Mixed Choir with Piano

Lyrical voices float over a Bach-inspired piano accompaniment in this beautiful setting built on five common Latin words. Three independent melodies are introduced one at a time and eventually layered...

Lyrical voices float over a Bach-inspired piano accompaniment in this beautiful setting built on five common Latin words. Three independent melodies are introduced one at a time and eventually layered...

A driving and dramatic spiritual meets the riveting "day of wrath" Latin text in this unique arrangement that's not to be missed. Experience the thrill of mixed and changing meters, soaring and chroma...

Victor C. Johnson's jubilant setting of the traditional Latin text is ideal for developing choirs. The rousing mixed-meter introduction lays the groundwork for a syncopated presentation of the main th...

Victor C. Johnson's radiant realization of the traditional Latin "light born of light" text is equally fitting for the concert hall, stage, or sanctuary. With plenty of room for expressive singing, th...

George Frideric Handel's Dixit Dominus was published as early as 1960 as part of the then still young Hallische Händel-Ausgabe. A critical report was not presented, so that in cases of doubt the basis...

Klavierauszug nach dem Urtext der Hallischen Händel-Ausgabe (italienisch). Sopran solo (2), Mezzosopran solo, Alt solo, Bass solo, Alt-Blockflöte in f,g (2), Flöte, Oboe (2), Fagott, HnStr (2), Basso...

Recorder 1, Recorder 2, Flute, Oboe 1, Oboe 2, Horn 1, Horn 2, Violin 1, Violin 2, Violin 3, Viola, Violoncello, Bassoon, Bassoon, Lute, Harpsichord - Piano reduction; Urtext edition

Gemischter Chor-SATB, Klavier - Klavierauszug; Urtextausgabe

Piano reduction based on the Urtext of the New Mozart Edition. Mixed choir-SATB, strings, organ - piano reduction

Texte deutsch/englisch, Klavierauszug nur für die Einstudierung - Words German/English. Vocal Score only for Rehearsal. Gemischter Chor-SATB - Singpartitur

> Cherubini's well-known Requiem in a definitive Urtext edition > Bilingual Foreword (Eng/Ger) > Idiomatic, uncluttered piano reduction Cherubini owes his fame as a church composer primarily to the 'R...

Composed for the film A. M. D. G. - The World is not Enough (Loyola Productions, Inc.), marking the 450th anniversary of the death of St Ignatius Loyola. Ignatius, who died on 31 July 1556, was the fo...

Will Todd, born in 1970, is forging a strong reputation for himself as a composer who is equally at ease in opera, oratorio, church music and jazz. His style is instantly accessible and lastingly memo...

A setting of the Latin text from the Roman Missal, Requiem is the opening movement of a larger work entitled Songs of Peace, which was written in 2012 in memory of the composer's mother. Todd's gently...

Stay with me, Lord was originally commissioned by the Genesis Foundation as one of three commissioned settings of Padre Pio's Prayer after Communion, and first performed in June 2008 at Westminster Ca...

Kyrie is the only movement completed from a planned Mass and was left unperformed at the time of the composer's death. The edition was prepared for publication from the original manuscript by his son...

This anthem was commissioned in 2012 by Simon Winters to celebrate 25 years of the chamber choir Felicitas. Thinking about the unaccompanied vocal texture brought Will Todd back to his 1995 setting of...

This setting of the famous hymn words by Reginald Heber, a particularly suitable text for Epiphany, was written in memory of Benjamin Hutto, Director of Music at St John's, LaFayette Square, Washingto...

This contemplative and serene piece was commissioned as a retirement gift for Canadian organist and choir director, Paul Merrit, and first performed in 2016. The setting of the well-known biblical wor...

Commissioned by William Saunders for the Royal Hospital School, Ipswich, in 2013, Exalt us in Your love is loosely based on the words of that school's prayer. Choirs and listeners familiar with Will T...

Composed in 2015, Stabat Mater was commissioned by the Genesis Foundation for Harry Christophers and The Sixteen. Scored for mixed chorus and string orchestra it is a long-awaited sequel to the early...

These three jazz arrangements of well-known hymns were composed for Andrew Earis and the choirs of St Martin-in-the-Fields, London, on the occasion of various services and a BBC broadcast from that ch...

A setting of one of the seven O Antiphons, O Adonai, is built upon an ostinato figure on a single note which starts and ends the composition, initially using the words of the title. Acting as a drone...