Mixed Ensemble Sheet Music Downloads

Setting Dylan Thomas's evocative yet humble poem 'In my craft or sullen art', Watkins conjures up a beautifully introspective introduction with the use of a simple quintuplet motif which is later tran...

Laude were short mediaeval devotional songs to the Virgin Mary, and Gavin Bryars has kept to the pure, lyrical style of the originals. Following the successful publication of Bryars' first and second...

Laude were short mediaeval devotional songs to the Virgin Mary, and Gavin Bryars has kept to the pure, lyrical style of the originals. Following the successful publication of Bryars' first and second...

Postlude' was one of 10 birthday candles written for Mobius' 10th anniversary and is scored for flute, clarinet, harp and string quartet. At just 3 minutes in length and with a lento tempo marking, 'P...

The idea to write a horn trio came to the composer (also an acclaimed pianist) after giving a concert with a horn player from the Nash Ensemble, which included the Ligeti and the Brahms horn trios. Wh...

I had written the Cadman Requiem in 1989 for the Hilliard Ensemble in memory of my friend and sound engineer Bill Cadman, who was killed in the Lockerbie air crash. His death affected me very deeply a...

I had written the Cadman Requiem in 1989 for the Hilliard Ensemble in memory of my friend and sound engineer Bill Cadman, who was killed in the Lockerbie air crash. His death affected me very deeply a...

A virtuoso work for an increasingly popular instrumental combination, the title (after Van Gogh's visionary painting The Starry Night) gives a sense of the intensity of this music. Personal memories o...

Van Gogh's visionary painting The Starry Night provides the title, if not the stimulus, for this music. Rather, personal memories of Africa are recalled and in particular the sound of music and dancin...

Like Goehr's quintet for clarinet and strings op. 79, manere is influenced by early music and more specifically the Gregorian chant Sic eum volo manére found in the Graduale Romanorum. The work itself...

Commissioned for the renowned Florestan Trio in 2009 and performed them in the UK, France and Germany, Huw Watkins' Piano Trio is a formidable addition to the chamber music repertoire. As an establish...

The music's air of simplicity clearly stands for gifted craft, from the recurring harp arpeggios of the fist movement to the rhythmic drive of the second and the barefaced major chord that ended the t...

Tippett's short chamber work is finally available as part of the Edition Schott series. 'Prelude, Recitative and Aria' is an arrangement of Hermes' Aria 'O Divine Music' from the composer's 1962 opera...

It Never Rains is a short piece written in the summer of 2010 that was commissioned by Jim Fox for the Californian label Cold Blue Music and is dedicated to them. The title comes from two sources: the...

Largo Siciliano is a slow dance movement in a simple metre comprising a sequence of variations, separated by a refrain; a single idea is continually reworked and recast. This idea, or little siciliano...

The intense and surreal musical narrative so apparent in Gerald Barry's hugely successful opera The Importance of Being Earnest returns in a new guise for his latest vocal work Jabberwocky. Setting Le...

This work's title comes from DM Thomas's dramatic poem on an imagined episode in the life of Cleopatra. Cleopatra offers any three men from her royal court a night of unbridled passion, in return for...

This work's title comes from DM Thomas's dramatic poem on an imagined episode in the life of Cleopatra. Cleopatra offers any three men from her royal court a night of unbridled passion, in return for...

Overture was written on the occasion of the 50th Anniversary of the Countess of Munster Trust at Glyndebourne

Für 2 Klarinetten, Marimbaphon, Klavier, Viola und Violoncello.

Gavin Bryars' haunting soundworld is ever present in this trio for bass clarinet, electric guitar and cello. The fusion of electric and acoustic in a bass-dominated tessitura creates a sombre elegy th...

No. 42 (In the Alps) could perhaps best be described as a melodrama. It combines many of the subjects that fascinate me: the relationship of text narrative and musical narrative, the history of opera,...