Mixed Choir with Piano
A cantata for alto and bass soli, SATB chorus and orchestra, by one of England's most renowned twentieth century composers, with text written and adapted by Christopher Hassall. This edition for all v...
A cantata for alto and bass soli, SATB chorus and orchestra, by one of England's most renowned twentieth century composers, with text written and adapted by Christopher Hassall. This edition for all v...
- Soloists, Mixed Choir (SATB) and Chamber Orchestra
- Piano Reduction
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Vocal score (with piano accompaniment) for this symphony (written for orator, SATB chorus and orchestra).
Vocal score (with piano accompaniment) for this symphony (written for orator, SATB chorus and orchestra).
- Soloist, Mixed Choir (SATB) and Piano
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An oratorio for SATB soli, SATB chorus and orchestra. Includes piano accompaniment.
An oratorio for SATB soli, SATB chorus and orchestra. Includes piano accompaniment.
- Soloists, Mixed Choir (SATB) and Chamber Orchestra
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Edited by Ebenezer Prout.
- Soloist, Mixed Choir (SATB) and Piano
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An oratorio for SSSSATBB soli, chorus and orchestra, written in 1748. This vocal score includes a piano accompaniment revised from that of the German Handel Society.
An oratorio for SSSSATBB soli, chorus and orchestra, written in 1748. This vocal score includes a piano accompaniment revised from that of the German Handel Society.
- Soloists, Mixed Choir (SATB) and Chamber Orchestra
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This work, written for AAB soli, SATB chorus and orchestra, was first performed at the thanksgiving for the Treaty of Utrecht held in St Paul's Cathedral, London, on 7th July 1713. Together with Te De...
This work, written for AAB soli, SATB chorus and orchestra, was first performed at the thanksgiving for the Treaty of Utrecht held in St Paul's Cathedral, London, on 7th July 1713. Together with Te De...
- Soloists, Mixed Choir (SATB) and Chamber Orchestra
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This oratorio for SATB soli, SATB chorus and orchestra is a masterpiece from one of the most influential composers of the classical era. Vocal score including piano accompaniment arranged by Vincent N...
This oratorio for SATB soli, SATB chorus and orchestra is a masterpiece from one of the most influential composers of the classical era. Vocal score including piano accompaniment arranged by Vincent N...
- Soloist, Mixed Choir (SATB) and Piano
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ships within 3-6 working days
- Soloists, Mixed Choir (SATB) and Chamber Orchestra
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Written for St Cecilia's Day, 1694 for SSAATB soli, SSATB chorus and instruments. Edited y J. F. Bridge with Latin arrangement by R. R. Terry. Vocal score with piano accompaniment.
Written for St Cecilia's Day, 1694 for SSAATB soli, SSATB chorus and instruments. Edited y J. F. Bridge with Latin arrangement by R. R. Terry. Vocal score with piano accompaniment.
- Soloists, Mixed Choir (SSATB) and Piano
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This work, written for SSAATB soli, SSATB chorus and orchestra, was first performed at the thanksgiving for the Treaty of Utrecht held in St Paul's Cathedral, London, on 7th July 1713. Together with J...
This work, written for SSAATB soli, SSATB chorus and orchestra, was first performed at the thanksgiving for the Treaty of Utrecht held in St Paul's Cathedral, London, on 7th July 1713. Together with J...
- Soloists, Mixed Choir (SSATB) and Piano
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ships within 3-6 working days
- Soloist, Mixed Choir (SATB) and Piano
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Theodora, on a libretto by Thomas Morell, was composed between 28 June and 31 July 1749 when Handel was in his 65th year. This oratorio was written for SMATB soli (with a small supporting part for the...
Theodora, on a libretto by Thomas Morell, was composed between 28 June and 31 July 1749 when Handel was in his 65th year. This oratorio was written for SMATB soli (with a small supporting part for the...
- Soloists, Mixed Choir (SATB) and Chamber Orchestra
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Cantata in five scenes to poems by Thomas Hardy for soprano and baritone soli, SATB chorus, two pianos, timpani and percussion. Duration: c. 28 minutes.
Cantata in five scenes to poems by Thomas Hardy for soprano and baritone soli, SATB chorus, two pianos, timpani and percussion. Duration: c. 28 minutes.
- Soloists, Mixed Choir (SATB) and Chamber Orchestra
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Mass Of The Apocalypse was commissioned by St. James's Church, Piccadilly, for the 300th anniversary of the church, with funds from the Arts Council of Great Britain. The first performance was given i...
