin, Sloth, Whale (Aqua Blues),...

Easily learned, this well-crafted arrangement will be a welcome addition to any holiday program - pop or classical.

This setting of the poignant and evocative Christina Rossetti poem Dream Land paints dark and brooding images of shadows, stars, and sunless rivers. The center point of the poem is the sad singing of...

This English folk song, also commonly sung throughout the American Revolutionary War, tells the unfortunate eternal story of soldiers going off to war, leaving loved ones at home. René Clausen artfull...

For cambiata 1, cambiata 2, baritone, and piano. An original composition on a traditional and well-loved text, this is a pulsating, rhythmic piece that displays Tarney's keen sense of texture and line...

This original suite, written for the Warwickshire Youth Choir, represents an extended concert item at the centre of the Emerging Voices series. It sets anonymous instructions found in packaging to gen...

This is an imaginative and modern-sounding setting of John Masefield's popular poem (2017 marks the 50th anniversary of Masefield's death). This expressive piece ebbs and flows, and provides imitative...

This is an artfully crafted setting of a beautiful poem by Matthew Meiklejohn. It is rich in contrasting material and many of the text's images are apparent in the music. The violin part contributes m...

This is an artfully crafted setting of a beautiful poem by Matthew Meiklejohn. It is rich in contrasting material and many of the text's images are apparent in the music. The violin part contributes m...

This is the first piece in Wilberg's Dances to Life. The text speaks of the wonders of childhood, and the music is playful and dance-like, set mainly in 7/8. The choral writing is uncomplicated, and t...

An expressive setting of a Roberta Hill Whiteman text, this secular title is teeming with melodic lyricism, colour, and character. The meditative vacillation between F sharp minor and D major chords i...

This vibrant nine-movement work unites upper- and mixed-voice choirs in a multi-faceted exploration of colour. A richly scored instrumental accompaniment, which may alternatively be performed by piano...

Wanderlust reflects on friendships and the desire to explore, both literally and figuratively. With a text by Edna St Vincent Millay, it features a memorable melody and nostalgic harmonies against the...

This enchanting setting of the well-known medieval text combines expressive harmonies with gently interweaving lines for solo or soli voices. A beautifully written Advent miniature, Rose of such virtu...

Written in his customary style of great simplicity, the voices sing in unison over a pared-down, chordal organ accompaniment.

A dancing jazz waltz, with a stylish and swinging piano part.