Mixed Choir with Piano

The Bitter Earth (Horká hlína) cantata was written in 1960 and it was originally conceived for a mixed choir and organ. The composer soon found, however, that this instrumental accompaniment limited t...

Memorably sung by Cindy Lou Who in the 2000 adaptation of How the Grinch Stole Christmas, Faith Hill's pop ballad is receiving renewed popularity. Here, Mark Brymer's take on the classic can be sung w...

Reaching number one in the 1970s this timeless song from the Jackson five translates beautifully for choral singing. This arrangement features vocally satisfying parts that lay in a comfortable tessit...

Classic Eric Clapton! This bluesy a cappella doo-wop setting has a great message and is easy to learn. A great pop or jazz choir feature. Available separately: SATB a cappella and TTBB a cappella. Per...

This classic Rodgers and Hart song takes on a whole new life with its upbeat do-wop arrangement by Jeff Funk. It was featured on the Grease soundtrack.

A unique guide to teaching unaccompanied singing! Gitika Partington's a cappella arrangements are used by youth and community choirs around the world. Gitika believes in the sensational power of grou...

A unique guide to teaching unaccompanied singing! Gitika Partington's a cappella arrangements are used by youth and community choirs around the world. Gitika believes in the sensational power of grou...

Bob Chilcott, described by the Observer newspaper as a contemporary hero of British choral music, has been working as a choral composer and conductor since leaving The King's Singers in 1997. While in...

This Celtic blessing is well-known and loved in many different versions and this setting will be especially effective as a gentle closing number or encore for school and community choirs. Easily-learn...

Two short works by the well-known Basque composer evoke colorful images of the calm countryside and nature's beauty. With Spanish text and in a simple four-part setting, the music paints the impressio...

Pentatonix covers this song by Fleet Foxes in their signature a cappella style with only body percussion as accompaniment. With a repeating vocal phrase that gradually extends and a wordless contrasti...

Set in the style of a buoyant English dance, this vibrant setting of Kenneth Grahame's verse from The Wind in the Willows expresses the joy and gladness in the air at Christmas. Your audience will be...

This memorial work on a text of Mark Twain is set to the rich harmonic structures found in a number of Dan Forrest pieces. For mixed divisi voices unaccompanied, make sure to read the moving composer'...

This second book of anthems by Bob Chilcott assembles pieces in a wonderful range of styles and moods. The anthems have been carefully selected to be both approachable to a wide range of choirs and ap...

The definitive a cappella Christmas spiritual of the year! A descending bass line is a firm foundation in the A section; B features the girls vs. the guys; a vocal stack builds in the middle; followed...

One of the great spirituals is skillfully arranged for mature a cappella groups. Each section of the choir shines with characteristic voice parts and occasional divisi. Superb writing with a deliberat...

Will Todd, born in 1970, is forging a strong reputation for himself as a composer who is equally at ease in opera, oratorio, church music and jazz. His style is instantly accessible and lastingly memo...

Gaudete ('rejoice') is an anonymous composition whose chorus was first published in 1582 in the Piae Cantiones collection. The verses are taken from a medieval Czech song, Ezechielis Porta, and tell o...

Ward Swingle was a founder member of the fabled vocal group Double Six in Paris in the 1960s. He then took the scat singing idea and applied it to the works of Bach, with another vocal group which bec...

Composed in 2014 for the Wellensian Consort (conductor: Christopher Finch), At Evening is composed in the style of an evening benediction. As a result, it is wonderfully suited as the praise song of a...

Composer's note: 'This work comes from amazement - that the encounter with divine love, our relationship with the sacred, is to be constantly astonished by the endlessness of the depths of love. Love'...

Composer’s note This piece is an adaptation of the instrumental movement ‘Reflection’ in my large-scale work The Stranger. I was inspired by research showing the emotional effect of having eye contact...

Here is a collection of three of the most popular spirituals in the repertoire. Down To The River To Pray, Deep River and In That Great Gettin'-up Morning are arranged for success. Numbers 1 & 3 are a...

This energetic revoicing of Michael John Trotta's Omnia Vincit Amor for SATB Voices is intended as an accessible piece for developing mixed singers. Whether accompanied or a cappella, there are many o...