Modern Classical Piano Sheet Music

Die 'Modernen Walzer' von Hans-Juergen Neuring, erfahrener Klavierpädagoge und -komponist aus Hamburg, sind wie musikalische Bilder direkt aus dem Leben geschnitten. Die Titel verraten einiges über de...

Die klangvollen Klavierstücke dieser Ausgabe sind wie eine 'Gehörbildung für Klavierspieler' zu verstehen. Pianisten zählen zu den musikalischen Intellektuellen, weil sie parallel in zwei Notensysteme...

The title of Ravel's Miroirs (1904/05) can be interpreted as 'reflections' of the human world of experiences. Among the nature pictures in this cycle, 'Une barque sur l'océan' is particularly popular,...

This piece is straightforward in its construction but highly advanced in its harmonies, and links up with the widely popular, 19th-century tradition of the 'night piece' or 'nocturne' for piano. Its t...

Rachmaninoff's Prélude in D major from his op. 23 collection is a wonderfully dreamy nocturne in the style of Chopin. The engaging immediacy of its poetic magic and the fact that it is only moderately...

Sergei Rachmaninov's second book of Préludes, op. 32, was written in the summer of 1910 at his family's idyllic country house in Ivanovka. This sleepy, rural area inspired the composer to this wonderf...

In his youth, when still searching for his own personal style, Debussy composed a series of short, stand-alone piano pieces. He took traditional genres such as the ballade, mazurka, nocturne and waltz...

Schönberg’s publisher Emil Hertzka provided the impetus for composition of the Piano Piece op. 33a in 1928. In fact, he had merely asked for permission to print an older work in the collection Musik d...

The composition '1.X.1905,' generally referred to as a 'sonata,' stems from the autumn of 1905, the peak of the riots between the Czech- and German-speaking populations in Janáček's hometown Brno. Rea...

To mark the 150th anniversary of Debussy's birth in 2012, we are proud to present a tribute to his piano solo works in three volumes, available as a paperbound or a clothbound edition. As a publishing...

Piano music occupies a small, but nevertheless musically important place in Janácek's oeuvre. Our edition of 'In the Mists' by the seasoned Janácek editor Jirí Zahrádka is an impressive example of thi...

Ravel had limitless admiration for Debussy's famous orchestral work, going so far as to say in an interview that it was his innermost wish to die to the sounds of this 'unique marvel in the whole of m...

Slow waltzes enjoyed a special vogue in Parisian salons of the early twentieth century, leading Debussy - with a twinkle in his eye - to produce his piano waltz 'La plus que lente' ('The Slower-than-S...

Debussy intentionally did not place titles at the top of his Préludes for piano (HN 383), published in 1910, but merely wrote them at the end and in parentheses - almost as a belated comment on the pi...

In the years 2001-2014, G. Henle Publishers issued Urtext editions of the ten piano sonatas by Alexander Skriabin. The Skriabin specialist Valentina Rubcova from Moscow, the editor of these ten editio...

Welcome to G. Henle Publishers, dear Maestro Kissin! We are honoured and proud to be able to publish the first three opuses by world-renowned, inspired pianist Evgeny Kissin, who for some years now ha...

In the “Nocturnes” for orchestra and women’s chorus, composed between 1897 and 1899, Debussy realised his concept that the musical form should emerge freely from the material. With the tripartite stru...

> Joint publishing venture with Editio Musica Budapest Bartók used different melodies taken from Romanian instrumental folk music in his Sonatina. A look at the sources shows how, in 1915, the piece s...

The four-movement Suite op. 14 was composed in 1916 and was one of Bartók's favourite piano works throughout his life. Unlike in his other works for piano of these years, he did not use any folksong m...

In a note for the planned first edition of his Hungarian Peasant Songs in 1914, Bartók wrote that 'the melodies published here are folksongs in the truest sense of the word; more precisely, peasant so...

Bartók's Romanian Christmas carols are based on folk melodies that originated in a pagan celebration of the winter solstice, and which he felt gave 'the impression of a fiery, war-like type of song, r...

Of the many works Bartók composed on Hungarian and Romanian folk melodies between 1914 and 1918, these three piano pieces occupy a special place. Originally outlined for the collection 15 Hungarian Pe...

Bartók's Mikrokosmos is one of the milestones in the pedagogical piano repertoire - and yet it is also far more than a 'classical' piano primer. These 153 piano pieces, organised in ascending order of...