Mixed Choir with Piano

Felix Mendelssohn Bartholdy completed his first oratorio - "Paulus" op. 36 - in 1836 at the age of 27. The first version, which was premiered on May 22, 1836, underwent extensive revision. This second...

The setting of the 42nd Psalm 'Wie der Hirsch schreit nach frischem Wasser' op. 42 for soloists, choir and large orchestra was composed in 1837. For the present edition, the renowned Mendelssohn speci...

Edited by Christina M. Stahl and Michael Stegemann Piano reduction by Martin Focke The Messe de Requiem is probably Gabriel Fauré's best-known and most frequently performed work internationally. After...

S, A, T, B, 4stimmiger gemischter Chor und Orchester - Klavierauszug

Soprano, tenore, baritono soli, coro SATB e orchestra Exact instrumentation: 2.2.2.2(+cfg)-4.3.3(+tbb) - timpani, gran cassa, piatti à 2, celesta, vibraphone, campanelli, campani grande, harp - string...

Soprano, tenore, baritono soli, coro SATB e orchestra Exact instrumentation: 2.2.2.2(+cfg)-4.3.3(+tbb) - timpani, gran cassa, piatti à 2, celesta, vibraphone, campanelli, campani grande, harp - string...

Though this adaptation of J.S. Bach's Suite No. 3 in B minor using Latin text is brief — only 36 measures long — it showcases mixed choirs beautifully. Your mixed ensemble will sound sophisticated and...

New to the Carl Fischer catalog, Patrick Vu brings a hopeful and accessible voice to I Will Lift Mine Eyes. Ideal for church and school, for large or small ensembles, his elegant writing, combined wit...

Five Psalms were scored for Soprano solo, SATB chorus, and Orchestra or Piano. They are settings of five of the popular psalms in the bible, namely Psalm 23: The Lord Is My Shepherd - Psalm 107: O Giv...

The hip contemporary approach to the Messiah created by Quincy Jones in the early '90s remains popular today. Teena Chinn captures all the original drive and excitement in this new choral setting. Uti...

Coro SATB, Gde, Tast

In the late 17th century, English musicians celebrated St. Cecilia as the patron saint of music with special concerts and church services every year on November 22. Handel revived the tradition of the...

Spohr's reputation as a violin virtuoso, composer, conductor and instrumental teacher was outstanding in the early Romantic period. "Die letzten Dinge" is considered the most important of his four ora...

This Missa solemnis in C major (before 1764) is recommended for performance to all those who would like to get to know Leopold Mozart not only as the composer of a musical sleigh ride and author of a...

With a musically convincing and in many respects highly original interpretation of the liturgical text, Herzogenberg's mass represents a final highlight in the late Romantic repertoire of the "Missa s...

Nicolai's only surviving mass is one of his most important contributions to church music. It is characterized by its varied structure and good singing quality. It therefore offers many choirs a real a...

The Carus program on Dresden court music continues with the first edition of one of the great masses (No. 9, D major) by Johann David Heinichen, the most important musical representative of the Saxon...

Eberlin's programmatic setting of the offertory "Terra tremuit" was composed for the festive liturgy of Easter Sunday at Salzburg Cathedral, which was a center of polyphonic offertory settings in the...

Giuseppe Verdi's Te Deum for double choir and large orchestra is the most frequently performed part of his Quattro pezzi sacri and his penultimate work, composed in 1895/1896. Verdi dealt intensively...

Among the sacred compositions by Carl Heinrich Graun, the long-serving court conductor of Frederick II in Berlin, two works have acquired a prominent status: the passion cantata Der Tod Jesu from 1755...

The Requiem in F minor op. 146 is one of Franz Lachner's most important works. The composer, who lived in Vienna for a long time, developed into a "classicist romantic" there, merging classical form,...

The Berlin choirmaster and music teacher Michael Betzner-Brandt is known as a particularly creative mind in the choral scene - for example through his "I can't sing" choirs. In order to be able to sin...

Biber's Requiem in F minor is amongst the most impressive settings of the Requiem Mass of the 17th century. The exact reason for the composition of the Requiem, which can be dated to 1692, is not know...

A valuable addition to the requiem repertoire: Biber's Requiem in F minor is one of the most impressive settings of the requiem mass of the 17th century. The specific occasion for the composition of t...

The two poems by John Milton L'Allegro (Cheerfulness) and Il Pensieroso (Melancholy) describe the contrasts between these two moods. Charles Jennens used them to create a libretto, supplemented by the...