Mixed Ensemble Sheet Music Downloads
In his roles as Music Director at the Cathedral of Notre Dame in Paris and in the Royal Choir [chapel] of Louis XV, André Campra (1660-1744) composed numerous motets which frequently displayed the inf...
In his roles as Music Director at the Cathedral of Notre Dame in Paris and in the Royal Choir [chapel] of Louis XV, André Campra (1660-1744) composed numerous motets which frequently displayed the inf...
- Soloists, Mixed Choir (SATBarB), 2 Flutes, 2 Oboes, 2 Violins, 2 Violas, Double Bass and Continuo
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Für Tenor-Solo, Männerchor (TTBB) und Blasinstrumente ad lib. Solo T, Coro TTBB, 4 Cor (2 Cor, 2 Fg), 3 Trb, Tb Sprache: deutsch
Für Tenor-Solo, Männerchor (TTBB) und Blasinstrumente ad lib. Solo T, Coro TTBB, 4 Cor (2 Cor, 2 Fg), 3 Trb, Tb Sprache: deutsch
- Voice (high), Male Choir (TTBB), 4 Horns, 3 Trombones and Tuba
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En fin. He is an ecolier of whom I must not be ashamed, is how J. S. Bach summarized the qualities of his later son-in-law J. C. Altnickol. Among the few surviving works by Altnickol are two Sanctus o...
En fin. He is an ecolier of whom I must not be ashamed, is how J. S. Bach summarized the qualities of his later son-in-law J. C. Altnickol. Among the few surviving works by Altnickol are two Sanctus o...
- Choir (1 Part), 4 Violins, Viola and Basso continuo
- Piano reduction Download (Urtext)
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1866 komponierte Anton Bruckner seine feierliche e-Moll-Messe, die er in den Jahren 1876-1882 noch einmal einer umfangreichen Revision unterzog. Unter den Messen Bruckners und auch seiner Zeitgenossen...
1866 komponierte Anton Bruckner seine feierliche e-Moll-Messe, die er in den Jahren 1876-1882 noch einmal einer umfangreichen Revision unterzog. Unter den Messen Bruckners und auch seiner Zeitgenossen...
- Mixed Choir (SSAATTBB), 2 Oboes, 2 Clarinets, 2 Bassoons, 4 Horns, 2 Trumpets and 3 Trombones
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Gounods Messe à la mémoire de Jeanne dArc was composed in 1887 for a festive mass in Reims to commemorate the arrival of the national heroine in the city on the occasion of the coronation of Charles V...
Gounods Messe à la mémoire de Jeanne dArc was composed in 1887 for a festive mass in Reims to commemorate the arrival of the national heroine in the city on the occasion of the coronation of Charles V...
- Soloists (SATB), Mixed Choir (SATB), 4 Trumpets, 3 Trombones, Violin Solo, Harp and Organ
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Gounod's "Messe à la mémoire de Jeanne d'Arc" was composed in 1887 for a festive mass in Reims to commemorate the entry of the national heroine into the city on the occasion of the coronation of Charl...
Gounod's "Messe à la mémoire de Jeanne d'Arc" was composed in 1887 for a festive mass in Reims to commemorate the entry of the national heroine into the city on the occasion of the coronation of Charl...
- Soloists (SATB), Mixed Choir (SATB), 4 Trumpets, 3 Trombones, Violin Solo, Harp and Organ
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Carus published the original version of Bruckner's Te Deum for choir and large orchestra (Carus 27.190) in the fall of 2015. In order to make this work available for performance by smaller-sized ensem...
Carus published the original version of Bruckner's Te Deum for choir and large orchestra (Carus 27.190) in the fall of 2015. In order to make this work available for performance by smaller-sized ensem...
- Soloists (SATB), Mixed Choir (SATB), 2 Trumpets, Horn, Trombone, Tuba and Organ
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- Johannes Ebenbauer
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The Magnificat was commissioned in 2017 by the Landesakademie für die musizierende Jugend in Baden-Württemberg for the Choir of the International Choir Festival C.H.O.I.R. In this setting of the hymn...
