Nico Muhly Sheet Music for Ensemble

Written for countertenor and string ensemble, this is a setting of Consummation by Thomas Traherne, and is in response to Bellini’s St. Francis in Ecstasy. Commissioned by The Frick Collection, the fi...

Nico Muhly's Time After Time, scored for Soprano Saxophone, Marimba and Percussion. The work was composed in 2003 and lasts around 8 minutes.   Time After Time wascomposed for the Yesaroun' Duo (...

Nico Muhly 's Stabat Mater Dolorosa for Soprano, Baritone and Ensemble. Full score. My Stabat Mater is a very simply-constructed piece of music. I knew I wanted to write a duet, a piece of religious m...

Nico Muhly 's Stabat Mater Dolorosa for Soprano, Baritone and Ensemble. Parts. My Stabat Mater is a very simply-constructed piece of music. I knew I wanted to write a duet, a piece of religious music,...

Moving Parts' is the music for Benjamin Millepied's ballet of the same name. Scored for Violin, Clarinet and Pipe Organ, the piece is a series of rhythmic etudes. The slow movement is a very slow pass...

Big Time is a composition by Nico Muhly for String Quartet and Percussion (1 player). Commissioned by the Central Vermont Chamber Music Festival for their 20th anniversary in 2012, the performance las...

Big Time is a composition by Nico Muhly for String Quartet and Percussion (1 player). Commissioned by the Central Vermont Chamber Music Festival for their 20th anniversary in 2012, the performance las...

An arrangement of Dowland’s I Saw My Lady Weep followed by a set of variations for trombone and string quartet.

Commissioned for the Claremont Trio by Robert and Jane Morse for the world premiere performance October 30, 2008. Score and parts for Piano Trio (Violin, Cello and Piano). Common Ground employs thre...

Expecting The Main Things From You is a work by Nico Muhly for SATB Choir, String Quartet, Percussion and Organ. Commissioned by the Gabe Wiener Foundation and first performed in May 2005 at Central S...

Written for SATB choir, string quartet, percussion and organ. Percussion and string quartet parts.

By All Means is a work for Large Ensemble by Nico Muhly. Commissioned by the Juilliard School, New York and the Royal Academy of Music, London, a full performance lasts around 9 minutes.

Contemporary American composer Nico Muhly is a prolific writer and arranger who, at 32, is the youngest composer ever to have been commissioned by the Metropolitan Opera in New York. His oeuvre includ...

For a piece with such a strong electronic component, 'It Goes Without Saying' is surprisingly organic. While the electronics include chillier, metallic noisesﾗsamples ranging from a kitchen whisk to a...

Nico Muhly 's A Long Line for solo Violin and Electronics. ' A Long Line, for solo Violin and Electronics, was written for violinist Erik Carlson and was originally meant for performance as part of Vi...

Radiant Music was written for flautist Alice K. Dade at her request for a short recital piece. The tape part is made up of several episodes of shimmering music for flutes, dulcimers organs, and sample...

Written for percussion and piano. The percussion consists of a 5-octave marimba and a table of assorted junk. This could include frying-pans, metal bowls, plastic tape dispenser, CD case and a cowbell...

Honest Music has, in the composer's words, 'a makeshift nature... the sad beauty of things coming together and things falling apart'. There are long, expressive gestures with Romantic moments, sputter...

Written for cello, harp and celeste.

In the composer's own words, ' Keep in Touch is a lament, a sort of chaconne divided up into sections by more freely-composed cadenzas for the Viola. ' The electronic CD supplied with the sheet music...

I Know Where Everything Is is a cycle of chords in a pile. Each chord has a series of possible voicings, and a series of possible quick ornamentations. The piece starts with the most moderate of these...

I Know Where Everything Is is a cycle of chords in a pile. Each chord has a series of possible voicings, and a series of possible quick ornamentations. The piece starts with the most moderate of these...

How About Now is a composition by Nico Muhly for an Ensemble of Flute, B Flat Clarinet, Electric Guitar, Double Bass and Piano. A full performance of this work lasts around 7 minutes, this is the scor...

For mixed SATB chorus and Brass Ensemble. Commissioned by Works and Process at the Guggenheim Museum, New York. Premiered on December 15, 2008 by the Vox Vocal Ensemble and the Graham Ashton Brass En...

For mixed SATB chorus and Brass Ensemble. Commissioned by Works and Process at the Guggenheim Museum, New York. Premiered on December 15, 2008 by the Vox Vocal Ensemble and the Graham Ashton Brass En...