Mixed Choir with Piano

Mit seinen Sieben geistlichen Gesängen stellt Giacomo Meyerbeer einmal mehr unter Beweis, dass er nicht nur als Opernkomponist Epochales hinterlassen, sondern auch einige 'Schätze der Chormusik' gesch...

So fill to me the parting glass. Good night and joy be with you all. This traditional Celtic song makes a wonderful closing number or encore for a concert. Opt. flute or other C instrument.

The composition brings together the feelings of collective responsibility and a deep reverence for all of life on earth. Written in the style of a folk song, this arrangement should be performed with...

A reflective work for church or concert choirs at Passiontide. It sets the traditional Seven Last Words of Christ, well-known hymns, and other sacred texts to create a moving and dramatic work that re...

Adapted from a movement of Arnesen's Stabat Mater for upper voices and orchestra, Eja Mater is arranged for mixed voices with frequent divisi, obligato cello and harp (or piano). This part of the Stab...

Featuring expressive vocal lines, warm harmonies, lush choral texture and a meaningful text, Safe Harbor is a modern benediction that conveys feelings of safety, belonging, and well-being. This piece...

Singer/songwriter Erich Eastman created It’ll Be Alright as a response to the anxieties we all can experience in life. It is a joyous celebration of looking deep within oneself to carry on. Originally...

The Bitter Earth (Horká hlína) cantata was written in 1960 and it was originally conceived for a mixed choir and organ. The composer soon found, however, that this instrumental accompaniment limited t...

Classic Eric Clapton! This bluesy a cappella doo-wop setting has a great message and is easy to learn. A great pop or jazz choir feature. Available separately: SATB a cappella and TTBB a cappella. Per...

This classic Rodgers and Hart song takes on a whole new life with its upbeat do-wop arrangement by Jeff Funk. It was featured on the Grease soundtrack.

A unique guide to teaching unaccompanied singing! Gitika Partington's a cappella arrangements are used by youth and community choirs around the world. Gitika believes in the sensational power of grou...

A unique guide to teaching unaccompanied singing! Gitika Partington's a cappella arrangements are used by youth and community choirs around the world. Gitika believes in the sensational power of grou...

Bob Chilcott, described by the Observer newspaper as a contemporary hero of British choral music, has been working as a choral composer and conductor since leaving The King's Singers in 1997. While in...

This Celtic blessing is well-known and loved in many different versions and this setting will be especially effective as a gentle closing number or encore for school and community choirs. Easily-learn...

This memorial work on a text of Mark Twain is set to the rich harmonic structures found in a number of Dan Forrest pieces. For mixed divisi voices unaccompanied, make sure to read the moving composer'...

This second book of anthems by Bob Chilcott assembles pieces in a wonderful range of styles and moods. The anthems have been carefully selected to be both approachable to a wide range of choirs and ap...

One of the great spirituals is skillfully arranged for mature a cappella groups. Each section of the choir shines with characteristic voice parts and occasional divisi. Superb writing with a deliberat...

Will Todd, born in 1970, is forging a strong reputation for himself as a composer who is equally at ease in opera, oratorio, church music and jazz. His style is instantly accessible and lastingly memo...

Ward Swingle was a founder member of the fabled vocal group Double Six in Paris in the 1960s. He then took the scat singing idea and applied it to the works of Bach, with another vocal group which bec...

Composed in 2014 for the Wellensian Consort (conductor: Christopher Finch), At Evening is composed in the style of an evening benediction. As a result, it is wonderfully suited as the praise song of a...

Composer's note: 'This work comes from amazement - that the encounter with divine love, our relationship with the sacred, is to be constantly astonished by the endlessness of the depths of love. Love'...

Composer’s note This piece is an adaptation of the instrumental movement ‘Reflection’ in my large-scale work The Stranger. I was inspired by research showing the emotional effect of having eye contact...

Here is a collection of three of the most popular spirituals in the repertoire. Down To The River To Pray, Deep River and In That Great Gettin'-up Morning are arranged for success. Numbers 1 & 3 are a...