The Magnificat was commissioned in 2017 by the Landesakademie für die musizierende Jugend in Baden-Württemberg for the Choir of the International Choir Festival C.H.O.I.R. In this setting of the hymn...
- High Voice, Mixed Choir (SATB), Alto Saxophone, Flute, 2 Violins, Piano, Double Bass and Percussion
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What does early Bruckner sound like? The Magnificat in B flat major casts a completely unexpected light on the young composer, on the threshold of composing his great church works. Around 5 minutes in...
What does early Bruckner sound like? The Magnificat in B flat major casts a completely unexpected light on the young composer, on the threshold of composing his great church works. Around 5 minutes in...
- Soloists (SATB), Mixed Choir (SATB), 2 Trumpets, Timpani, 2 Violins, Viola, Cello, Double Bass and Organ
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Der Berliner Chorleiter und Musikpädagoge Michael Betzner-Brandt ist als besonders kreativer Kopf in der Chorszene bekannt - zum Beispiel durch seine 'Ich kann nicht singen'-Chöre. Um mit seinem Kamme...
Der Berliner Chorleiter und Musikpädagoge Michael Betzner-Brandt ist als besonders kreativer Kopf in der Chorszene bekannt - zum Beispiel durch seine 'Ich kann nicht singen'-Chöre. Um mit seinem Kamme...
- Soloists, Mixed Choir (SATB), Horn, Double Bass, Percussion and Piano
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- Michael Betzner-Brandt
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La Messe de Requiem op. 54 de Saint-Saëns, avec une orchestration très opulente et colorée à l'origine, est proposée ici dans une version savamment réduite. Ainsi, même les petits choeurs, ceux dont l...
La Messe de Requiem op. 54 de Saint-Saëns, avec une orchestration très opulente et colorée à l'origine, est proposée ici dans une version savamment réduite. Ainsi, même les petits choeurs, ceux dont l...
- Soloists (SATB), Mixed Choir (SATB), 1-2 Harps, 2 Violins, Viola, Cello, Double Bass and Organ
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- Klaus Rothaupt
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Die bekannteste Totenmesse vor Mozarts unvollendetem Requiem stammt aus der Feder des zu seiner Zeit gefeierten Opernkomponisten Niccolò Jommelli. Die Missa pro defunctis entstand 1756 während seiner...
Die bekannteste Totenmesse vor Mozarts unvollendetem Requiem stammt aus der Feder des zu seiner Zeit gefeierten Opernkomponisten Niccolò Jommelli. Die Missa pro defunctis entstand 1756 während seiner...
- Soloists (SATB), Mixed Choir (SATB), 2 Violins and 2 Violas
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The best-known requiem mass before Mozart's unfinished Requiem was written by the opera composer Niccolò Jommelli, who was celebrated in his day. The Missa pro defunctis was composed in 1756 during hi...
The best-known requiem mass before Mozart's unfinished Requiem was written by the opera composer Niccolò Jommelli, who was celebrated in his day. The Missa pro defunctis was composed in 1756 during hi...
- Soloists (SATB), Mixed Choir (SATB), 2 Violins and 2 Violas
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In many performances of Monteverdi's magnificent Vespers of the Virgin Mary, the rather high movements "Lauda Jerusalem" and the Magnificat are transposed downwards. In order to make this possible wit...
In many performances of Monteverdi's magnificent Vespers of the Virgin Mary, the rather high movements "Lauda Jerusalem" and the Magnificat are transposed downwards. In order to make this possible wit...
- Voice (high), 2 Mixed Choirs (SAB) and Basso continuo
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In many performances of Monteverdi's magnificent Vespers of the Virgin Mary, the rather high movements "Lauda Jerusalem" and the Magnificat are transposed downwards. In order to make this possible wit...
In many performances of Monteverdi's magnificent Vespers of the Virgin Mary, the rather high movements "Lauda Jerusalem" and the Magnificat are transposed downwards. In order to make this possible wit...