Mass Of The Apocalypse was commissioned by St. James's Church, Piccadilly, for the 300th anniversary of the church, with funds from the Arts Council of Great Britain. The first performance was given i...
- Mixed Choir (SATB), Percussion and Piano
- Score
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Bononcini wrote many cantatas, but this is his sole setting of the Stabat Mater. This Baroque mass manifests a flavour of Viennese traditions as well as native Italian melodic strengths. Composer and...
Bononcini wrote many cantatas, but this is his sole setting of the Stabat Mater. This Baroque mass manifests a flavour of Viennese traditions as well as native Italian melodic strengths. Composer and...
- Solo, Mixed Choir (SATB) and Piano
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This cantata for soprano and baritone soli, chorus and organ was commissioned by the Dean and Canons as part of the musical celebrations in honour of the Quincentenary of St George's Chapel, Windsor....
This cantata for soprano and baritone soli, chorus and organ was commissioned by the Dean and Canons as part of the musical celebrations in honour of the Quincentenary of St George's Chapel, Windsor....
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John McCabe, one of Britain's best known contemporary composers, was specially commissioned in 1976 to compose this work by the Northampton Philharmonic Choir to celebrate its 80th Season.
John McCabe, one of Britain's best known contemporary composers, was specially commissioned in 1976 to compose this work by the Northampton Philharmonic Choir to celebrate its 80th Season.
- Soloists, Mixed Choir (SATB) and Chamber Orchestra
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Let God Arise is one of the twelve anthems which Handel wrote for the Duke of Chandos in the period 1716-1718. This anthem was written for soprano and tenor soli, SATB chorus and orchestra. This voca...
Let God Arise is one of the twelve anthems which Handel wrote for the Duke of Chandos in the period 1716-1718. This anthem was written for soprano and tenor soli, SATB chorus and orchestra. This voca...
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An anthem composed in celebration of the Peace of Aix-la-Chapelle, first performed in the Chapel Royal on the 25th of April, 1749, during a service attended by the King and other members of the Royal...
An anthem composed in celebration of the Peace of Aix-la-Chapelle, first performed in the Chapel Royal on the 25th of April, 1749, during a service attended by the King and other members of the Royal...
- Soloists, Mixed Choir (SATB) and Chamber Orchestra
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The seventh of Handel's eleven Chandos Anthems, written in 1717 in the year of his attachment as resident composer to James Brydges, Earl of Carnarvon and later Duke of Chandos. An interesting work wh...
The seventh of Handel's eleven Chandos Anthems, written in 1717 in the year of his attachment as resident composer to James Brydges, Earl of Carnarvon and later Duke of Chandos. An interesting work wh...
- Soloists, Mixed Choir (SATB) and Chamber Orchestra
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- Soloist, Mixed Choir (SATB) and Piano
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Commissioned by Jeremy Patterson and the Birmingham Festival Choral Society with a grant from Bimingham City Council.
Commissioned by Jeremy Patterson and the Birmingham Festival Choral Society with a grant from Bimingham City Council.
- Soloist, Mixed Choir (SATB) and Piano
- Piano Reduction
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Magnificat in D has long been regarded as one of Bach’s finest short choral works and is frequently performed on festive occasions. Included in this edition is the far less well known Magnificat...
Magnificat in D has long been regarded as one of Bach’s finest short choral works and is frequently performed on festive occasions. Included in this edition is the far less well known Magnificat...
- Soloist, Mixed Choir (SATB) and Piano
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Scored for soprano, alto, tenor and bass soli, SATB choir and orchestra. Haydn composed the Maria Theresa Mass in 1799, between the Creation and the Seasons. Revised edition by Michael Pilkington. Lat...
Scored for soprano, alto, tenor and bass soli, SATB choir and orchestra. Haydn composed the Maria Theresa Mass in 1799, between the Creation and the Seasons. Revised edition by Michael Pilkington. Lat...
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An ode by John Milton, set for double SATB chorus and orchestra. Dedicated to C. V. Stanford and the members of the Bach Choir. Orchestral material is available on hire from the publisher.
An ode by John Milton, set for double SATB chorus and orchestra. Dedicated to C. V. Stanford and the members of the Bach Choir. Orchestral material is available on hire from the publisher.
- 2 Mixed Choirs (SATB) and Piano
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