Mixed Choir with Piano

By repeating the complete text, the through-composed motet is divided into two parts, preceded by an instrumental prelude and followed by a coda ("Alleluia").

Since the two verifiable autographs of the Offertorium Misericordias Domini have been lost, Robert Münster has for the first time used the copies he has found from the Munich court music for this new...

Mozart's "Sancta Maria" is one of those liturgical chants that are based on the time of the church year or the respective feast of the saints. It was probably sung on a feast of the Virgin Mary follow...

Cherubini's Requiem in C minor for mixed choir (without vocal soloists) and orchestra, which is presented here in a critically correct new edition, is one of the most important contributions to the ge...

Cherubini's "Messe solennelle in G" was originally composed for a planned coronation ceremony in 1819. However, the celebrations did not take place. The mass disappeared into oblivion and was only red...

Due to the requirement of the Archbishop of Salzburg that even a solemn mass should not last longer than three quarters of an hour, Mozart composed a "Missa brevis et solemnis", i.e. a solemn mass wit...

Rheinberger reported around 150 performances of his Christoforus in Germany and abroad around 1900 - a success story that unfortunately came to an end in the 20th century. With the present edition, ba...

The two Kyrie settings in E flat K. 322 (1778/79) and in C K. 323 (probably not before 1790) are among the works by Mozart that only exist as incomplete draft scores. In both cases, however, Mozart's...

Trotz der Einfachheit der Sätze, die eine möglichst breiten Verwendbarkeit dienen sollte, gelang es Haydn in den Psalmvertonungen, abwechslungsreiche Werke zu schaffen. Sowohl die Satztechniken als au...

Joseph Haydn set the Ambrosian Canticle to music twice in the course of his life. The "Te Deum" for Empress Marie Therese was composed around 1800 and thus falls into his late creative phase. The larg...

Schubert probably composed the Latin "Stabat Mater" D175 without a direct commission between the 4th and 6th of April 1815. According to Pope Benedict XIII's instructions of 1727, it is intended as a...

Die Missa Dei Filii ZWV 20 entstammt dem Spätwerk des böhmischen Komponisten Jan Dismas Zelenka. Sie gehört zu einem unvollendet überlieferten Zyklus von sechs Messen, die der Komponist selbst als 'Mi...

This riveting setting of "Dies Irae" from an early nineteenth century Brazilian composer is excellent for high school honor choirs and for teaching Classical style.

This medium-level work incorporates body percussion with a creative harmonic and melodic treatment. A good work to begin a spring concert.

A setting that is perfect for a seasonal concert, its flexible voicing and creative accompaniment makes a great addition to fall/winter programming.