Mixed Choir with Piano

An original text and tune with optional organ and violin accompaniment options.

An original text and tune with optional organ and violin accompaniment options.

This setting is a beautiful arrangement of the lovely 17th century Welsh tune MALDWYN, a Christmas favorite.

Music of the Stars offers an enlightening commentary on the power of music to console and uplift in challenging times. Characterful string writing accompanies the engaging vocal lines, with McDowall a...

Enjoy the bright energy of 3/4 felt in one. This rhythmic Greg Gilpin original may be accompanied by shaker alone or the optional keyboard part. Vibrant vocables have no literal meaning, but virtually...

In creating a choral arrangement of this song in 2011, I endeavored to remain as true as possible to the composer's vocal score from 1894, and to his chamber orchestra score from 1897. The melody in t...

This sequence of six carols explores the role of Mary in the Christmas story, focussing on her human experience within a story of the divine. The writer Georgia Way places the sycamore tree as a centr...

This Christmas anthem opens with the refrain of 'Angels We Have Heard on High' offering an opportunity to include a children's choir along with the adults. Both groups then join together in the middle...

This Christmas anthem opens with the refrain of 'Angels We Have Heard on High' offering an opportunity to include a children's choir along with the adults. Both groups then join together in the middle...

A new edition into the popular Christmas with the Singers series. This arrangement is bright, festive and fun to sing. May be performed with harp instead of piano and a bright optional oboe. 

Here is the beautiful final movement from Giacomo Carissimi's oratorio Jephte. Originally for SATB choir, soloist, narrator and instruments, here is a new arrangement for men that allows them to explo...

This sweetly gentle octavo would be great for any Sunday, for mixed voices with handbells (3 octaves, handbell parts included in octavo. Keyboard optional.

A state and festival piece by David Schwoebel that incorporates the hymn tune, showy, but not difficultSATB, piano accompaniment, optional organ and brass, optional congregation

Instrumentation: piano or harp and oboe, or woodwind quartet of flute, oboe, clarinet, and bassoonThis familiar text is set to a traditional tune from Normandy. The score and quartet parts are availab...

Neil Harmon's arrangement of this traditional carol is scored for mixed chorus with piano or harp and oboe, or for a quintet of flute, oboe, clarinet, horn in F, bassoon, and a harp. Try this piece al...

This is a highly successful arrangement of the traditional tune from the 1582 Pie Cantiones the piece is set for mixed chorus with piano or harp and oboe, or a quintet of flute, oboe, clarinet, horn i...

A church musician himself, Neil Harmon writes exceedingly well for the church choir. As is the case here, many of his seasonal works are accompanied by a chamber ensemble (here for flute, clarinet, F...

In Bill Snedden's setting of this beloved text, he pairs it with a lovely new tune for SATB chorus with harp or piano and optional flute, a great addition to any holiday concert.

This is a bold reimagining of Hildegard's chant, both tune and text. Actively quoting the source material, DiOrio's setting takes Hildegard's music as a launching point from which to imagine new sonic...

This setting of three stanzas from 'For the Fallen' is poignant and atmospheric. A serene refrain for unison voices is interposed between evocatively turbulent passages for SATB choir. The accompanime...

A beautiful 6-part unaccompanied Marian motet written for the Marian Consort. The work combines reminiscences of Renaissance settings of this text with McDowall's distinctive contemporary voice.

Zwei Solisten (Sopran und Tenor) singen - voneinander entfernt stehend, aber doch zueinander gewandt - ihre Gefühle in die Nacht und vertrauen sie dem leisen Abendwind an. Daraus entwickelt sich eine...

Zwei Solisten (Sopran und Tenor) singen - voneinander entfernt stehend, aber doch zueinander gewandt - ihre Gefühle in die Nacht und vertrauen sie dem leisen Abendwind an. Daraus entwickelt sich eine...