- Soloists, Mixed Choir, 2 Flutes, 2 Recorders, 2 Horns, 3 trombones, 2 Violins, 3 Violas, Cello, Violone and Basso continuo
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Monteverdis 'Selva morale et spirituale' von 1641 steht heute ganz im Schatten von Monteverdis berühmter Marienvesper von 1610. Die Drucke von 1610 und 1641 enthalten beide v. a. Musik für Messe und V...
Monteverdis 'Selva morale et spirituale' von 1641 steht heute ganz im Schatten von Monteverdis berühmter Marienvesper von 1610. Die Drucke von 1610 und 1641 enthalten beide v. a. Musik für Messe und V...
- Soloists, 2 Violins and Continuo
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The Missa latina is a complete setting of the Latin Mass for solo soprano, large mixed choir (SATB divisi as well as soloists from the choir) and a band consisting of violin, bandoneon (accordion), pi...
The Missa latina is a complete setting of the Latin Mass for solo soprano, large mixed choir (SATB divisi as well as soloists from the choir) and a band consisting of violin, bandoneon (accordion), pi...
- High Voice, Mixed Choir (SATB), Violin, Accordion, Piano, Double Bass, Drums and Percussion
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Solo B, Vl, 3 Vga (2 Va, Vc), Bc
- Low Voice, Violin, 3 Viole da Gamba and Continuo
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Solo A, 2 Vl, 2 Va, Bc
- Low Voice, 2 Violins, 2 Violas and Continuo
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- Soloists (STB), Mixed Choir (SATB), 2 Oboes, 2 Horns, 2 Violins Solo, 2 Violins, Viola and Continuo
- Instrumental Part: Viola (Download)
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- Soloists (STB), Mixed Choir (SATB), 2 Oboes, 2 Horns, 2 Violins Solo, 2 Violins, Viola and Continuo
- Instrumental Part: Cello (Download)
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Kantate zum 2. Sonntag nach Trinitatis. Soli ATB, Coro SATB, 2 Ob, [4 Trb], Vl solo, Str, Org
Kantate zum 2. Sonntag nach Trinitatis. Soli ATB, Coro SATB, 2 Ob, [4 Trb], Vl solo, Str, Org
- Soloists, Mixed Choir (SATB), 2 Oboes, Violin, Strings and Organ
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Kantate zum 2. Sonntag nach Epiphanias. Soli SATB, Coro SATB, [Cor, Trb], 2 Obda, Str, Org
Kantate zum 2. Sonntag nach Epiphanias. Soli SATB, Coro SATB, [Cor, Trb], 2 Obda, Str, Org
- Soloists, Mixed Choir (SATB), Strings and Organ
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Soli SATB, Coro SATB, [Cto, 3 Trb] (Chorduplierung), Str (2 Va), Org. Kantate zum Osterfest (Frühfassung) - Die Kantate 'Christ lag in Todesbanden' gehört zu den frühesten Vokalkompositionen, die von...
Soli SATB, Coro SATB, [Cto, 3 Trb] (Chorduplierung), Str (2 Va), Org. Kantate zum Osterfest (Frühfassung) - Die Kantate 'Christ lag in Todesbanden' gehört zu den frühesten Vokalkompositionen, die von...
- Soloists, Mixed Choir (SATB), Strings and Organ
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Soli SATB, Coro SATB, [Cto, 3 Trb] (Chorduplierung), Str (2 Va), Org. Kantate zum Osterfest (Frühfassung) - Die Kantate 'Christ lag in Todesbanden' gehört zu den frühesten Vokalkompositionen, die von...
Soli SATB, Coro SATB, [Cto, 3 Trb] (Chorduplierung), Str (2 Va), Org. Kantate zum Osterfest (Frühfassung) - Die Kantate 'Christ lag in Todesbanden' gehört zu den frühesten Vokalkompositionen, die von...
- Soloists, Mixed Choir (SATB), Strings and Organ
- Instrumental Part: Violin 1 (Download)
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